Sometimes a simple crease pattern leads to some interesting emergent geometry:
This is Charles Santee’s “Star Block”, a 2 part modular that I found when trolling among Origami USA’s “The Fold” issue #22. Continue reading
Sometimes a simple crease pattern leads to some interesting emergent geometry:
This is Charles Santee’s “Star Block”, a 2 part modular that I found when trolling among Origami USA’s “The Fold” issue #22. Continue reading
So I ended up scoring an unexpected free afternoon so decided that serious paper torture would be fun:
Gridding then a breathtaking collapse took 4 hours to begin with. I knew I was up for a marathon fold to finish. Annoyingly I did not get this finished before fatigue took me – sometimes you get that. Continue reading
After a brutally busy term, it is time to recharge, dance a little, be thankful for the good things that surround you:
This is Jeremy Shafer’s “The Dancers” – a charming little pleating exercise that takes a square (in this case a 15cm Japanese foil square) and, via a clever set of collapses, isolates 2 people, joined at the hand. Continue reading
Few would argue that the Tsuru (crane) is the quintessential origami figure. Everybody starts there, the form is so familiar and the skills necessary to fold it form the backbone of so many models:
While I have tried many variations of this model, few compare to Riccardo Foschi’s “feathered Tsuru”, a glorious and complex variation with such beautiful wings. Continue reading
Reporting is a beast of a thing, particularly semester reporting where we seem to joust with nit-picking grammar on parts of a report that parents do not read. Slaying the beast is particularly satisfying:
This is Riccardo Foschi’s Baby Lizard Dragon … thing. I found the CP and a photo of the finished model and thought ‘how hard could this be?’. Continue reading