A mate, Tim, knew of my paper bending tendencies. He is also a Bank Manager and so he came across a rareish paper Australian $20 note:
Once upon a time, boys and girls, Australian currency was made of paper, not shiny brittle plastic as it is now.
Much to my surprise, a letter arrived addressed to me, containing a lovely crisp $20 note – limited edition and precious, along with the instructions to make something out of it.
I have agonised about this – creasing a rare thing is fraught with guilt and I am sure currency collectors would be horrified, but it came with challenges – most “dollargami” is geared towards American “greenbacks” which are not 2×1 – the $20 note is oddly a 2×1 rectangle, meaning conventional dollargami landmarks are in the wrong place.
I have loved folding Max Hulme’s “Jack in the Box”, which by a wonderful coincidence, requires a 2×1 rectangle. Unsure I could achieve one so small, I carefully creased, using bruised fingers and tweezers, and made this jewel of a piece.
I decided the “jack” should be white – using the white/green striped end, making the box mustard and the box interior a lovely deep orange colour – the note colourations worked well enhancing the mind-buggering model.
It was a lovely surprise – thank you Tim. I hope returning the note in this form is a suitable surprise for gifting me the opportunity.
Genius design, if tiny and torturous, I hope he likes it. … continue reading.
Procrastination, thy name is Wonko!
Simple units, reminiscent of Frances Ow’s 60 degree unit interlock to form one, then two etc triangular prisms – choice of nice bold colours make this a real charmer. … continue reading.
The world could use a little peace.
As part of our student end of term send-off, our littlest students (year 5) had prepared origami(ish) doves with messages of peace, to be sent to places where the wishes will be appreciated. … continue reading.
…so I am folding this crazy big dragon at the moment – insane 2mx2m square to make something ridiculously time-consuming. A work colleague of my wife gave me a pair of raggedy USD$1 greenbacks and asked if I could do anything with them:
The fold is very dense, helped and hindered (in equal measure) by the robust note paper, and the level of detail here is nuts – the head has 3 sets of horns, eyes, 2 fangs, bottom jaw. Each foot has a set of claws, the body has dorsal spikes and the tail has an ornate tuft. … continue reading.
After much care and attention, diligently following expert lessons (courtesy of
MrOrigami’s Daniel Brown), I have managed to successfully navigate lessons 1-11 in what promises to be an ever intensifying journey towards understanding the whole model. This is PART 2 of a previous post.
Along the way I have learned a LOT about myself – patience is it’s own reward. If at first you do not succeed, try, try and try again (something I needed to do for lesson 11 – which I folded 4 times until I go tit right, each attempt taking me 12ish hours)
I can see why Satoshi Kamiya (the astonishingly talented designer) has not folded lots of these – the detail (and there is LOTS of details here, most you cannot see) needed to let the paper sit correctly whilst transitioning between elements is breaking my brain.
The lessons after this appear to tackle larger and more complex chunks – the aim to get all pieces to co-exist on the same sheet.
Interestingly, although it is time consuming, I am finding the process fascinating, each piece gains a sort of momentum that propels me on to finish it and get it right, and I look forward to the next part with a sort of morbid curiosity.
I bought some WIDE Kraft online (90cmx30m) and, depending how it behaves, intend to laminate 2 strips together to make a square nearly 2m x 2m as my first attempt of the whole model – no idea if that will be big enough, we shall see.
The Lessons continue. … continue reading.
On receiving a lovely hard cover copy of “Extreme Origami” by Won Park from Book Depository (wow, how do they offer those prices, delivery times and no postage???) I naturally skipped to the back and looked for the nastiest fold to try:
This model is insane – I chickened out folding it on notes because the pre-creasing into 32nds with my fat clumsy fingers was not possible I thought so I scaled up and used plain paper for my first fold. … continue reading.
Moneygami, an exacting discipline that uses USD paper notes, a particular format where all notes are the same size and still made of paper is fascinating for a bunch of reasons.
The accuracy needed to tease so much detail out of such a small rectangle of tough paper is an art, and Won park is an astonishingly talented designer that designed this fish – a lovely catfish/Koi Carp.
Mind buggering (and finger bleeding) details include a luscious fantail, scales, gills, fins, a majestic head with EYES that are part of the “greenback” printed design – wow!. … continue reading.
Jason Ku is an engineer and origami artist unlike any other – having marveled at his bicycle, I was determined to find something else of his to try.
I had dismissed this fold, featured in a Tanteidan convention book I peruse periodically as too hard, but given my skill level has raised (attributable directly to my structured wrestling with Kamiya’s Ryu Jin), I thought I would give it a try.
To my astonishment, the folds came quite easily, breathtaking collapses and “unfold everything and re-fold it this way” moments seem just to work themselves out and the result is pleasing to me at least. … continue reading.
I “warmed up” with an Eric Joisel “Le Coq” – a fold I had tried years ago and not really mastered so I patiently and carefully folded from a 60cm square a lovely rendition (well, in my eyes at least). the Joisel model is economical with paper and seems to focus on the feet and tail, with an almost caricature head comb and waffle.
I then, after a cup of tea, girded my loins and set about folding Satoshi Kamiya’s Rooster. Using the same size piece of paper, there are hundreds of steps, many of which were astonishingly complicated 3d collapses that had originally scared me away from trying it – indeed 2 years ago I would not have been able to fold it at all.
There is much to admire with Kamiya’s vision of the bird – body and head with comb/wattle are amazing, full wings and a suggestion of a tail are wonderful, legs and feet seem (to me at least) almost an after thought, although the legs do have spurs and the right number of toes, I found them less generous than they needed to be for the proportions of the model – the poor chook would not be able to walk or perch. Even posing it I had great difficulty propping it up on the little spindly toes. It appears to have “barbie” syndrome – you know, Barbie the doll has impossible proportions, right? … continue reading.
There is this house, at work, that has a Timber Wolf as their house mascot, so I have been on the look out for one to fold (I assumed someone would ask me to have a go, that never really happened, so I did it anyway).
This wolf is clearly howling, there is much movement and drama inherent in the pose, and I placed a “moon” within howling distance in some shots because it seemed to need it. … continue reading.