988: Ramen

Sometimes, just sometimes, it has to be noodles – rice or wheat, in broth, that are schlurped while way too hot, because … reasons:

Ramen bowl

I saw a crease pattern (CP) by Jinjang on an origami Discord I frequent and (in the season of justifiable procrastination) had to fold it.

Ramen CP

I think there are errors on the CP, as I found I needed to adjust crease lines to properly form the bowl, and would probably manage the colour of the lip differently next time, but as a first fold this was a really interesting exercise.

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Caption Competition #1

Caption this, win the brave knight.

I need a caption

“Knight” designed by Neal Elias, “RyuJin 2.1” designed by Satoshi Kamiya, “Sword” and “Tin Opener” designed by me.

987: Ryu Zin Junior 2.1

Rounding out my Ryu journey, I decided to use a small scrap of Kozo left over from another project to fold Jason Ku’s Ryu Zin Junior 2.1:

Jason Ku Ryu Zin 1.2

While sharing some of the nomenclature of the Satoshi Kamiya chinese dragon series, this little chap is markedly different on every level. I found a set of photo diagrams lovingly annotated by Daniel Brown, and thought I would give is a whirl.

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Chinese Dragon in Repose

My usual line “if you find interesting paper, get it and I will make you something out of it” has been the start of many fascinating journeys:

Mikiller觅晨’s modular dragon

Peter and Majella travelled to Japan, and found some lovely paper – one, a sheet of hand-made natural Kozo with botanical inclusions screamed out for something delicate and textured. I had intended to return to Mikiller觅晨’s modular dragon, having already folded it large, I thought it might be interesting to fold it tiny and trap it in a shadowbox frame.

The handover
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Their Lives In Our Hands

Much has been made in the media about the current bush fire situation in Australia. Truth is the scale of devastation is impossible to grasp, in terms of sheer acreage of scorched earth, number of homes lost, lives lost and livelihoods ruined. When we add the effects on environment, habitat and wildlife (flora and fauna), the effects of the 2019/2020 summer will have long-reaching and potentially permanent ramifications:

their lives in our hands

I want to say that our leaders are on top of this, but have never had confidence in politicians, and am not convinced any can see past getting re-elected to make the hard decisions necessary for our continued existence. Indeed, when our PM chooses to go on holiday during the worst of it, when he and his colleagues continue to deny climate change, despite the overwhelming scientific evidence. They display a vandalistic attitude to environmental policy, and offer reckless abandon to fossil fuels and non-sustainability.

Their lives in our hands. “They” are our children, their children, the animals and plants that make up the biosphere in which we live. The “they” are US.

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986: Meta

I love meta – that examination of self-reference is great brain food, and this fold designed by Neelish Kumar fits nicely into that philosophical space:

Neelish Kumar's Origamist Nightmare

Nominally named “Origamist’s Worst Nightmare”, it is a place I have been – being so into a model at the expense of the materials, having it disintegrate in my hands as I work it.

The more observant of you will notice a despairing folder, paper ripped along a much-worked crease. Look closer, the crease pattern is Eric Joisel’s “Dwarf“, a particular favourite that I have ruined many a sheet mastering.

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985: Satoshi Kamiya’s Ryu Jin 2.1

Some folds are quite the journey, Ryu Jins are no exception. I have already folded the 1.2 and the 3.5, but had not tried the 2.1, relegating it to the “when I have time” pile:

2 point 1 - model

Holiday time is a time of recharge, paper folding therapy is my thing so I embarked on the super-duper-complex journey with HUGE bits of paper. I decided to fold it in 2 halves (two 140 x 70 cm rectangles of red duo Ikea Kraft paper).

2 point 1 - CP

As a bit of paper engineering, Ryu are masterpieces of fitting so much on a single square. The 2.1 is laid out in a similar morphology to the 3.5, with 2 halves of the model on opposite edges of the paper. The Ryu 1.2, in contrast, uses the diagonal and is symmetrical about that.

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Year of the Rat

Most cultures have myths and legends, developed over centuries, to explain how things work. The Chinese Zodiac and New Year is at odds with the western Julian calendar, but none the less interesting:

Joisel's Rat

2020 is the Year of the Rat – interestingly my socials are full of mouse diagrams, but for me there are few iconic origami rats, and this is my favourite – designed by Eric Joisel, I just love the character this chap presents.

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984: Ryu Jin 2.1 – Legs

Continuing the journey to explore the components of a Ryu Jin 2.1, I had a go at the legs:

Ryu Jin 2.1 Leg collapse

A relatively simple box pleat collapse and some shaping to make a powerful set of claws. I used a 28 grid and managed to tease 5 toes per foot (something I think the full model does). A little MC to stabilise and I think these can be considered a success.

I have no idea how difficult it will be to isolate these in the middle of a sheet with a whole lot of other crazy happening around it, but that seems to be the next step … we shall see.

983: Ryu Jin 2.1 – Tail

I have begun the (some say perilous) journey to realise Satoshi Kamiya’s Ryu Jin 2.1. I have previously achieved the head of this model, and there is more work to do to become familiar with the other components, but this is a nice next step:

2.1 tail

The tail of the 2.1 is different to the 1.2 and the 3.5 in that it is more of a fan blade, to get there, you need to fold a small section of the scale field, and pack away a bunch of the paper inside the body.

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982: Satoshi Kamiya’s “Tiger”

I have been on a mission for months now to try and render a tiger as realistically as I can in paper. Apart from being feline in shape, tigers have stripes – finding a model that has these stripes was difficult:

Kamiya's Tiger

I bought Satoshi Kamiya’s latest book because of the tiger diagrams it contained – on flicking through the 200+ steps I initially thought it too difficult to try. But try I did, initially with large format red-natural Ikea Kraft paper. I was surprised that I was able to make it through the most torturous steps, so set about re-folding it with black/natural, ensuring the black was the stripes, natural was the residual body colour.

The genius of this design is the subtle and precise control of both sides of the sheet – the stripes are the result of folds, not cuts. The model requires you manipulate raw edges (the sheet border) fan-folded, while wrestling all the other details (legs, head, tail) from the INSIDE of the sheet – quite amazing.

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T-Rex Revisited

I love a well-designed model and Fumiaki Kawahata’s T-Rex is no exception:

Trex

Folded from a 50cm square of medium green Tant paper, this lovely snapper has a splendid mobile jaw with teeth, fabulous feet and tail, and frustratingly useless front legs. The result is a fantastic free-standing model that looks simultaneously cute and terrifying.

The model structure is intense, this is the smallest I have tried it, and at this scale the pre-creasing is torturous (to be polite). The folds that raise the teeth from a series of accordion pleats are ingenious and tough work for fat clumsy fingers.

I have folded this before, and will probably return to it, as it is a great exercise in accuracy and patience – really good fold-therapy for a fragged and shagged brain.

trex view

Pride

…so, as part of a commission, I decided to explore the concept of “pride”, using a feline metaphor:

I folded a family of lions, designed by Lionel Albertini, and then posed them in a Daiso display box. “Pride” is an interesting concept – we see the lioness, as the head of the family, provider, strong, carer. We see cubs looking up to her. We see the Lion, in the background, as supporter and partner.

pride

I like the minimalist composition of this piece. I used crumpled VOG paper as “grass” and have resisted adding any other decoration, because everything I have tried added makes the family grouping less powerful.

I hope the client likes it, we shall see.

981: Lion Cubs

Completing the theme of “pride”, these adorable Lion Cubs are part of the set designed by Lionel Albertino, from his book “Safari Origami”:

lion cubs

I like how the proportions of the cub suggest younger, cuddlier, clumsier bodies they have yet to grow into. This fold uses a completely different base to the parents, and I managed to pose one standing and the other sitting.

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980: Lioness

Exploring the theme of “Pride” some more, the lioness is the worker of the group, mother, hunter, general all purpose carer:

lioness

Lionel Albertino’s Lioness is an interesting fold, made from the same base as the Lion, you manage the head completely differently. I like the strong haunches, shoulders and noble head. The tail structure is fun and there is some pose-ability about the body. She looks like she is ready for anything.

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979: Lion

Folding feline shapes is hard work, making them look realistic is harder. This is the first of a series of Lion studies, designed by Lionel Albertino from his book “Safari Origami”:

lion

Colour management here is lovely – folded from natural/black Ikea Kraft, hiding away the black except for the mane and tip of tail is hard work. When I close up the seams and pose it he will be tidier, but “folds only” it is a stable, self-standing model.

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978: Vixen

Continuing my journey into the world of Origami Foxes, I came upon a folding sequence from Hoang Tien Quyet:

vixen

This is a vixen (the quaint name biologists call a female fox, not sure why) – quite fluid, feminine and organic – compare it with the previous post and you will see a stylistic difference, but also a similarity in the colour management.

This was a really tricky model to fold, lots of paper packed away in very sophisticated ways, I love the serpentine backbone that ends in a beautiful bushy tail.

This feels much more modern a fold, HT Quyet is known for his curved folds, this was fun yet a real challenge to work on the proportions. The body has a real volume and movement about it.

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977: Fantastic Mr Fox

I have been looking for foxes, long story. I stumbled across Roman Diaz’s Fox from “Origami Essence” and thought I should give it a try:

Mr fox

This is a lovely stylised model, careful management of colour, nice big tail and some solidity to the body.

In many ways it feels like an “old school” model – flat, angular and difficult to balance the curved folds that define the face with the otherwise flat structure. I was also surprised it stands, but hte weight balance is good, he stands regal and magnificent.

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976: Snek

Now I am not a fan of sneks … at all … but folding one so cute seemed like a good idea at the time:

snek views

This is Christophe Boudias’ “Serpent”, and is a natty use of duo kami.

The detail here is worth noting – lovely mesmerising eyes, gaping mouth with fangs, and a lovely stripey body.

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