243: Cessna Plane

I have had this model, described via hand-drawn diagrams for ages and thought it a good one to finish the month with:

This is a tidy little plane, named Cessna after the style of modern single engine aircraft it is modeled on. I am not, however, sure who the designer is – can anyone enlighten me?

A clever use of the bird base with some ingenious accordion pleating to liberate the wings and some interesting pucker pleating to form tail and propeller, there is some very dense folding to shape the fusilage and a cute domed cover for the cockpit, even some vestigial landing gear underneath.

Happy with this as a first fold, can see myself trying to refine it so it is tidier – am sure I could tease some wheels and maybe master the propeller a little better in subsequent folds.

232: Face-hugger

My second favorite sci-fi film of all time (Alien) brought new forms of terror to the screen:

In a well tried formula, a nasty makes itself on board a spaceship firmly clamped to the face of an inquisitive explorer (John Hurt), implanting an egg in the host’s tummy before scaring everyone and dropping dead. The newly hatched nasty then systematically, and with great suspense, eats everyone – you get that. This prototype xenomorph is all the more terifying because, based on Geiger illustrations, organically modelled after a sinister hand.

I like that there was always a life-cycle implicit in the Alien films, and that there was an innate social order amongst the xenmporphs also.

This model was a little trickey to fold – I had to nurse the copy paper as at many junctures it looked like it would disintegrate – I managed the fold without any paper fatigue I am proud to say and it is a worthy proto alien to compliment the adult I folded earlier in the year

Insectoid, reptilian, with gripsey fingers for walking, prehensile tail to wrap around the neck of the victim, off lung sacks for gas exchange, a well thought out model indeed (even if the instruction annotations were bewildering – thankfully I am confident enough to improvise when I cannot make head nor tail of what is supposed to go where)..

223: Yoshizawa’s Monkey

I like a figurative compound model, and when it is designed by a master like Akira Yoshizawa then it feels like a privilege to fold it:

This is one of his monkeys, in two pieces – I love the pose, the simple but expressive face, posture and all – very clever.

Made with 2 bird bases, then each part diverging in method yet strangely symmetric, coalescing into a top and tail that then slots together.

This is a lot like the more complex “swivel monkey” which I will torture myself with later, for my first fold I am happy with this result. Taken from “Creative Origami”, a masterwork entirely in Japanese, most models have no landmarks, you fold them by eye, making each fold unique and allowing the folder to add their own character – nice.

216: I’m A Little Teapot

I’m a little teapot, short and stout. Here is my handle, here is my spout. When I get all steamed up then I shout, “tip me over pour me out”:

It is a well known fact that I am seriously into TEA, so it is natural to make a teapot, when I saw this model I knew I had to make it.

A clever, simple use of a bird-base, the shape is variable (many judgement calls effect the final shape) and the handle is a little free-form but I like it – hope you do too.

180: Rocking Horse

Now I have been a customer of Rocking Horse records in Brizvegus for as long as I can remember – they stock an important mix of local releases, electronica, avant-garde, metal, obscure and dance music ephemera that appeals to me.

They are in trouble – difficult to compete with torrents and copyright theft (I know many young people who have never purchased music ever, but have iPods full of the stuff). I decided to visit today, purchase a bit but sadly everything is on sale – not a good sign. Today’s model is a rocking horse:

This little model actually rocks also, very tidy (if torture to get all the paper inside the body and leave the rockers largely fold free so they, well, rock…

I like the body proportions – very horsey – and the weight distribution is also good – very well designed model by Ronald Koh (the same guy who designed the King Cobra)

Precision was important here, and a little luck – many of the folds were judgment calls, no landmarks are trickey if you have not folded a model before and do not know what ends up where.

Happy with my first fold, fingers crossed that a good record store can survive – brissie would not be the same with out it.