1034: Eric Joisel’s “Harlequin”

A few months back, in the relative calm of my summer holidays, I began to re-fold “Harlequin” designed by Eric Joisel, after failing to successfully fold it during the “Tribute of Eric Joisel” competition I was part of late last year:

"Harlequin" designed by Eric Joisel

I took my time, learned lots from initially failing, made sectional maquettes to check techniques and really enjoyed the process of folding.

"Harlequin" designed by Eric Joisel in the round
http://www.wonko.info/365origami/wp-content/uploads/1034HarlequinViews-scaled.jpg

This model is such a synergy of techniques – I can see influences from so many of Joisel’s other creations (many of which I have folded before). The initial collapse is vaguely humanoid, but the shaping is the making of model. So many details to control. The face and hat are tricksy but I an really happy with the level of detail I managed here – he has a playful but chilled character, smug smile and refined face – the mask is jauntily sitting on his nose also.

The fabric effects to the sleeved and pantaloons are a nightmare – to make them seem to “drape” is really hard I found, but eventually it came together. I pre-creased some quilted effect on the bodice and skirt which I am really happy with, and the collar took me ages to nut out. He is in full stockings (diamond pattern), has goofy shoes, a fly-away in-action wavey cape and open hands – so many bits were there waiting to be shaped. One can only marvel at the genius of the design.

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1032: Endless Garden

Cruising Fakebook, as one does, I came across a fascinating origami geometric mindf*ck:

Edu Solano Lumreras' "Endless Garden"

Edu Solano Lumbreras kindly shared instructions for his design, having adapted the techniques used in Thoki Yenn’s “Umulus Rectangulum” corners, to make this tesseract like cubic möbius strip.

Comprised of 6 modules, with some exacting pre-creasing that lends itself to template work, you fold bent square tubes with 3 corners – the shortest corner makes the “tab”, the opposite end becomes the “pocket”.

A4 rendering

Folding in a4, the geometry is just as elegant, if exacting.

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1031: Cubes Tessellation

Looking through my Origami Library, I realised I had bought “Origami Tessellations for Everyone” by Ilan Garibi back as the pandemic hit early last year, and realised I had yet to fold anything from it at all:

Cubes by Ilan Garibi
A field of cubes

Early last year was crazy times – bushfires, floods and then lockdown from Covid-19, this book got buried in my reading pile so it is time to begin the journey of exploring tessellations more formally.

Starting at the beginning, with the “Cubes Family”, this is “Cubes”, a deceptively simple tessellation of twisted cubes. I present the “molecule” – that is the tileable unit:

Cubes by Ilan Garibi Molecule
Cubes “molecule”
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1026: Happy New Year

Now 2020 is winding up fast, and I say for the most part – good riddance. We decided to stay home, low key, but New Years Eve is not complete without “fireworks”:

Star Pocket Kusodama

I decided to fold a modular, found a relatively simple one then discovered it challenging because of volume and construction. This model is my fireworks – an explosion of colour and emergent geometry.

Star Pocket Kusudama views

Folded from 90 separate pieces of paper, 30×1:2 rectangles and 60x 1/2:1 triangles – I decided to go with cherry blossom tones, the resultant “Star Pocket Kusudama”, designed by Sansanee Termtanasombat (Praew) from Thailand is a geometric treat indeed.

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Gieseking Bends and Shifts

Exploring the geometric folds of Rebecca Gieseking, I was taken with cyclindric transformations:

Gieseking cylinder transformations

Using calculated crease patterns, a cylinder can be “shifted” using a peculiar tapered spiral, or “bent” using a curved “gusset” – interesting stuff,

Gieseking cylinder transformations views

Folded using printer paper, I think it would look nicer with slightly heavier paper, the trick is accuracy and crisp creases. I must explore these techniques more.

1022: Ryu Jin 1.64

This started as pure procrastination – I had marking and reporting to do but ….

ryujun 1.64

Folded from a “live guide” photodiagram series produced by Daniel Brown, as part of a channel in a discord from another planet, irresistible as it is yet another variation of eastern dragon I knew I HAD to fold,

ryujun 1.64 development

This little fellow is nearly naked – apart from some glue to hold in a wire spine and wires for arms and legs, he is otherwise folded only (hence some of the wayward seams and flaps). I quite like this unfinished appearance and think he will stay as is.

ryujun 1.64 views

Folded from 90cm natural Kraft, it starts with a therapeutic 64 grid on the diagonal and goes to hell in a handbasket from then on. The basic folding is quite straight forward (as a Ryu master), this variation is a bit of a mashup between a 1.2 and the head of a 2.1 – the result is wonderfully complex and beautifully “Kamiya” in intent.

ryujun 1.64 scale

I decided to fold it in plain (both sides same) paper as the bi-color fold has a large gash of reverse side colour along the underside – I have used this to effect in both a 1.2 and a 2.1, so thought I would go differently this time. Interestingly (to me) this little chappie is folded with a sheet exactly 1/4 the size (and from the same paper roll) as my original 3.5 (a little Ryu Jin nerdistry there).

1021: Rose Ball

When saying ooroo to someone, you can give them flowers or something like this that lasts much longer:

Maria Sinayskaya Little Roses Kusudama

Experimenting with some new season winter collection Ikea paper, I decided to try multiple simple roses that combined into a snub stellated icosahedron – clusters of 5 blooms, quite lovely,

Maria Sinayskaya Little Roses Kusudama unit

I hope your move to the next phase in your life is wonderful, Colleen – thanks for all the support.

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1020: “Crystal Splash”

I have been sitting on this model for ages, trying to nut it out because although the module is relatively easy to fold, the proportions and construction of this modular ball is torturous to be polite:

crystal splach

I settled on a 6:11 rectangle for my module, and folded 33 of them (3 as a test), then began the task of working out how this works.

crystal splash scale

Each point is made of 3 modules, the final lock is REALLY hard for each vertex, then they twist and turn behind the 3 adjacent modules to have their spare ends pop up as one of 3 to make new points. I put together and disassembled a dozen times until I found the right order/morphology.

The result is not as tidy as I would like, and I may re-try it with a different proportion rectangle to screw further with the vertex shape, but I am pretty chuffed to have finally got it together – it was a real wrestle.

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1019: Mi Wu’s 7 Segment Display

I remember folding another LED display, but cannot remember whose. This is a really efficient use of a single 15cm square to make a fully functional LED-style 7-segment digit:

Mi Wu's 7 segment display

The real skill here is hiding away the colour into flaps arranged symmetrically around the edge of the rectangular piece, so that you can open them out and change what is shown.

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1018: Skull Badge

Continuing my exploration of Mi Wu’s new book “Duo Color Origami”, I present his “Skull Badge”:

Mi Wi Skull Badge

A genius rendition of a skull icon complete with upper set of teeth. I enjoyed the fold sequence so much I folded a second one (to convince myself the first fold was not a fluke).

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1017: Mi Wu’s WTF

I recently got a copy of Mi Wu’s new book “Duo Color Origami” and knew there were models I had to try:

Mi Wi WTF

Colour change is a tricky thing, designing to deliberately form patterns with the reverse side of the page is a real skill and Mi Wu seems to have mastered it, his book contains many unique and very challenging models.

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1012: Cluster

If one word sums up 2020, it has to be “cluster”. Sadly, in the Covi-19 era, we find at the centre of most clusters is a cluster-f*ck:

Xander Perrott's "Trillian"

In desperate need of a fold, I turned to Xander Perrott’s e-book “Folded Forms” that I bought a while ago and settled on “Trillian” – a glorious 30 unit modular cluster that looks a little like a flower ball.

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1009: Mayhew (or Black Death)

Apparently one of the symptoms of the plague was to smell a sweet smell like flowers:

Xander Perrott's "Mayhew"

That escalated rather quickly, but that is life in a pandemic age I guess. This “black flower ball” is “Mayhew”, a kusudama designed by Xander Perrott, a lovely thing indeed.

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1006: Fake News

In an age of great confusion and concern over health, safety and social distancing, it is interesting (nay, alarming) to see the spike of “fake news” relating to the current Pandemic:

Xander Perrott's "Zenith"

We learn via social media that Covid-19 was man-made, released as a viral payload from some weaponsied experiment (gone wrong, or not), is transmitted via 5G, and is defeated by injecting disinfectant and drinking bleach. We hear and watch idiot orange leader lie, contradict himself, blame storm, underfund, over-claim, then go and play golf while his country suffers.

We learn that some ffolk, tired of being “isolated” for a week or two in one of the most virus-ravaged countries chose to riot (hence magnify the problem) for their right to congregate, despite social distancing suggestions in place to save their lives – and we see them turn up, enraged, with guns, like they can shoot the fucking invisible enemy.

We hear from celebrities, entombed in their mansions, doing it tough because they are down to only domestic champagne, we hear of crop circles, conspiracies, complete shit uttered by people with access to the greater public, in the end (like this post) it is all NOISE, no SIGNAL.

It appears scientists and health workers DO know how to mitigate spread, that social distancing IS effective at arresting spread, that outbreaks are inevitable but manageble if there is a healthcare system in place applying rational and reasonable steps, and that the world will return to some version of normalcy slowly and cautiously.

Xander Perrott's "Zenith" scale

This is “Zenith”, a 30 piece kusudama, designed by Xander Perrott (from his eBook “Folded Forms”), folded from duo red/natural Kraft. It is reminiscent of the shape we are seeing of virus (cells?), it was folded during a telly binge, it helped to calm me down when I think of work Monday: I am a teacher, for the past few weeks I have had had nearly normal classes (I teach mostly year 11 and 12, they were back in F2F after an extended period in ISO). This coming week, all students return to a tiny inner-city campus. 1700 boys, 120 staff, no room to swing a cat, social distancing impossible. Happy days.

1005: Mask#16

Lately I have been folding a lot of faces – some free-form, some crease pattern (CP) based:

Mask #16 - Flynn Jackson

This is Mask #16, designed by Flynn Jackson, folded from cardstock, painted bronze.

I am beginning to get a “feel” for facial features – repetition and practice of free-folding helps me realise nuances between face structured, position of key anchors (brow ridge, nose, mouth) and how to set the eyes.

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