In the Brisbane CBD today is a public holiday for the RNA Show:
I stopped going to the show when our kids asked whether we had to go again this year – it is huge, full of people, end of winter and full of flu.
I also had a go at capturing it in 3d, using Fyuse, to give you a sense of the movement. Continue reading
You find wisdom and counsel is the most unexpected of places, people can be wise beyond their years and offer you more support and encourage than they realise.
I was asked to fold an owl, simultaneously, for two completely different purposes. (1) A good mate wanted to give an Owl to someone who had helped him out with some well chosen words of wisdom. (2) During the World Origami Days event organised by MiniNeo, I was challenged to fold an Owl by Sebastien Limet. Continue reading
I have the greatest of respect for Robert Lang, his models are discussed mathematically and with great artistic intent also, and when I saw this hummingbird in “Origami Design Secrets” I knew I had to make it:
Having never actually seen a hummingbird (except on the telly), I am amazed and in awe of their size, industry and life habit. After folding the bird I decided it absolutely needed a flower to feed from, found a simple blossom in Harbin’s “Origami 2” by Toshie Takahama and fixed them together with the wire from a straightened paperclip and a (shhh) little double-sided tape.
Hummingbirds use huge amounts of energy to fly, and so feed voraciously on high-energy foods like nectar, so I can imagine my little bird about to plunge into the nectary of this flower for a much needed energy boost.
Am really pleased with this model – beautiful beak, breast and wings, the tail was a surprise as it came from a tortured sink early on. A masterful design that, from what I can gather, captures the intent of the bird mid flight. this makes it difficult to pose (as it has no legs) and, interestingly, every picture I have seen of this completed model is posed adjacent a bloom (presumably using the same support trick I used.
You may, collectively, go awwwwww now, as that was my reaction when stepping back from the handiwork.
Miguel the Matador struts confidently into the arena, the crowd erupts, enraptured. El Toro stampedes into the arena, head held high, the crowd roars entusiastically:
Proudly El Toro circles the matador, alert yet regal the matador watches his worthy opponet, a balletic interplay continues, each proud adversary taunting the other until…
they both live happy ever after, El Toro got put out to pasture and the Matador, a champion for animal rights forms PETA and abolished the barbaric … yeah, I know, I got nothing.
Interesting figurative model – each suggestive of form without being nit-pickingly detailed – I like them, except for the sport they personify. I was looking for “Llopio’s moment of truth” by Neal Elias but could not find a licensed diagram, so I bought the book that it is in – it is being shipped from the British Origami Society as we speak, so settled on a much simpler but none the less effective model by Robert Neale.
I had to cheat – you can just see the splayed paper clip and blob of bluetac holding up the matador (his ankles are too weak and the balance is all wrong for him to stand unaided, sadly.
Why a bullfight? Well, we have been invited to a Spanish-inspired lunch by some old friends “The Goodies” so I thought getting in the mood was a good plan.