After some fiddling, and diagramming (hopefully for the Sydney Folders Convention book) I am happy with the component parts of this original model:
The sock and buskin are two ancient symbols of comedy and tragedy. In Greek theatre, actors in tragic roles wore a boot called a buskin (Latin cothurnus) that elevated them above the other actors. The actors with comedic roles only wore a thin soled shoe called a sock (Latin soccus).
Melpomene, the muse of tragedy, is often depicted holding the tragic mask and wearing buskins. Thalia, the muse of comedy, is similarly associated with the mask of comedy and comic’s socks. Some people refer to the masks themselves as “Sock and Buskin”.
Inspired by face work on Eric Joisel’s Dwarf series, a single piece of paper becomes BOTH comedy and Tragedy – happy with the result.
Taking a square and (nearly) cleaving it into 4 separate sheets leads to an interesting design dilemma:
When the join is in the centre of the sheet, you can join wings, tails or I suppose beaks together.
When the joins are at the edges of the sheet, you could join wings, beaks or tails but I went for the symmetry of wings in this fold.
Luds is taking some leave, we all wish him well. I was approached to see if I could come up with some bent paper as an ooroo gift – this is what I ended up with:
In this shadowbox, we see our favourite “bad santa” clutching a Chemistry book, in front of his beloved Electronic White Board, pen in hand.
This little chap, a Joisel-inspired Dwarf took a while to emerge from the page, but I am happy with this little diorama and I hope it beings a smile to Lud’s face – take care mate.
Joined at the wing, this pair of Tsuru (traditional Cranes) was folded from a single sheet split nearly in half:
Taken from “Hiden Senbazuru Orikata (The Secret of One Thousand Cranes Origami)” published in 1797. It is part of a series I hope to tackle…
The trick is to not tear it as you fold it – the paper tension at the split is tenuous, so requires a gently, deft touch.
Browsing the internet, as you do, I came upon a chance find of an amazing archive of pages from what is thought to be the oldest Origami book published – “Hiden Senbazuru Orikata (The Secret of One Thousand Cranes Origami)”, first published in 1797:
Looks like i have a new project, making Tsuru (traditional Cranes) in multiples on a single (cut) sheet – looks like it is going to be a fascinating ride.
Doodling with a single uncut A3 sheet, I managed to fold something approaching both masks of the Drama “Comedy and Tragedy” thing
Using a Joisel-like face thing twice, I think this model has potential as it uses one piece of paper to realise the whole enchilada.
People who know me understand my obsession with folding. It is so easy to turn up my procrastination engine to 11 by asking me about the “possibility” of a commission or fold for a purpose:
MJ approached me AGES ago (I have been sitting on this post for 2+ months) and asked if I could fold something to brighten up a wall in Nikki’s workroom. Having just folded some sunflowers I figured they would look nice in a shadowbox frame.
Continuing my exploration of some of Eric Gjerde’s introductory tessellations, I liked the look of a square-twist based weave:
Sitting on a square grid, off-set squares are added to near diagonals and twist to collapse and lay flat again. The front side then is a jumble of rolling squares but when you flip it over to the waste side a lovely weave pattern has been made as a side effect of the surface twisting.
After leafing through Eric Gjerde’s “Origami Tessellations” I knew I had found the motherload of paper punishment:
This is the “Pinwheel” tessellation and it has a hidden beauty. I am learning that a tessellation is a regular repeating pattern, magically interlocking “molecules” that go together like tiles on a mosaic floor.
Usually based on a grid (at least initially), this one is based on a triangle grid, and features closed hexagon twists and open triangle twists that compliment each others vertices very neatly. Backlit they reveal an intense and curious but often completely different geometry.
Folding is something I do, often to stave off boredom. When my students are working on assignments, I get large slabs of time where I need to be there but am not needed, so I bend paper relentlessly:
Folding grids is painstaking, but excellent discipline – accuracy is the key