959: Jackson’s Goblin Mask

Continuing my quest to master the face, I decided to explore the facial widgets of CP#15, one of many generous public designs by Flynn Jackson:

Goblin - black and white

From a single uncut square, emerges the angular features of a lovely goblin.

goblin - scale

I am particularly interested in the formation of the nose, and it’s linkage to the nose bridge – something I want to master for another long-term project.

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957: Tragic Clown

There is a story of a deeply depressed man who, when seeking help from a psychiatrist, was given the advice that he should cheer himself up by seeing the visiting clown, the great “Joseph Grimaldi”. With the suggestion, the man wept more intensely. “I am Grimaldi”, he said.

clown mask

I am terrified of clowns, just putting that out there. That said, I saw this little CP of a “Pierrot” with a silly hat and decided to procrastinate even further and attempt to fold it.

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956: Children of the Forest

So GOT has started again, the final season and it is a promised shitstorm between people and the undead (sorry, if that is a spoiler).

children of the forest - Flynn Jackson's CP

It seems ALL of the trouble of the resident ice-zombies was caused by an experiment between a man and a race called “the children of the forest”, and some dragon glass, but that plot point will be explored further I guess as the series winds up. This mask reminds me of what I imagined the children of the forest looked like when I read the books.

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Santa/Satan – Ho Ho bloody Ho!

Curious things parents, we present certain things as fact and then later we say that they were little white lies, but truth is a slippery thing indeed:

Easter bunny, collector of kiddies teeth, stranger in a red suit causing toddlers to scream in terror when they are perched on their knee in supermarkets – what an odd tradition.

Lovely “santa” re-fold, faux 3D, designed with some lovely colour changes by Steven Casey – ’tis the season.

930: Ground Control to Major Tom …

…take your protein pills and put your helmet on.

I have waited an age to fold this model – I was waiting on finding some large format duo paper. When visiting IKEA, I came upon delicious 70cm wide rolls of duo Kraft paper (black on natural and white on natural), and bought a bunch of rolls. 

Folding a 24×24 grid on a virgin square of white/natural Kraft, the collapse lines laid in, the collapse proceeds to the first stage then you re-work each stickey-outey bit. Continue reading

927: It’s All About the Base

One approach to paper folding starts with a “base” – a form with flaps and general morphology that suits an end goal.

A well-designed base is a thing of beauty, and a flexible tool.

This base, a mutated fish base has really useful properties as demonstrated by these two wildly different folds, both designed by Jose Ma Chaquet from Spain. Continue reading

907: (357/365) Mr Origami

Always on the look out for a model that somehow incorporates traditional cranes (Tsuru), I stumbled across this design and knew I had to try it:

A clever pre-folding sequence caches paper that later emerges as “bird-baseable” end points you can locate at the ends of arms. Continue reading

905: (355/365) Emperor Palpatine

I am sure you remember the good old days, when things were better. In the Star Wars Universe this meant Luke, Leia and Han battling the dark side of the force wearing cheesy costumes, in squeeky clean spaceships, among a rain of pew pew pew:

The truth is there were no “good old days”, they were just days, and at the time they seemed amazing but you know, they were just days. This is Lee Armstrong’s “Emperor Palpatine” – you know that evil prune who bar-b-qued people with lightning by channelling the dark side of the force. Continue reading

902: (352/365) Satan

So apparently a symbol of the festive season is a portly old beardy man in a red suit that gives presents to kids who have been nice (and not naughty):

This is Steven Casey’s “Santa”, a lovely exercise in colour change and layer management. Continue reading