Sometimes, just sometimes, it has to be noodles – rice or wheat, in broth, that are schlurped while way too hot, because … reasons:
I saw a crease pattern (CP) by Jinjang on an origami Discord I frequent and (in the season of justifiable procrastination) had to fold it.
I think there are errors on the CP, as I found I needed to adjust crease lines to properly form the bowl, and would probably manage the colour of the lip differently next time, but as a first fold this was a really interesting exercise.
Rounding out my Ryu journey, I decided to use a small scrap of Kozo left over from another project to fold Jason Ku’s Ryu Zin Junior 2.1:
While sharing some of the nomenclature of the Satoshi Kamiya chinese dragon series, this little chap is markedly different on every level. I found a set of photo diagrams lovingly annotated by Daniel Brown, and thought I would give is a whirl.
I love meta – that examination of self-reference is great brain food, and this fold designed by Neelish Kumar fits nicely into that philosophical space:
Nominally named “Origamist’s Worst Nightmare”, it is a place I have been – being so into a model at the expense of the materials, having it disintegrate in my hands as I work it.
The more observant of you will notice a despairing folder, paper ripped along a much-worked crease. Look closer, the crease pattern is Eric Joisel’s “Dwarf“, a particular favourite that I have ruined many a sheet mastering.
Most cultures have myths and legends, developed over centuries, to explain how things work. The Chinese Zodiac and New Year is at odds with the western Julian calendar, but none the less interesting:
2020 is the Year of the Rat – interestingly my socials are full of mouse diagrams, but for me there are few iconic origami rats, and this is my favourite – designed by Eric Joisel, I just love the character this chap presents.
I have been on a mission for months now to try and render a tiger as realistically as I can in paper. Apart from being feline in shape, tigers have stripes – finding a model that has these stripes was difficult:
I bought Satoshi Kamiya’s latest book because of the tiger diagrams it contained – on flicking through the 200+ steps I initially thought it too difficult to try. But try I did, initially with large format red-natural Ikea Kraft paper. I was surprised that I was able to make it through the most torturous steps, so set about re-folding it with black/natural, ensuring the black was the stripes, natural was the residual body colour.
The genius of this design is the subtle and precise control of both sides of the sheet – the stripes are the result of folds, not cuts. The model requires you manipulate raw edges (the sheet border) fan-folded, while wrestling all the other details (legs, head, tail) from the INSIDE of the sheet – quite amazing.
I love a well-designed model and Fumiaki Kawahata’s T-Rex is no exception:
Folded from a 50cm square of medium green Tant paper, this lovely snapper has a splendid mobile jaw with teeth, fabulous feet and tail, and frustratingly useless front legs. The result is a fantastic free-standing model that looks simultaneously cute and terrifying.
The model structure is intense, this is the smallest I have tried it, and at this scale the pre-creasing is torturous (to be polite). The folds that raise the teeth from a series of accordion pleats are ingenious and tough work for fat clumsy fingers.
I have folded this before, and will probably return to it, as it is a great exercise in accuracy and patience – really good fold-therapy for a fragged and shagged brain.
Completing the theme of “pride”, these adorable Lion Cubs are part of the set designed by Lionel Albertino, from his book “Safari Origami”:
I like how the proportions of the cub suggest younger, cuddlier, clumsier bodies they have yet to grow into. This fold uses a completely different base to the parents, and I managed to pose one standing and the other sitting.
Exploring the theme of “Pride” some more, the lioness is the worker of the group, mother, hunter, general all purpose carer:
Lionel Albertino’s Lioness is an interesting fold, made from the same base as the Lion, you manage the head completely differently. I like the strong haunches, shoulders and noble head. The tail structure is fun and there is some pose-ability about the body. She looks like she is ready for anything.
Folding feline shapes is hard work, making them look realistic is harder. This is the first of a series of Lion studies, designed by Lionel Albertino from his book “Safari Origami”:
Colour management here is lovely – folded from natural/black Ikea Kraft, hiding away the black except for the mane and tip of tail is hard work. When I close up the seams and pose it he will be tidier, but “folds only” it is a stable, self-standing model.
Continuing my journey into the world of Origami Foxes, I came upon a folding sequence from Hoang Tien Quyet:
This is a vixen (the quaint name biologists call a female fox, not sure why) – quite fluid, feminine and organic – compare it with the previous post and you will see a stylistic difference, but also a similarity in the colour management.
This was a really tricky model to fold, lots of paper packed away in very sophisticated ways, I love the serpentine backbone that ends in a beautiful bushy tail.
This feels much more modern a fold, HT Quyet is known for his curved folds, this was fun yet a real challenge to work on the proportions. The body has a real volume and movement about it.