It is always interesting to receive the latest JOAS Tanteidan Magazine:
On the cover was a model I immediately knew I had to try – Yoo Tae Yong’s “Quokka”.
As far as I am aware, this is the first Quokka design, and wow, what a beauty. The model is fully featured – in proportion to a real Quokka, and even has a pouch.
I am constantly surprised what you can do with the classic bird base:
This is Peter Buchanan-Symons’ “Loch Ness Monster”, a fascinating exercise in colour change and tight accordion pleating that takes the points of a bird base (traditionally 2 wings, a head and a tail) and manipulates them to make 4 stickey-uppey colour-changed flaps that are then bent to produce a familiar outline.
This is a simple model from a forthcoming book “Folding Fantasy Volume 1” that I helped edit – some lovely challenges therein.
In need of an elephantine fold, I remembered proof-reading a diagram set from Tetsuya Gotani’s latest book “Origamix”, and remember a test fold that went awry, so decided to try again:
What a lovely sequence – some complex layer manipulation and need for accuracy early on pays off later when shaping.
There is lots to love about this model – lovely big ears (an African elephant then?), trunk and tusks, lovely bum and fabulous sturdy legs. A test of a model is how it is with folds only – you can see an inherent elephantine shape that is stable and free-standing.
I will do some posing, and tidy up some gaping seams, otherwise there is little to do to make this a presentation fold. I really like this model – my pick of elephants (perhaps even ahead of Sipho Mabona’s) so far, and I have folded LOTS of them.