1006: Fake News

In an age of great confusion and concern over health, safety and social distancing, it is interesting (nay, alarming) to see the spike of “fake news” relating to the current Pandemic:

Xander Perrott's "Zenith"

We learn via social media that Covid-19 was man-made, released as a viral payload from some weaponsied experiment (gone wrong, or not), is transmitted via 5G, and is defeated by injecting disinfectant and drinking bleach. We hear and watch idiot orange leader lie, contradict himself, blame storm, underfund, over-claim, then go and play golf while his country suffers.

We learn that some ffolk, tired of being “isolated” for a week or two in one of the most virus-ravaged countries chose to riot (hence magnify the problem) for their right to congregate, despite social distancing suggestions in place to save their lives – and we see them turn up, enraged, with guns, like they can shoot the fucking invisible enemy.

We hear from celebrities, entombed in their mansions, doing it tough because they are down to only domestic champagne, we hear of crop circles, conspiracies, complete shit uttered by people with access to the greater public, in the end (like this post) it is all NOISE, no SIGNAL.

It appears scientists and health workers DO know how to mitigate spread, that social distancing IS effective at arresting spread, that outbreaks are inevitable but manageble if there is a healthcare system in place applying rational and reasonable steps, and that the world will return to some version of normalcy slowly and cautiously.

Xander Perrott's "Zenith" scale

This is “Zenith”, a 30 piece kusudama, designed by Xander Perrott (from his eBook “Folded Forms”), folded from duo red/natural Kraft. It is reminiscent of the shape we are seeing of virus (cells?), it was folded during a telly binge, it helped to calm me down when I think of work Monday: I am a teacher, for the past few weeks I have had had nearly normal classes (I teach mostly year 11 and 12, they were back in F2F after an extended period in ISO). This coming week, all students return to a tiny inner-city campus. 1700 boys, 120 staff, no room to swing a cat, social distancing impossible. Happy days.

1004: Baby Yoda

I, like many of you eagerly awaited the Disney “Star Wars Story” The Mandalorian.

Andrés Lozano's Baby Yoda

WARNING – SACRILEGE: It started as an off-planet spaghetti western (faithful right down to the soundtrack), but quickly (for me at least) degenerated into the “baby yoda show”, garnished with some impenetrable Mando law and totally impractical helmet decisions.

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1002: Flat-folding Curve-following Parabolic Corrugation

I had been exploring corrugations that followed curved lines, as you do, and sort of worked out that you needed a quadrilateral face with equidistant gutters either side, but my rough approximations were foldable but not pretty:

Flat-folding Curve-following Parabolic Corrugation

Then I saw a published paper, about the same thing, that suggested square/rhombi arranged diagonally to follow the line, organised diagonal-based accordion pleats, and a scale factor bigger of the same shape for the gutter creases and bingo, problem solved.

Flat-foldability is a thing, there is lots of maths in it, but it is so satisfying to have manually derived something that was subsequently proven (*flex*).

Flat-folding Curve-following Parabolic Corrugation CP
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999: COVID-19

The story of the moment is COVID-19, and the unprecedented effects the global pandemic is having on “business as normal” across the world.

Xander Perrott's "Space Virus"

In out little corner of the planet, things continue to be weird. As a teacher, I am still at work, with 1700 boys in a fairly confined space. The current government position is that it is “business as usual” for schools, as we gear up to deliver online learning as part of our “continuity of learning” plan. I want to say I feel good about things, but we all deal with uncertainty our own way.

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998: Losing Our Shiz

Australia is many things to many people. Currently, in the media, it seems like Australians are being portrayed as panic buying essential items in huge quantities, in preparation of an on-coming pandemic that is waaay less lethal than normal Flu:

Toilet Paper Origami

The first such item was Toilet paper, with viral (or bacterial) footage of people fighting in the aisles of supermarkets for the last bulk pack.

All I am saying, is give peace (and common sense) a chance, people.

This is Jo Nakashima’s Toilet Paper Crane, a fitting symbol of restraint. I only wasted 3 “poo tickets” (“Kenny” reference) in making it, so do not panic, unless that is something you do to increase likes on Instagram or Tik Tok.. … imagine going down in social media history as a toilet paper “influencer” – bahahahahahaha.

You should consider making this – sit somewhere, calm down, unclench and fold some bog roll for something other than wiping your bum.

991: 2019-nCoV

Human Corona Virus is in the news, the news is alarming:

nCoV macquette

It is difficult to know the extent of the emergency, the effectiveness of treatment, the vector of infection, the spread and infection rate, the facts.

Social media and websites masquerading as “news” agencies love a good headline, and this mixed with Survivor in the jungle, celebrity red carpets, sham impeachment, Corona Virus “influencers” on instagram and fad diets makes navigating the facts difficult.

Public warnings and travel bans aside, what constitutes a pandemic? What is the appropriate response?

I took a 3×1 rectangle of white/natural Ikea Kraft and … well … doodled and came up with an all too familiar image – a face-masked regular person. In an odd bout of synchronicity, Sebastian Limet (@sebl) had the same idea. His fold, as usual has lots of character.

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990: They come at night … mostly

I will admit to being a sci-fi nerd, few movies did it for me like the original “Alien” movie, directed by Ridley Scott, designed by Hans Reudi Geiger.

The truly original mixture of a genuinely terrifying xenomorph, claustrophobic and grimy working space ship and stellar cast makes the movie, at least in my mind, perfect.

Donny_Origami's facehugger

Prior to that, space was clean (painfully white and tidy, according to the Star Wars, Blakes7, Flash Gordon and Dr Who visions), in Alien gear looked used, people were pissed off and tired, and we were introduced to a much loved and never duplicated alien.

Donny_Origami's facehugger attack

H.R. Geiger imagined a life-cycle – from egg, to facehugger (this beastie) that implants an embryo deep in a host, chest burster through to adult killing machine. Scarily insectoid, acid for blood, no eyes, perfect.

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Caption Competition #1

Caption this, win the brave knight.

I need a caption

“Knight” designed by Neal Elias, “RyuJin 2.1” designed by Satoshi Kamiya, “Sword” and “Tin Opener” designed by me.

Year of the Rat

Most cultures have myths and legends, developed over centuries, to explain how things work. The Chinese Zodiac and New Year is at odds with the western Julian calendar, but none the less interesting:

Joisel's Rat

2020 is the Year of the Rat – interestingly my socials are full of mouse diagrams, but for me there are few iconic origami rats, and this is my favourite – designed by Eric Joisel, I just love the character this chap presents.

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975: Ten to Fifteen Flushes

A certain orange cretin recently said that one of the most important issues in his dangerous foreign land was water usage due to low flow, causing it’s people to need to flush 10 or 15 times instead of just once:

fernando Gilgado's Pensive Man

I for one am worried for him – one has to be concerned about a diet that creates such a terminally un-flushable turd like him.

scale of pensive man

This is Fernando Gilgado’s “Pensador” (or pensive man, I think) – the loo is the best place to contemplate life, the universe and everything … and TWEET about it (which is where I think he generates his content) – hence requiring 10-15 flushes to get rid of it.

971: Bro-bot 2019

The last few months a lot of my free time has been consumed by supporting a team of students as they prepare for a robotics competition:

brobot - Robot by Shunsuke Inoue

Yesterday was the Queensland finals of the First Technology Challenge (FTC), and our team did really well. They designed, built and programmed a robot, affectionately known as “BROBOT”, coming second in the state.

I could not be prouder of the team, so decided they needed a souvenir. This is the cutest little robot I could find, designed by Shunsuke Inoue, and I am astonished I have not blogged this fold before, it is such a fun fold.

scale - Robot by Shunsuke Inoue

You take a square, divide it into 1/16th grid, then boxpleat the bjebus out of it to tease antennae, eyes, arms, legs and a lovely little stubby body.

I hope they like their award.

Travel Fold 2019

We are about to travel again and, as is our tradition, we will leave origami folds wherever we go.

We decided this time it would be a Koala – they are cute and a definitive Australian animal (albeit critically endangered) so I set about to find a design I liked.

After much to-ing and fro-ing I returned to a model I first folded in 2011, designed by Jozsef Zsebe, from Hungary of all places – interestingly the best Koala designs generally come from places other than Oz – go figure.

I manufactured fur paper, using wet polar bear fleece. Do not start on how a Koala is not a bear, I know, but … meh … the texture works and the colour gradation (I found a dirty polar bear) from ears to arse works nicely I think.

I have committed this fold to memory (no mean feat given the state of my brain at the moment) an look forward to leaving them all around Vietnam and Cambodia.

Showing Off

Our school has large display cases. I have kilograms of origami at home, in showboxes, tidy tubs, cupboards, garbage bags and display cases … one thing led to another:

library display 2019

My aim with this display to to show the variety of forms modern Origami takes, from traditional, figurative, geometry and abstract. Additionally I have included 14 different dragons, a current fascination – can you find them all?

I feature some of my favourite pieces, designed by legends such as Satoshi Kamiya, Robert Lang, Eric Domaine, Francis Ow, Ronald Koh, Kade Chan, Eric Joisel, Brian Chan, Jason Ku and more.

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Print-o-gami

As a Christmas present, my daughter signed me up for a Lino-cut and print-making workshop – something I was interested to try for the first time:

final print 5/5

Originally I had a much more ambitious plan, but it was deemed not achievable in the allocated time in the workshop so I sort of freestyled it.

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Priceless Artwork

Culling stored stuff, we came across things we had kept from my daughter’s pre-school years. Folios of precious artworks that, 25 years ago, adorned our fridge:

Spikey ball of love

Glorious and colourful explorations of paint, colour and form, painted, using bubbles, marbles, brushes and other techniques, using really strong colours that have remained so all this time.

I chose 10 of the most colourful paintings, cut 3 x 1:2 rectangles and set about folding a nice spiked ball with them.

I love the result, for all sorts of reasons, but mainly because it is made from materials created by someone I love. So much better than sending it all to landfill.

898: (348/365) The Droid You Were Looking For

Now I am as much a Star Trek fan as the next one, and love a comedy sidekick movie plot device. It was interesting that the Star Wars franchise returned to the tried and true “quirky beeping droid” sidekick in “Force Awakens” and the BB8 droid seems a cute successor to the more limited R2 units (that they decided could fly in later/earlier messes of movies):

This is Martin Hunt’s Modular BB8 droid model. A torturous fold of many parts.

4 different modules combine to make a roughly spherical ball with a “head” that can be affixed wherever you want, sort of captured the overall morphology of the droid. Continue reading

860: (310/365) Pizza Slice

You know, I thought I understood Pizza, then I went to Naples, Italy, and realised I knew nothing about pizza at all:

There are moments in your life when things just make sense – that moment of clarity where the perfect combination of crushed tomato, basil and mozzarella on a thin crisp base spends 90 seconds in the wood fired oven and emerges perfect in every way. Continue reading

822: (272/365) Excalibur

“The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water, signifying by divine providence that I, Arthur, was to carry Excalibur. [singing stops] THAT is why I’m your king!”:

“Listen, strange women, lyin’ in ponds, distributin’ swords is no basis for a system of government. SUPREME executive power derives from a mandate of the masses, not from some farcical aquatic ceremony.”

“Shut up!”

“You can’t expect to wield supreme executive power, just ’cause some watery tart threw a sword at you!” Continue reading

813: (263/365) Llook out, there are Llamas!

PART 2: THE LLAMA, LIVE FROM GOLDERS GREEN
The llama is a quadruped
which lives in big rivers like the Amazon.

It has two ears,
a heart,
a forehead,
and a beak for eating honey,
but it is provided with fins for swimming.
Llamas are bigger than frogs. Continue reading

798: (248/365) The Elephant In The Room

In a fit of elephantine existentialism, one must ask an important question: “What makes a good Origami Elephant?”:

This is Paul Jackson’s “One Fold Elephant” – is it a good elephant and how would we know? What are ESSENTIAL characteristics that a model should have to be considered elephantine? Obvious characteristics of an elephant (well, for anyone who has ever actually seen one) could include discernible TRUNK, big(ish) flappy EARS and a big solid BODY. We could visually recognise an elephant with way less information than that so why do we require mind-popping details implicit in super-complex paper renderings of elephants when something much simpler does the job.

Purists would argue that all origami is, in essence, figurative representations of real objects. Thereby origami models are in effect are so many levels of abstraction from the real thing that there are no valid metrics that apply the the “goodnicity” of the rendering. Continue reading