On a high from a folding session taught by Sipho Mabona, I wandered virtually out into the virtual conference meeting rooms and sat in on a modular folding session, where I was taught the modules for a “Gear Cube” – 6 modules that make an intriguing structure:
This is designed by Miyuki Kawamura, and I came in half way through an informal folding session, but picked it up fairly quickly.
I will probably fold this again, with bi-colour paper (all the same however) as I suspect the “gear” mechanism might look more interesting if they are all the same colour.
Apparently spontaneous folding sessions are a feature of Origami conferences – I have never been to one so I was delighted that people shared skills at all hours of the day and night – the Zoom/chatroom combination facilitated by “Gathertown” was fabulous.
Mum had Basset hounds when we were kids – wondrously preposterous dogs with twice as much skin as any dog needs, rediculously long ears and a bark straight from the bowels of hell. We loved the “girls”; they were very intelligent, active and protective (and seemed to delight in sneaking up behind us and barking deeply once, for the effect – I am sure it amused them):
This model is as close to the actual basset hound shape as I have found folded from paper, and the colour changes make this model actually closely resemble one of our bassetts named “Cleo” – lovely dog. The stance is really typical and the placement/proportion of the ears and head are spot on.
Folded from white/natural duo Ikea Kraft, it is a challenging model because of a number of judgement fold steps and some tricky shaping, but i am happy with the result (and hope mum likes it, a gift for her).
Keeping my fingers buys, I had it suggested (on Redit) that I should try Tomoko Fuse’s ‘Starsea Kusudama”:
I had not seen this before, the unit is complex and folding it on a 1/4 6″ square was, in retrospect, probably a mistake but I like a challenge.
30 modules later, the construction was fiddly but the locked shape is really sturdy and there is no need for glue – tabs are buried deep in pockets. The last few units are really hard to seat (I needed tweezers to ease them into place) but paper tension causes the ball to become regular.
I, like many of you eagerly awaited the Disney “Star Wars Story” The Mandalorian.
WARNING – SACRILEGE: It started as an off-planet spaghetti western (faithful right down to the soundtrack), but quickly (for me at least) degenerated into the “baby yoda show”, garnished with some impenetrable Mando law and totally impractical helmet decisions.
I vaguely remember folding lego in my original 365 journey back in 2011 and I am sure I remember following a set of diagrams. Looking back, the resource moved and has degenerated into low res Crease patterns:
Un-flummoxed, I set about re-acquainting myself with the fold – an intense little 12×14 grid, special collapses for pegs and pits.
Having folded one, by gridding a square cut from an A3 sheet, initially 16×16 (because that division is easy) then slicing off 2 and 4 units from adjacent sides to get to 12×14. the resultant block was fiddly, but I got back into “the zone” and the collapses were tidy.
I then realised that I could waste less paper by dividing the short side of an A3 in 3rds, then 6ths, then 12ths, when squaring along the long side I had to remove only a small sliver off the end (quite efficient use of the sheet) – the resultant grid made a much more satisfying sized block.
I set about making a few different colours, because.
All in all, they are just another brick in the wall. Mother, did it have to be so high?
I have been a fan of the Hannibal Lecter thing since that was possible. Books, movies, series, love it all, but few things are more chilling than the original “Silence of the Lambs” movie. One of the central images of that movie, and a delicious cover art of the original book features the Deaths-head Hawkwing Moth (Acherontia atropos):
This model, designed and shared by Sebastian Limet, requires thin bi-colour paper. I had some duo paper that was strangely thick, but managed to work the design and surface the details that make this mode so striking.
Folded from a 40cm square of black/white duo unryu, I have enjoyed following a fold sequence that started at the Waterbomb base and goes sideways from there.
Concentrating on the important details here – wings, skull, abdomen and antennae, this relatively simple model is all style, genius design typical of the brilliance of Sebl designs.
Sometimes, just sometimes, it has to be noodles – rice or wheat, in broth, that are schlurped while way too hot, because … reasons:
I saw a crease pattern (CP) by Jinjang on an origami Discord I frequent and (in the season of justifiable procrastination) had to fold it.
I think there are errors on the CP, as I found I needed to adjust crease lines to properly form the bowl, and would probably manage the colour of the lip differently next time, but as a first fold this was a really interesting exercise.
Exploring the theme of “Pride” some more, the lioness is the worker of the group, mother, hunter, general all purpose carer:
Lionel Albertino’s Lioness is an interesting fold, made from the same base as the Lion, you manage the head completely differently. I like the strong haunches, shoulders and noble head. The tail structure is fun and there is some pose-ability about the body. She looks like she is ready for anything.
Folding feline shapes is hard work, making them look realistic is harder. This is the first of a series of Lion studies, designed by Lionel Albertino from his book “Safari Origami”:
Colour management here is lovely – folded from natural/black Ikea Kraft, hiding away the black except for the mane and tip of tail is hard work. When I close up the seams and pose it he will be tidier, but “folds only” it is a stable, self-standing model.
I have been looking for foxes, long story. I stumbled across Roman Diaz’s Fox from “Origami Essence” and thought I should give it a try:
This is a lovely stylised model, careful management of colour, nice big tail and some solidity to the body.
In many ways it feels like an “old school” model – flat, angular and difficult to balance the curved folds that define the face with the otherwise flat structure. I was also surprised it stands, but hte weight balance is good, he stands regal and magnificent.
In need of an elephantine fold, I remembered proof-reading a diagram set from Tetsuya Gotani’s latest book “Origamix”, and remember a test fold that went awry, so decided to try again:
What a lovely sequence – some complex layer manipulation and need for accuracy early on pays off later when shaping.
There is lots to love about this model – lovely big ears (an African elephant then?), trunk and tusks, lovely bum and fabulous sturdy legs. A test of a model is how it is with folds only – you can see an inherent elephantine shape that is stable and free-standing.
I will do some posing, and tidy up some gaping seams, otherwise there is little to do to make this a presentation fold. I really like this model – my pick of elephants (perhaps even ahead of Sipho Mabona’s) so far, and I have folded LOTS of them.
A certain orange cretin recently said that one of the most important issues in his dangerous foreign land was water usage due to low flow, causing it’s people to need to flush 10 or 15 times instead of just once:
I for one am worried for him – one has to be concerned about a diet that creates such a terminally un-flushable turd like him.
This is Fernando Gilgado’s “Pensador” (or pensive man, I think) – the loo is the best place to contemplate life, the universe and everything … and TWEET about it (which is where I think he generates his content) – hence requiring 10-15 flushes to get rid of it.
There is a story of a deeply depressed man who, when seeking help from a psychiatrist, was given the advice that he should cheer himself up by seeing the visiting clown, the great “Joseph Grimaldi”. With the suggestion, the man wept more intensely. “I am Grimaldi”, he said.
I am terrified of clowns, just putting that out there. That said, I saw this little CP of a “Pierrot” with a silly hat and decided to procrastinate even further and attempt to fold it.
I have been looking for tidy self-contained folds based on A4 paper that hides the raw edges, so I could try my lovely thistle-based hand-made paper (from the ladies at Paper Makers and Artists):
This box looks like a traditional fold, but seems to be credited fairly recently to Sweet Paper, a paper art shop/tutorial site I stumbled across in my musings. Not sure of the attribution however, as many of their featured designs I have seen (and folded) from other artists.
The paper, with lovely rough chopped scotch thistle fibres and other pulp is fairly crisp, fairly thin but had raggedy (beautiful) decal edges that I did not really want to have to chop off.
It has been a while since I last blogged a fold. Truth be told the end of the term beat me up a lot – coupled with a savage cold, auto-immune rash (I still have) and an infected tear duct, on top of the marking and reporting it beat me up proper:
That said, folding remains a refuge and I did fold a lot in the interim, just did not blog about it – must redress the balance.
I “found” a set of diagrams, well, stumbled across them on Pinterest (the largest bastion of copyright infringement) and decided it was worth a fold after seeing an unauthorised youtube video tutorial of the same fold (I must have skipped over it while scanning the document).