Being most of the way though the proof-reading of a new book by Tetsuya Gotani, I decided to test-fold his Ankylosaurus:
The final model, folded with 50cm printed Ikea Kraft paper, is a freaky cow-like critter covered in spikes with a club-like tail and a cow-like head.
The only other Ankylosaurus I have attempted (and failed) was a complicated mongrel designed by Ronald Koh.
This model seems based around a tessellation of the ridge spine Satoshi Kamiya used on his Ryujin, and it is nice to have practised this molecule – useful for forthcoming models I hope.
There are many complex layer manipulation steps in this model, and, although it is possible to use common sense to nut out what should go here, this is not a beginners model.
The gentle arching of the back makes this an inherently stable model – self-standing and tidy (without glue, wire) model. Some models want to unfold or their legs splay (particularly models that start flat then bend along the body to make their shape, but this one is happy to be.
This new book has some fabulous designs in it, I have been blessed to be involved in editing it. Tetsuyu also explains his design methodology, making this a must have in your library.
A colleague brought me back some Hanji paper from her visit to Korea, and I was wondering what to fold with it when I stumbled across a post on Facebook describing a modular money dragon fold.
Designed by Hieu Dang, modified & diagrammed by Lien Quoc Dat ( tutorial: youtube.com/c/LQDchannel ) to be folded from 10 x bank notes, and thought it was worth a go. When I wrestled with an american dollar, deciding it too small for me to fold, I scaled up and cut 10 x 1:2 rectangles from a burgundy sheet of Hanji, and began folding.
This reminds me a LOT of Satoshi Kamiya’s Ryu Jin 3.5, but not as many scales, still, it s a time-consuming fold, and many of the techniques are repetitive, but manageable. I found the diagrams on the head really difficult to fathom, and the low resolution images made it difficult to to work out what’s what. See for yourself.
Our school has large display cases. I have kilograms of origami at home, in showboxes, tidy tubs, cupboards, garbage bags and display cases … one thing led to another:
My aim with this display to to show the variety of forms modern Origami takes, from traditional, figurative, geometry and abstract. Additionally I have included 14 different dragons, a current fascination – can you find them all?
I feature some of my favourite pieces, designed by legends such as Satoshi Kamiya, Robert Lang, Eric Domaine, Francis Ow, Ronald Koh, Kade Chan, Eric Joisel, Brian Chan, Jason Ku and more.
In a bid to calm down and relax after a brutal week at work, I took a 60cm square of red/natural Ikea Kraft paper and started folding… and folded, and folded and folded.
I have been lured back into the fold (as it were) of Ryu Jin folders (nerds who attempt to fold Satoshi Kamiya’s devilishly difficult dragon series). Having already folded a 1.0, 1.2 and 3.5, I noticed that I had never attempted a 2.1.
For the uninitiated, the numbers indicate refinements, with the 1.0 being vaguely dragon like and the 3.5 (the culmination of this design process) being the most astonishingly detailed design imaginable.
There is a story of a deeply depressed man who, when seeking help from a psychiatrist, was given the advice that he should cheer himself up by seeing the visiting clown, the great “Joseph Grimaldi”. With the suggestion, the man wept more intensely. “I am Grimaldi”, he said.
I am terrified of clowns, just putting that out there. That said, I saw this little CP of a “Pierrot” with a silly hat and decided to procrastinate even further and attempt to fold it.
So GOT has started again, the final season and it is a promised shitstorm between people and the undead (sorry, if that is a spoiler).
It seems ALL of the trouble of the resident ice-zombies was caused by an experiment between a man and a race called “the children of the forest”, and some dragon glass, but that plot point will be explored further I guess as the series winds up. This mask reminds me of what I imagined the children of the forest looked like when I read the books.
My second test fold from a book by Tetsuya Gotani, this time a “Nollentonk”:
I say “Nollentonk”, only because my sister, when young, used to call elephants nollentonks – not sure why.
This lovely folding sequence carefully hides white right until the emergence of the tusks via a clever colour change. The morphology of the model emerges as distinctly elephantine fairly early on and some of the moves that isolate features are delicious.