1011: Foschi’s “Gecko”

I had a 12cm square of thin crisp Kraft and decided to try the Riccardo Foschi CP for his gecko. This required a 32 square grid, making resultant pleats 4mm or less each:

Riccardo Foschi's Gecko

I figured this was a good test of my accuracy, and found it quite relaxing but fiddly with my nerve-damaged hands. I am working on my CP deciphering skills, and this seemed quite straight forward.

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1010: Foschi’s “Black Widow”

Determined to work on one of my known folding weaknesses (solving crease patterns), I decided to have a go at Riccardo Foschi’s “Black Widow”:

Folded from 4×1 rectangle, box pleating teases out lovely long legs, cephalothorax and abdomen. With a little magic I managed to extend some pincer-like jaws also to use up some of the paper that was otherwise lurking in the transition between the body and the legs, which was quite pleasing.

Riccardo Foschi's Black Widow

Half the job is the collapse – working out what should be mountain, what should be valley, and the order of the collapse. The rest of the work (some say the hardest bit) is in the shaping as, often, the base you collapse to only roughly corresponds to the morphology of the final form, you then need to primp, tease, thin and pose to gain model finesse.

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1009: Mayhew (or Black Death)

Apparently one of the symptoms of the plague was to smell a sweet smell like flowers:

Xander Perrott's "Mayhew"

That escalated rather quickly, but that is life in a pandemic age I guess. This “black flower ball” is “Mayhew”, a kusudama designed by Xander Perrott, a lovely thing indeed.

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1008: Lend A Hand

After what feels like ages, I am returning to recreational folding (it is great therapy):

Sergio Gurachi's Skeleton hand

This started as a mystery CP by Sergio Guarachi, that I sort of solved, then researched and realised I collapsed it more or less correctly. I am still a NOOB when it comes to solving CPs, so was a little chuffed that my collapse liberated a workable number of points, and with some creative smooshing (an actual origami technique) got a fair approximation of a human skeletal hand.

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1007: The Difference Between a Duck…

I am reminded of a joke, oft told by my Father In law: “What’s the difference between a duck? … Nothing … One leg is both the same”:

A duck

In looking to start some recreational folding I remembered a model from Wei Lin Chen I found ages ago but had not gotten around to until now.

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1006: Fake News

In an age of great confusion and concern over health, safety and social distancing, it is interesting (nay, alarming) to see the spike of “fake news” relating to the current Pandemic:

Xander Perrott's "Zenith"

We learn via social media that Covid-19 was man-made, released as a viral payload from some weaponsied experiment (gone wrong, or not), is transmitted via 5G, and is defeated by injecting disinfectant and drinking bleach. We hear and watch idiot orange leader lie, contradict himself, blame storm, underfund, over-claim, then go and play golf while his country suffers.

We learn that some ffolk, tired of being “isolated” for a week or two in one of the most virus-ravaged countries chose to riot (hence magnify the problem) for their right to congregate, despite social distancing suggestions in place to save their lives – and we see them turn up, enraged, with guns, like they can shoot the fucking invisible enemy.

We hear from celebrities, entombed in their mansions, doing it tough because they are down to only domestic champagne, we hear of crop circles, conspiracies, complete shit uttered by people with access to the greater public, in the end (like this post) it is all NOISE, no SIGNAL.

It appears scientists and health workers DO know how to mitigate spread, that social distancing IS effective at arresting spread, that outbreaks are inevitable but manageble if there is a healthcare system in place applying rational and reasonable steps, and that the world will return to some version of normalcy slowly and cautiously.

Xander Perrott's "Zenith" scale

This is “Zenith”, a 30 piece kusudama, designed by Xander Perrott (from his eBook “Folded Forms”), folded from duo red/natural Kraft. It is reminiscent of the shape we are seeing of virus (cells?), it was folded during a telly binge, it helped to calm me down when I think of work Monday: I am a teacher, for the past few weeks I have had had nearly normal classes (I teach mostly year 11 and 12, they were back in F2F after an extended period in ISO). This coming week, all students return to a tiny inner-city campus. 1700 boys, 120 staff, no room to swing a cat, social distancing impossible. Happy days.

1005: Mask#16

Lately I have been folding a lot of faces – some free-form, some crease pattern (CP) based:

Mask #16 - Flynn Jackson

This is Mask #16, designed by Flynn Jackson, folded from cardstock, painted bronze.

I am beginning to get a “feel” for facial features – repetition and practice of free-folding helps me realise nuances between face structured, position of key anchors (brow ridge, nose, mouth) and how to set the eyes.

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1004: Baby Yoda

I, like many of you eagerly awaited the Disney “Star Wars Story” The Mandalorian.

Andrés Lozano's Baby Yoda

WARNING – SACRILEGE: It started as an off-planet spaghetti western (faithful right down to the soundtrack), but quickly (for me at least) degenerated into the “baby yoda show”, garnished with some impenetrable Mando law and totally impractical helmet decisions.

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Another Brick In The Wall

I vaguely remember folding lego in my original 365 journey back in 2011 and I am sure I remember following a set of diagrams. Looking back, the resource moved and has degenerated into low res Crease patterns:

Lego development

Un-flummoxed, I set about re-acquainting myself with the fold – an intense little 12×14 grid, special collapses for pegs and pits.

blocks

Having folded one, by gridding a square cut from an A3 sheet, initially 16×16 (because that division is easy) then slicing off 2 and 4 units from adjacent sides to get to 12×14. the resultant block was fiddly, but I got back into “the zone” and the collapses were tidy.

collection

I then realised that I could waste less paper by dividing the short side of an A3 in 3rds, then 6ths, then 12ths, when squaring along the long side I had to remove only a small sliver off the end (quite efficient use of the sheet) – the resultant grid made a much more satisfying sized block.

building blocks

I set about making a few different colours, because.

another brick in the wall

All in all, they are just another brick in the wall. Mother, did it have to be so high?

1003: Flat-folding Sine Wave-based Corrugation

Exploring the notion of curve-following corrugations, I drew a section of a sine wave, placed a series of graduated squares diagonally along it, constructed diagonal bisectors and extended them to the bounding boxes. then tiled, mirrored and flipped copies to construct a sine-wave that extended over an A4 page:

flat-folding sine wave-based corrugation - crease pattern

Although tiny, I used a stylus to score the necessary creases then spent a couple of hours delicately collapsing it.

flat-folding sine wave-based corrugation - finished form

The first few creases did not cooperate but as more of the structure emerged, it reinforced the remaining collapses and it sort of started to look after itself. Explore further the Maths behind this technique in this published paper.

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1002: Flat-folding Curve-following Parabolic Corrugation

I had been exploring corrugations that followed curved lines, as you do, and sort of worked out that you needed a quadrilateral face with equidistant gutters either side, but my rough approximations were foldable but not pretty:

Flat-folding Curve-following Parabolic Corrugation

Then I saw a published paper, about the same thing, that suggested square/rhombi arranged diagonally to follow the line, organised diagonal-based accordion pleats, and a scale factor bigger of the same shape for the gutter creases and bingo, problem solved.

Flat-foldability is a thing, there is lots of maths in it, but it is so satisfying to have manually derived something that was subsequently proven (*flex*).

Flat-folding Curve-following Parabolic Corrugation CP
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1001: “Have the Lambs Stopped Screaming, Clarice?”

I have been a fan of the Hannibal Lecter thing since that was possible. Books, movies, series, love it all, but few things are more chilling than the original “Silence of the Lambs” movie. One of the central images of that movie, and a delicious cover art of the original book features the Deaths-head Hawkwing Moth (Acherontia atropos):

This model, designed and shared by Sebastian Limet, requires thin bi-colour paper. I had some duo paper that was strangely thick, but managed to work the design and surface the details that make this mode so striking.

Deaths-head Hawkwing Moth

Folded from a 40cm square of black/white duo unryu, I have enjoyed following a fold sequence that started at the Waterbomb base and goes sideways from there.

Concentrating on the important details here – wings, skull, abdomen and antennae, this relatively simple model is all style, genius design typical of the brilliance of Sebl designs.

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1000: How Green Was My Cactus

Episode 245, Mabel, confused about her husband’s sudden emergence from a coma as a woman, signs over her mortgage to Favio, the pool boy, and became a nun, briefly.

How green was my cactus - finished

I remember a radio serial comedy drama, it used to make me giggle and it was called “how Green was my Cactus?”, the inspiration for many of the hashtags as I chronicled this fold, over what has seemed like an age. Somehow this is relevant in the context that this is “never folded this before #1000” for me – an astonishing milestone that I do not take lightly. I knew I had to attempt something epic … be careful what you wish for.

I first saw pictures of Daniel Brown’s fold of Robert Lang’s “Cactus, Opus 680“, and then I saw some fold suggestions from Daniel and flirted with the idea of taking a crack at this fold.

How green was my cactus - views
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999: COVID-19

The story of the moment is COVID-19, and the unprecedented effects the global pandemic is having on “business as normal” across the world.

Xander Perrott's "Space Virus"

In out little corner of the planet, things continue to be weird. As a teacher, I am still at work, with 1700 boys in a fairly confined space. The current government position is that it is “business as usual” for schools, as we gear up to deliver online learning as part of our “continuity of learning” plan. I want to say I feel good about things, but we all deal with uncertainty our own way.

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998: Losing Our Shiz

Australia is many things to many people. Currently, in the media, it seems like Australians are being portrayed as panic buying essential items in huge quantities, in preparation of an on-coming pandemic that is waaay less lethal than normal Flu:

Toilet Paper Origami

The first such item was Toilet paper, with viral (or bacterial) footage of people fighting in the aisles of supermarkets for the last bulk pack.

All I am saying, is give peace (and common sense) a chance, people.

This is Jo Nakashima’s Toilet Paper Crane, a fitting symbol of restraint. I only wasted 3 “poo tickets” (“Kenny” reference) in making it, so do not panic, unless that is something you do to increase likes on Instagram or Tik Tok.. … imagine going down in social media history as a toilet paper “influencer” – bahahahahahaha.

You should consider making this – sit somewhere, calm down, unclench and fold some bog roll for something other than wiping your bum.

997: Western Dragon

Western dragons are an attempt to make sense of a mythical flying beast – the whole wing-thing appears necessary, and the morphology is usually based on a giant lizard:

Redpaper's Western Dragon

This is a test fold of Redpaper’s “Western Dragon”, well my rendering of it at least, from his forthcoming book.

I have taken liberties, having folded it a couple of times to try and work out the most dense parts of the design, and required sheet size.

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996: Eastern Dragon

Currently editing a book including designs by “Redpaper”, I decided to road-test his “Eastern Dragon” – an intense fold on the diagonal of a square.

I tried this with a 35cm square of japanese tissue and was unable to realise most of the detail, so scaled up to a 65cm square of duo kraft and found it more manageable.

Red Paper's Eastern Dragon

There is a bot to take in here, the front claws are cute, the facial expression reminds me of the chameleonic monster from “Monsters Inc” but I think this model is really challenging on a few levels.

The back legs are an intense ride that results in fairly clumsy toes, but it is free standing on them in tripod and the rather odd tail. The neck is bent back and forward to point the head forward. If I were to re-fold this, I think large format double tissue would help, and there is so much paper in the body that I am sure you could make that more textured.

The fold sequence contains some mystery meat also – the formation of the legs is a bit smooshy (or it was for me), and the antlers were also tricksey, but it was an interesting ride. Keep your eyes out for the new book – there are some fab folds in it for experienced folders.

995: Broken

Playing with arguing pleats, I scored a sheet of card in random/odd verticals that were all a bit slanty, then accordioned it up to create the basic structure. Next I started creating a series of ziggy-zaggy inside reverse folds. in steps down, then steps back up.

creasing

The shadows of this thing really float my boat – I must explore if there is a way to control this some more – I am sure there is a method that allows me to create a path of fan-fold collapse that is curved.

I call this broken because this looks like a rip in space time (well, to me it does).

994: Mushu

Riccardo Foschi frequently shares crease patterns for his new designs on social media. When I saw “Mushu” I knew I had to try and fold it:

Foschi CP

It is rare to find a “happy” dragon, but this one beams a positive energy that makes you smile. There is lots of detail to take in – the head has branched horns, smiling eyes, lovely colour-changed curly whiskers, nostrils, teeth, a lovely wiggly tongue, lower jaw and a beard. A lovely set of back spikes, each leg has 3 toes and the beautiful fan tail caps off the beastie.

Mushu

Made over a period of a week, from 5x 2:1 rectangles of odd spotty black Ikea Kraft. Sections form variously tail, legs, body and head modules, all of which ingeniously interlock without the need for glue. Riccardo also states that it can be made with a single 10:1 rectangle, but I thought that would be too wasteful when cut from a paper roll, so decided on the modular approach.

My problem with crease patterns is that, although they show the major creases, they do not really hint on the shaping or fold order. The head, in particular, took me a while to sort out. I decided, contrary to the designers photo, to fold the legs differently – I think they look more natural this way (but I folded forward, backward, forward and back many times before deciding on this configuration).

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993: Roman Diaz’s Deer

When asked by a colleague for a model that evokes memories of Japan, Miyajima’s Deer are right up there:

993 - Roman Diaz Deer

I started with a 45cm square of plain Kraft, and started folding – as much for therapy as it was for exploring a new model I am amazed I have never folded before.

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