You know, I thought I understood Pizza, then I went to Naples, Italy, and realised I knew nothing about pizza at all:
There are moments in your life when things just make sense – that moment of clarity where the perfect combination of crushed tomato, basil and mozzarella on a thin crisp base spends 90 seconds in the wood fired oven and emerges perfect in every way. Continue reading
“The Lady of the Lake,… [angels sing] …her arm clad in the purest shimmering samite, held aloft Excalibur from the bosom of the water, signifying by divine providence that I, Arthur, was to carry Excalibur. [singing stops] THAT is why I’m your king!”:
“Listen, strange women, lyin’ in ponds, distributin’ swords is no basis for a system of government. SUPREME executive power derives from a mandate of the masses, not from some farcical aquatic ceremony.”
“Shut up!”
“You can’t expect to wield supreme executive power, just ’cause some watery tart threw a sword at you!” Continue reading
PART 2: THE LLAMA, LIVE FROM GOLDERS GREEN
The llama is a quadruped
which lives in big rivers like the Amazon.
It has two ears,
a heart,
a forehead,
and a beak for eating honey,
but it is provided with fins for swimming.
Llamas are bigger than frogs. Continue reading
In a fit of elephantine existentialism, one must ask an important question: “What makes a good Origami Elephant?”:
This is Paul Jackson’s “One Fold Elephant” – is it a good elephant and how would we know? What are ESSENTIAL characteristics that a model should have to be considered elephantine? Obvious characteristics of an elephant (well, for anyone who has ever actually seen one) could include discernible TRUNK, big(ish) flappy EARS and a big solid BODY. We could visually recognise an elephant with way less information than that so why do we require mind-popping details implicit in super-complex paper renderings of elephants when something much simpler does the job.
Purists would argue that all origami is, in essence, figurative representations of real objects. Thereby origami models are in effect are so many levels of abstraction from the real thing that there are no valid metrics that apply the the “goodnicity” of the rendering. Continue reading
Topologically convoluted geometric modulars confuse the brain – shapes that morph into different shapes in stable but seemingly unpredictable ways are fascinating:
This is a wedge-flex – a modular hinged construction of a series of triangular prisms (wedges) that fold, bend, twist and re-align in interesting configurations. Continue reading
