Print-o-gami

As a Christmas present, my daughter signed me up for a Lino-cut and print-making workshop – something I was interested to try for the first time:

final print 5/5

Originally I had a much more ambitious plan, but it was deemed not achievable in the allocated time in the workshop so I sort of freestyled it.

Continue reading

Priceless Artwork

Culling stored stuff, we came across things we had kept from my daughter’s pre-school years. Folios of precious artworks that, 25 years ago, adorned our fridge:

Spikey ball of love

Glorious and colourful explorations of paint, colour and form, painted, using bubbles, marbles, brushes and other techniques, using really strong colours that have remained so all this time.

I chose 10 of the most colourful paintings, cut 3 x 1:2 rectangles and set about folding a nice spiked ball with them.

I love the result, for all sorts of reasons, but mainly because it is made from materials created by someone I love. So much better than sending it all to landfill.

898: (348/365) The Droid You Were Looking For

Now I am as much a Star Trek fan as the next one, and love a comedy sidekick movie plot device. It was interesting that the Star Wars franchise returned to the tried and true “quirky beeping droid” sidekick in “Force Awakens” and the BB8 droid seems a cute successor to the more limited R2 units (that they decided could fly in later/earlier messes of movies):

This is Martin Hunt’s Modular BB8 droid model. A torturous fold of many parts.

4 different modules combine to make a roughly spherical ball with a “head” that can be affixed wherever you want, sort of captured the overall morphology of the droid. Continue reading

860: (310/365) Pizza Slice

You know, I thought I understood Pizza, then I went to Naples, Italy, and realised I knew nothing about pizza at all:

There are moments in your life when things just make sense – that moment of clarity where the perfect combination of crushed tomato, basil and mozzarella on a thin crisp base spends 90 seconds in the wood fired oven and emerges perfect in every way. Continue reading

822: (272/365) Excalibur

“The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water, signifying by divine providence that I, Arthur, was to carry Excalibur. [singing stops] THAT is why I’m your king!”:

“Listen, strange women, lyin’ in ponds, distributin’ swords is no basis for a system of government. SUPREME executive power derives from a mandate of the masses, not from some farcical aquatic ceremony.”

“Shut up!”

“You can’t expect to wield supreme executive power, just ’cause some watery tart threw a sword at you!” Continue reading

813: (263/365) Llook out, there are Llamas!

PART 2: THE LLAMA, LIVE FROM GOLDERS GREEN
The llama is a quadruped
which lives in big rivers like the Amazon.

It has two ears,
a heart,
a forehead,
and a beak for eating honey,
but it is provided with fins for swimming.
Llamas are bigger than frogs. Continue reading

798: (248/365) The Elephant In The Room

In a fit of elephantine existentialism, one must ask an important question: “What makes a good Origami Elephant?”:

This is Paul Jackson’s “One Fold Elephant” – is it a good elephant and how would we know? What are ESSENTIAL characteristics that a model should have to be considered elephantine? Obvious characteristics of an elephant (well, for anyone who has ever actually seen one) could include discernible TRUNK, big(ish) flappy EARS and a big solid BODY. We could visually recognise an elephant with way less information than that so why do we require mind-popping details implicit in super-complex paper renderings of elephants when something much simpler does the job.

Purists would argue that all origami is, in essence, figurative representations of real objects. Thereby origami models are in effect are so many levels of abstraction from the real thing that there are no valid metrics that apply the the “goodnicity” of the rendering. Continue reading

782: (232/365) Wedge Flex

Topologically convoluted geometric modulars confuse the brain – shapes that morph into different shapes in stable but seemingly unpredictable ways are fascinating:

This is a wedge-flex – a modular hinged construction of a series of triangular prisms (wedges) that fold, bend, twist and re-align in interesting configurations. Continue reading

762: (212/365) Free Hugs

Anyone who knows me realises I am a HUGE Alien fan (well, except for Alien 4 – The Apology) so I find it irresistible when I find an Alien-related fold:

This is Makoto Anzai’s “Face Hugger”, a snarly hand-inspired ovipositor that is the precursor to a chestburster. Similar to Fernando Gilgado’s model, this one has a different fold morphology. Continue reading

755: (205/365) Gaff’s Blade Runner Unicorn

Returning to Blade Runner, there has historically been much discussion about the humanity of the central protagonist, Deckard:Ridley Scott has recently confirmed that Deckard is a Replicant, a point visually reinforced by his recurring dream of “Unicorns” (unreal beasts).

Near the end of the movie, an origami Unicorn is left at the door of his abandoned apartment, presumably by Gaff (although Edward J Olmos says he was not the folder, Scott clearly liked the idea of the echo of an idea). Continue reading