1129: Blastoff!

Grommit, you forgot the crackers!!!

Scrolling through this year’s JOISEL AWARD entrants, I noticed a lovely little Rocketship designed and folded by Zhu Yandan, from China – it was released with a crease pattern (CP) so I thought it worth a try.

I used a technique called “Ghost Creasing”, where ONLY the needed creases are transferred via careful embossing using a stylus. This eliminates the excess grid creases, making the fold cleaner.

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1120: Steven Casey’s “Numbat”

Occasionally I am privileged to be asked to test-fold new models, and I jumped at the chance to fold this Numbat:

As far as I can see, this is the first depiction of this native Australian insectivorous marsupial in origami and the design captures the morpohology and proportions really well.

Starting with a preliminary base, then folding a skewed birdbase, the side stripes naturally emerge in cleverly controlled colour changes, along with the legs, neck and ant-eater-like snout, along with a lovely bushy tail.

I folded this chap from a 40cm square of white/natural Kraft paper (some of my last from the Ikea stash – I wish they sold it again, great stuff) and the fold sequence was fun – some really interesting moves and a good range of skills necessary to complete the model neatly.

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1118: Riccardo Foschi’s “Human Bust”

I virtually attended OWM4 (Origami World Marathon 4) recently – one of the classes I attended in the wee hours of the morning was a workshop run by Riccardo Foschi:

Riccardo has a recognisable style and his models are a delight to fold (you will find lots of them in this blog). This stylised human bust has such a serene expression on their face, I knew I wanted to try it.

My fold live in the workshop was ok, but re-visiting it when I had some more time (and better understood the fold) resulted in a nicer overall model.

I had recently purchased some “Shadow Thai” paper from Origami-shop.com and thought it would be a good fit for this model.

I chose a grey/smoke blue sheet (black on the reverse, it is a duo paper) and figured because it is a little thicker that it would help with the statuesque quality of the design.

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1108: Poco Poco

Browsing the current Tanteidan magazine, as you do (if you are a paid up member of JOAS), I saw a curious design for a “yummy” rounded unit, designed by Miyuki Kawamura, and decided to fold one:

The fold sequence is simple, the collapse creates a volumetric, rounded, colour-changed “eye-ball” like unit that holds itself together using paper tension. Like most unit designs, it has flaps and pockets, so I had to fold another 2 to see how they connect.

Again, by the miracle of paper tension 3 units unite into a lovely cube corner, so I had to fold another 3 units to make the smallest solid kusudama, again positively locked and, boy, the geometry is fascinating.

Nestled in among the eyeballs is a perfect cube. I may fold more of these (however I will fold using a smaller paper (I used 15cm square, but can easily fold smaller) as I think the 30 module is the pinnacle of weird but interesting kusudama.

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1092: Riccardo Foschi’s “Frog/Toad”

Few origami designers design, present and then release CPs, diagrams and tutorials for their work like Riccardo Foschi:

When I saw his newly designed frog 2 days ago, I was hoping for there to be a tutorial or CO soon, his tutorial dropped yesterday and I knew I had to fold it.

I used a square of Duo Thai paper – dark and lime green and folded it slowly to enjoy the demonstrated process.

The front end of this frog/toad is wonderful – big whimsical eyes, beautiful suckered feet, nice shaped head. My only criticism is that the back legs and bum are a little stubby – there is quite a bit of paper back there that is not doing a lot, but as is it is simplistic. None the less, I love this little chap.

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