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1091: 林靖詠’s “Man Folds Crane”

| wonko

I am interested in meta-folds – that is origami designs that are about origami, I stumbled across a series of 4 images of a man (torso) folding a crane on a routine image search for something else and decided I had to track it down. It was re-posted by a re-poster of the original and took some finding but this little beauty finally gave up some prototype Crease Patterns (CPs 1, 2, 3 and 4) and final images and I knew I had to try them:

I took my 90cm medium-thickness roll of Kraft and carved off a square, divided it into fifths, then halved until I got to 40ths, then split the big square into 4 equal smaller squares – each now a 20×20 grid.

Each figure has a different crease pattern – not sure why. I am fairly certain they were all variations generated by Boxpleat Studio (a program that takes stick figures and works out CPs), but I decided to persist – some worked perfectly, some were more of a challenge than others to collapse, each more or less made the formation of the man and the part of the crane easy, but had to nut out some things that were trickey.

I like this design, and am still working on the best way to display it – I am thinking eventually a shadowbox frame might be best.

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1064: Fergus Currie’s “Frustum”

| wonko

An invitation went out on Fakebook to join a “fold along” session with Fergus Currie and, although it was after 11pm local time I thought why not:

Fergus Currie's "Frustum"

Fergus taught the module then construction of a 4-part modular Frustum (a truncated pyramid) – an ingenius and “frustrating” model in that the lock between modules is accomplished using a “latch crimp” tab inside the bent gusset pocket, making the actual construction a little fiddly.

I found I needed to ease the 3rd and 4th modules in place using long-nosed tweezers, when it sits right it locks tight but requires a bit of a controlled jiggle to get it to be seated just right. The final module is a bit of a challenge to insert without dislocating the two either side of it.

Patience and tweezers finally won over and the top half finally was locked tight and tidy, then a simple weave on the bottom flaps complete a lovely truncated pyramid. Material thickness is an issue here – the tab-pocket system assumes material of negligible thickness. If you use heavier paper you need to fractionally adjust either the pocket depth or the tab length – fortunately there are a couple of fold junctures that make this easier.

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Pride

| wonko

…so, as part of a commission, I decided to explore the concept of “pride”, using a feline metaphor:

I folded a family of lions, designed by Lionel Albertini, and then posed them in a Daiso display box. “Pride” is an interesting concept – we see the lioness, as the head of the family, provider, strong, carer. We see cubs looking up to her. We see the Lion, in the background, as supporter and partner.

pride

I like the minimalist composition of this piece. I used crumpled VOG paper as “grass” and have resisted adding any other decoration, because everything I have tried added makes the family grouping less powerful.

I hope the client likes it, we shall see.

796: (246/365) Japanese Andon Lamp

| wonko

Paper is an amazing thing. In Japanese culture, for centuries, walls and furnishings were made from timber and Washi (hand-made Kozo fibre paper). Candle-driven laps made of paper (counter-intuitively) are still common, this is an Andon Lamp:

There are 2 versions of this – one that uses 4 squares (this one) and another minor variation makes the frame with 4 bits of paper and then you put in other paper inserts into frames formed on each side of a contrasting colour/texture. Continue reading →

708: (158/365) Nollentonk

| wonko

When I was in Japan, I bought 2 origami books and have not really folded much from them to date:

The books are totally in Japanese, no English at all so I have NO idea who the designer of this model is.

Made from 4 squares of paper (back legs, front legs, head, tusks) and this is a little beauty. Continue reading →