After re-subscribing to JOAS, in record time my back-issues of the Tanteidan magazine arrived and along with one of them, a really challenging diagram:
About 170 steps, extreme paper torture and, as a project, something truly terrifying but I knew I needed to try it. Continue reading
I am nothing if not determined at times. This model has beaten me many times but, due to a perfect storm it seemed to just happen in my hands:
This is Satoshi Kamiya’s “Tsuru Rose” – an odd but beautiful combination of a Kawasaki rose twist in the body segment of a traditional Tsuru. Continue reading
Fans of Harry Potter will recognised “Fluffy” the 3-headed dog, Hagrid’s pet (oops, just outed myself as a Potter nerd).
This is Satoshi Kamiya’s “Cerberus”, a rendition of a mythical beast that is an amazing design that in the end is really really fiddly.
As part of my JOAS membership, I get sent magazines with models to try – a really excellent collection of complex models from the worlds best designers. When I saw Satoshi Kamiya’s Dragonfly, I was really scared of it.
The level of pleat management and re-arrangement of flaps and layers is truly terrifying when viewed as a whole.
As a “treat”, to reward my marking progress (I am a teacher, I set assessment but hate marking it) I allowed myself to complete a couple of steps each sitting. This fold has taken place over the period of 3 weeks, a little at a time. the advantage of this method is that I did not get freaked out by what was to come, just concentrating on the couple of steps I was allowed to complete. Continue reading
As you may have guessed from subsequent posts, I have been learning to fold Satoshi Kamiya’s Ryujin 3.5:
After a year of lessons, learning bits of the model and patiently/painstakingly working on each of the elements of the design, I managed to combine all onto one model. Continue reading
