803: (253/365) Roman Diaz’s Owl

There are many approaches to folding owls, all concentrate on the eyes and head structure:

This fold takes you on quite a ride. Diagrams taken from “Drawing Origami Tome 1”, the folding sequence is clear and rich, but I am sure my next fold of this model will be better as I now know what becomes what.  Continue reading

713: (163/365) Roman Diaz’s Goat

Scrumbling through my “must fold list” I came across a curious hand-drawn diagram set from Spain and decided to give it a whirl:

After much torturing (I started with a 35cm square) the result is a rather lovely goat. I think this is my favourite farmyard animal so far – lovely proportions, fantastic modelling potential. Continue reading

369: A Wren

Took a leisurely walk through some rainforest and noticed these perfect blue wrens, flitting from trunk to vine:

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Exploring a new book called Origami Essence by Roman Diaz, this little beauty was amongst the models I have decided to try.

I like the “wrenny”ness of this model. Some lovely techniques here for this keeper of a freestanding bird model

368: Brent The Unicorn

Now I am aware that a certain “Brent” recently had a birthday, and on that birthday I folded a creepy crawly, so thought it appropriate to counter the scary with “unicorns and rainbows”:
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This is Roman Diaz’s Unicorn, lovely thing – mane, tail, beautiful ears, splendid horn.

Happy Birthday (all be it belated) Michael the Brent – may you live long and prosper. Folded amidst the rainforests of northern NSW

362: Young Buck

Amongst the plethora of models I still have not yet tried, there are some beauties:

This is Roman Diaz’s Deer and it is a lovely specimen indeed. 10 points on his antlers, proud stance and a spring in his step.

This model, though lovely, was a cow to fold – hand drawn instructions that were not to scale, step 41 I missed altogether, which caused no end of peril and a re-fold (so sue me).

In the end this is fantastic – you get a real sense of the animal, the proportions and stance feel quite natural, the ingenious mangling to get enough points for the antlers amazing and the wrangling to get the majority of the paper tucked away to reveal the body nothing short of breathtaking.

Diaz has a unique style, this model features closed sinks in abundance (quite difficult to do well) and so provided me with some valuable practice.