I have been looking for tidy self-contained folds based on A4 paper that hides the raw edges, so I could try my lovely thistle-based hand-made paper (from the ladies at Paper Makers and Artists):
This box looks like a traditional fold, but seems to be credited fairly recently to Sweet Paper, a paper art shop/tutorial site I stumbled across in my musings. Not sure of the attribution however, as many of their featured designs I have seen (and folded) from other artists.
The paper, with lovely rough chopped scotch thistle fibres and other pulp is fairly crisp, fairly thin but had raggedy (beautiful) decal edges that I did not really want to have to chop off.
I was approached by a mate mid 2018 with the idea of an original origami commission, but was given no real timeline (which for an OCD procrastinator like me is a recipe for a little crazy time.
The end result, finished near the end of February 2019, is vastly different from how I had initially envisaged it. It was actually really hard to part with this one – so much creative energy went into it’s genesis.
As part of my Pastoral Care Group “getting to know you” program, I teach my new year 5 and 7 students to fold a unit, then they teach others, spreading the skills and also helping to break down the social barriers.
We folded a nice modular, many hands make light work. In no time we had 32 modules, when locked together we have a rather lovely spheroid.
Procrastination aside, folding units for a new kusadama is always an adventure. This “parquetry” ball looks like it is made from strips of machined timbers. I decided on 3 colours, reasoning that I should be able to evenly spread the edges around the ball:
Due to the interconnections, the plan nearly worked, but the ball is lovely none the less. I really like the locking mechanism – the resultant ball is rigid and self-supporting.
As part of the Sydney Origami group’s weekly challenge, we were tasked with a modular:
This is Regenbogen, designed by Maria Vahrusheva, described in the following Youtube tutorial video
The units (you need 30 for a ball of this configuration) are quite easy to fold (I managed to teach them to my Pastoral Care group kids – their version of this fold is still a work in progress … yes, I have folded nearly 2 of these now) and luckily (for boys at least) consists of mostly folding in half – something most people can do.
Playing with geometry, it got me thinking about lampshade forms. Correct me if I am wrong but there are the sort of “hang-down” and the “stand-up” types common?
Using 15cm Kami, I began doodling, the blue square form came first – a simple corrugation on the middle half of a sheet, folded in eighths only in the middle section it curves perfectly and creates a rather regal “ruff” – imagine nice/interesting/handmade paper and diffuse light in the middle of that.
Researching tessellations, I stumbled across a paper, written by Helena Verrill (Queens University, Kingston, Canada) that generally introduced the concept and looked at a number of common tiling patterns, but the first CP is one I had not seen before:
I did a small tester and loved (fluked) the collapse, and decided to scale up to a full A3 sheet, starting with a square grid. Then nested adjacent squares are layed in on diagonals to provide odd inverse hinges.
I am quite happy with this, and if more ambitious, I would fold it much smaller on a larger sheet – it would make amazing dragon skin.