196: A Werewolf

Now I have been a great fan of “Being Human” – particularly the character that plays the werewolf George:

I found this astonishing model by Kade Chan purely by accident – I was googling the telly show to see if there were more episodes planned and found reference to this neato origami model of a werewolf, complete with staring eyes, pricked up ears, ferocious claws and a lovely tail and I knew I had to try it.

This is such a well designed model – entirely doable with copy paper (I used a square cut from an A3 sheet) – with some precision and patience the body comes together without fatiguing the paper too much and astonishing detail is possible because each part is only a few thicknesses of paper, except the arms with are a little bulky towards the end when shaping the shoulders.

I particularly like the claws – scary things they are, with each finger posable and a snarly opposed thumb.

I could only find a vague photo sequence so had to guess in some stages by looking backwards and forwards towards the finished fold to work out what to do at times. This IS amazing, yes, you are right to be impressed – I am.

I will accept a round of applause, and cash to accompany any orders you have for me to fold you one of these.

192: Yoshizawa’s Frog

There is great skill in using few folds to suggest the form of a complex creature – few mastered it like Akira Yoshizawa:

I like this fold – deceptively simple, most folds are made without landmarks (ie. you use judgment and “eye” to work out where to fold) and the resultant form is simple yet charming.

I will fold this again – the body has so much potential but I like the minimalistic form also – it’s not easy being green.

181: Piglet

I have a lot of pig models, all have their charms – it is interesting that it is a much-folded animal:

This figurative model is quite a simple fold, a nice change of pace on a busy day

An interesting twist on the waterbomb base, it’s body proportions are ok, it has a good snout that could be further modeled as there is lots of paper there, and a fab curly tail.

177: Hedwig

Now I am the first to admit I am an out and proud Harry Potter fan. I have consumed all the content JK Rowling has produced on the world of magical and muggle, and particularly like the use of Owl Post:

Looming is the release of Deathly Hollows part 2 and more recently mention of “Pottermore” which I hoped would be an MMO or immersive world because I thought it would be cool to play a character in that realm. sadly Pottermore will not be anywhere near as cool, but maybe more potterverse, but will watch with eager anticipation.

I found the Spanish origami Society’s magazine archive “Esquinas” – in it was this rather splendid owl. the instructions take a lot for granted, annotations in Spanish do not really help but I muggled through.

There is much to love about this model – it stands by itself, rather cheekily and I can imagine it perched on a branch or taking pride of place in an owlery, it has a lovely round tummy, some fascinating eyes (the next time I fold this, now I know what goes where I am sure I could fashion pupils etc) and the overall proportions are neat. this is a clever design because everything tucks inside and there were only a couple of errors in the diagrams that were easy to fix visually.

132: Pyramid

In the late 70’s (1979 to be exact), my musical world changed forever. I bought a record (remember them kids – black plastic circular things you put on a turntable) by a then teenage Gary Numan – it was “The Pleasure Principle”:

The music was electronic and I knew I had found my passion, the cover was baffling – a dapper teen in a suit, glancing casually at a glowing pyramid:

A simple re-working of the Waterbomb, some nice symmetry, it is delightfully complete on all sides

Made to celebrate the 30th Anniversary of that album, and the fact that I am going to see him and his band in concert tonight (WOOO!) supported by Severed Heads. Very excited by both, just quietly, as I had long given up home of ever seeing either live and resigned myself to collecting all their recorded works.