Sometimes, just sometimes, it has to be noodles – rice or wheat, in broth, that are schlurped while way too hot, because … reasons:
I saw a crease pattern (CP) by Jinjang on an origami Discord I frequent and (in the season of justifiable procrastination) had to fold it.
I think there are errors on the CP, as I found I needed to adjust crease lines to properly form the bowl, and would probably manage the colour of the lip differently next time, but as a first fold this was a really interesting exercise.
Exploring the theme of “Pride” some more, the lioness is the worker of the group, mother, hunter, general all purpose carer:
Lionel Albertino’s Lioness is an interesting fold, made from the same base as the Lion, you manage the head completely differently. I like the strong haunches, shoulders and noble head. The tail structure is fun and there is some pose-ability about the body. She looks like she is ready for anything.
Folding feline shapes is hard work, making them look realistic is harder. This is the first of a series of Lion studies, designed by Lionel Albertino from his book “Safari Origami”:
Colour management here is lovely – folded from natural/black Ikea Kraft, hiding away the black except for the mane and tip of tail is hard work. When I close up the seams and pose it he will be tidier, but “folds only” it is a stable, self-standing model.
I have been looking for foxes, long story. I stumbled across Roman Diaz’s Fox from “Origami Essence” and thought I should give it a try:
This is a lovely stylised model, careful management of colour, nice big tail and some solidity to the body.
In many ways it feels like an “old school” model – flat, angular and difficult to balance the curved folds that define the face with the otherwise flat structure. I was also surprised it stands, but hte weight balance is good, he stands regal and magnificent.
In need of an elephantine fold, I remembered proof-reading a diagram set from Tetsuya Gotani’s latest book “Origamix”, and remember a test fold that went awry, so decided to try again:
What a lovely sequence – some complex layer manipulation and need for accuracy early on pays off later when shaping.
There is lots to love about this model – lovely big ears (an African elephant then?), trunk and tusks, lovely bum and fabulous sturdy legs. A test of a model is how it is with folds only – you can see an inherent elephantine shape that is stable and free-standing.
I will do some posing, and tidy up some gaping seams, otherwise there is little to do to make this a presentation fold. I really like this model – my pick of elephants (perhaps even ahead of Sipho Mabona’s) so far, and I have folded LOTS of them.
A certain orange cretin recently said that one of the most important issues in his dangerous foreign land was water usage due to low flow, causing it’s people to need to flush 10 or 15 times instead of just once:
I for one am worried for him – one has to be concerned about a diet that creates such a terminally un-flushable turd like him.
This is Fernando Gilgado’s “Pensador” (or pensive man, I think) – the loo is the best place to contemplate life, the universe and everything … and TWEET about it (which is where I think he generates his content) – hence requiring 10-15 flushes to get rid of it.
There is a story of a deeply depressed man who, when seeking help from a psychiatrist, was given the advice that he should cheer himself up by seeing the visiting clown, the great “Joseph Grimaldi”. With the suggestion, the man wept more intensely. “I am Grimaldi”, he said.
I am terrified of clowns, just putting that out there. That said, I saw this little CP of a “Pierrot” with a silly hat and decided to procrastinate even further and attempt to fold it.
I have been looking for tidy self-contained folds based on A4 paper that hides the raw edges, so I could try my lovely thistle-based hand-made paper (from the ladies at Paper Makers and Artists):
This box looks like a traditional fold, but seems to be credited fairly recently to Sweet Paper, a paper art shop/tutorial site I stumbled across in my musings. Not sure of the attribution however, as many of their featured designs I have seen (and folded) from other artists.
The paper, with lovely rough chopped scotch thistle fibres and other pulp is fairly crisp, fairly thin but had raggedy (beautiful) decal edges that I did not really want to have to chop off.