1172: Storylines

When asked to be part of the Papermakers and Artists QLD “On A Roll” Gallery exhibit, my first thoughts of a “scroll-like” object I could make was always going to be something relating to my current passion – Mulberry paper – Kozo.

I had, in previous posts, explored the harvesting and cleaning, beating and use of White Mulberry and Paper Mulberry pulp from twig to finished sheet. A consequence of processing a sheath of White mulberry was a collection of lovely white sticks without their bark. Experimenting what I could do with them, I discovered they accepted soft graphite pencil really well.

A scroll, to me, tells a story. Story telling is something that humans have always done, ever since they evolved the ability to communicate. Lots of cultures evolved oral traditions (spoken word), more developed repeatable symbology that evolved into alphabets and written communications. I was determined to explore ancient and modern story telling, with the idea that “Once upon a time” was a concept that has begun every story, in one form or another.

I began collecting different representations of the concept of “once upon a time”, and included Arabic, Burmese, Cantonese, English, Greek, Hebrew, Hindi, Japanese, Khmer, Korean, Lao, Maori, Mongolian, Nepali, Persian, Punjab, Sanskrit, Tamil, Thai, Tibetan, Urdu, Yiddish scripts that expressed this concept. Using a soft pencil, I transcribed (as faithfully as I could) these scripts, one per stick onto the twig bundle – interesting some used left to right, others right to left.

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1156: OnePiece Den Den Mushi

One Piece aficionados know that a Den Den Mushi is a telepathetic snail used as an important communication device in-world:

Communicating via snail beings new meaning to the term “snail mail” but I remember seeing the snails in the Live-action remake and wondered if they existed as Origami.

To my delight, Tong Liu (G.T. Liu) designed one and released the diagrams in Bogota 2013’s conference booklet so I knew I needed to folded it.

I decided to try using some of my Kozo and Cotton paper that I made at Dion Channer’s Paper Mill in Gympie back in February 2024. The paper from this session was fairly soft and a little fabric-like (because, like, I really did not know what I was doing), but with a little TLC and some treatment it was perfect for this design.

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Hand Made

One of many goals, long term, is for me to make and fold my own paper. By “make paper” I mean collect, process and form sheets from pulp. I clarify because one school of thought around “making paper” is laminating or treating existing sheets – I do that also, but yeah, there is a distinction.

I attended a workshop out back of Gympie with Dion Chandler, using my newly acquired mold and deckle, and pulled (get the lingo 😛 ) A3 sheets – by the end I got pretty consistent at it but need more practice.

I ended up making A3, A4 and a smaller “letter” size”, love the deckle edges and the structure of the sheets. I have also Methyl Cellulosed some and, so long as I apply the MC to the paper (and not the glass I am sticking it to) then the sheets come away crisp and sturdily hold folds crisply as well.

That workshop we were pulling from a vat that started mostly with cotton pulp, and gradually had recycled kozo (mulberry) to it – quite a resilient mix. the resultant sheets are precious and wonderful.

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Workshop with Dion Channer

A Day With Dion Channer

On Sunday during the weekend the PAQ “All Stitched Up” exhibition opened in Gympie Regional Gallery a fortunate group of paper makers were able to spend the day at Dion Channer’s paper mill. Michelle, Vanessa, Wendy, Sue, Heather, Ann, Joolie, Marjorie and me, Peter were in for a treat with Dion and his partner Sue Purnell. Surrounded by the bush, among music rooms and yurts, pavilions and lakes, Dion’s mill was a large shed with a bespoke collection of gear and infused with the passion of a master papermaker.

Over a morning cup of tea, PAQ members talked with Dion about individual goals and hopes for process assistance, we learned about the available fibres and equipment we would learn to use during the day. Following a tour of his eclectic property, we retired to the mill and began with an orientation.

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503: Man and Woman

Flipping through an obscure copy of Papiroflexia Bicolour by Fernando Gilgado, I was struck with a pair of … models that looked like fun to make.503ManWoman

I had some small (10in) squares of handmade Kozo left over from the eagle fold and thought I would give it a whirl.

The fun and hilarity began – I have provided you with a cutout so you can do some arrangement depending on your orientation and preference – is it “Adam and Eve”, “Adam and Steve” or “Eve and Gwen” – you decide. Continue reading

501: Eagle 3.5

I am on constant awe of folders from the Vietnamese Origami Group (VOG):501eagle1

Hoang Trung Thanh’s Eagle 3.5 is an astonishing and dense fold that really tests patience, accuracy and paper but the result, even this partially incomplete rendition is lovely. Continue reading