Sometimes, just sometimes, it has to be noodles – rice or wheat, in broth, that are schlurped while way too hot, because … reasons:
I saw a crease pattern (CP) by Jinjang on an origami Discord I frequent and (in the season of justifiable procrastination) had to fold it.
I think there are errors on the CP, as I found I needed to adjust crease lines to properly form the bowl, and would probably manage the colour of the lip differently next time, but as a first fold this was a really interesting exercise.
Rounding out my Ryu journey, I decided to use a small scrap of Kozo left over from another project to fold Jason Ku’s Ryu Zin Junior 2.1:
While sharing some of the nomenclature of the Satoshi Kamiya chinese dragon series, this little chap is markedly different on every level. I found a set of photo diagrams lovingly annotated by Daniel Brown, and thought I would give is a whirl.
My usual line “if you find interesting paper, get it and I will make you something out of it” has been the start of many fascinating journeys:
Peter and Majella travelled to Japan, and found some lovely paper – one, a sheet of hand-made natural Kozo with botanical inclusions screamed out for something delicate and textured. I had intended to return to Mikiller觅晨’s modular dragon, having already folded it large, I thought it might be interesting to fold it tiny and trap it in a shadowbox frame.
Much has been made in the media about the current bush fire situation in Australia. Truth is the scale of devastation is impossible to grasp, in terms of sheer acreage of scorched earth, number of homes lost, lives lost and livelihoods ruined. When we add the effects on environment, habitat and wildlife (flora and fauna), the effects of the 2019/2020 summer will have long-reaching and potentially permanent ramifications:
I want to say that our leaders are on top of this, but have never had confidence in politicians, and am not convinced any can see past getting re-elected to make the hard decisions necessary for our continued existence. Indeed, when our PM chooses to go on holiday during the worst of it, when he and his colleagues continue to deny climate change, despite the overwhelming scientific evidence. They display a vandalistic attitude to environmental policy, and offer reckless abandon to fossil fuels and non-sustainability.
Their lives in our hands. “They” are our children, their children, the animals and plants that make up the biosphere in which we live. The “they” are US.
I love meta – that examination of self-reference is great brain food, and this fold designed by Neelish Kumar fits nicely into that philosophical space:
Nominally named “Origamist’s Worst Nightmare”, it is a place I have been – being so into a model at the expense of the materials, having it disintegrate in my hands as I work it.
The more observant of you will notice a despairing folder, paper ripped along a much-worked crease. Look closer, the crease pattern is Eric Joisel’s “Dwarf“, a particular favourite that I have ruined many a sheet mastering.
Some folds are quite the journey, Ryu Jins are no exception. I have already folded the 1.2 and the 3.5, but had not tried the 2.1, relegating it to the “when I have time” pile:
Holiday time is a time of recharge, paper folding therapy is my thing so I embarked on the super-duper-complex journey with HUGE bits of paper. I decided to fold it in 2 halves (two 140 x 70 cm rectangles of red duo Ikea Kraft paper).
As a bit of paper engineering, Ryu are masterpieces of fitting so much on a single square. The 2.1 is laid out in a similar morphology to the 3.5, with 2 halves of the model on opposite edges of the paper. The Ryu 1.2, in contrast, uses the diagonal and is symmetrical about that.
Most cultures have myths and legends, developed over centuries, to explain how things work. The Chinese Zodiac and New Year is at odds with the western Julian calendar, but none the less interesting:
2020 is the Year of the Rat – interestingly my socials are full of mouse diagrams, but for me there are few iconic origami rats, and this is my favourite – designed by Eric Joisel, I just love the character this chap presents.
Continuing the journey to explore the components of a Ryu Jin 2.1, I had a go at the legs:
A relatively simple box pleat collapse and some shaping to make a powerful set of claws. I used a 28 grid and managed to tease 5 toes per foot (something I think the full model does). A little MC to stabilise and I think these can be considered a success.
I have no idea how difficult it will be to isolate these in the middle of a sheet with a whole lot of other crazy happening around it, but that seems to be the next step … we shall see.
I have begun the (some say perilous) journey to realise Satoshi Kamiya’s Ryu Jin 2.1. I have previously achieved the head of this model, and there is more work to do to become familiar with the other components, but this is a nice next step:
The tail of the 2.1 is different to the 1.2 and the 3.5 in that it is more of a fan blade, to get there, you need to fold a small section of the scale field, and pack away a bunch of the paper inside the body.