890: (340/365) Arches Tessellation

David Huffman is a bit of an origami enigma it seems – he pioneered a bunch of tessellations and surface corrugations and seems to be one of the first to explore curved creases and their bizarre effects on flat sheets:

This is is “Arches” tessellation, an intriguing offset brick valley folded grid that then has parabolic mountain folds at each intersection. The resultant sheet is really hard to tidily collapse (in my experience) – perhaps it was the paper or the scoring technique I used to form the parabolas, or perhaps it was the parabola itself – with no guidelines I just sort of guessed a curve.

You get a sort of waterbomb base forcing one trough deep into the arch of an adjacent fold – when it is tidied up it is fascinating – I could see uses for this as an interesting textural pattern or ambient light panel as it makes funky patterns when backlit. Continue reading

862: (312/365) The Night King

Now I am as much a fan of Game of Thrones as the next person, but I do like a good ice zombie as a baddie:

This is Nick Robinson’s “Hairy Man”, but I think it is much more demonstrative of an icy undead monster. Continue reading

861: (311/365) Tessellated Star Box

I saw a photo sequence of a tessellation that was fashioned into a box and knew I had to try it:

Well, I say tessellation, but really this is just one molecule, but it is none the less beautiful. Continue reading

844: (294/365) Our House, is a very very very fine house …

It seems to be the season for buying houses. A couple of my work colleagues have, individually, in the last little while purchased houses:

The “Great Australian Dream” apparently is to own your own home – this seems irrefutable proof that it is still entirely possible. Continue reading

843: (293/365) Origami Architecture

I was doodling with a 17cm square, divided into an 8×8 grid and collapsed, via a photodiagram (and a bit of wrestle-magic) into a curious but possibly useful surface corrugation/tessellation:

With an exercise in patience, fold accuracy and layer management, a “swastika”-like collapse becomes a sunken 4 segment recess, then the edges tidy up with some propagatible pleats, making this tesselatable. Continue reading