It is a well known fact that Eric Joisel was a sculptor before taking up paper as his medium of choice. Never is it more evident than the figurative human series of nudes he made, of which this is my approximation of #4:
He uses an ingenious grid system, dividing each corner up into 18 radial lines, where they intersect geometry emerges on a square and that geometry provides the landmarks for the base.
I had tried 2 different schemes for corner division, failed both times until I realised that, relative to the centre line, the interval is a geometric series that increases the further away you get. In the end I used a CP template to “rough out” the divisions and then with my trusty straight edge, ironed out the anomalies.
Corners of the sheet give you arms and legs, the head is near the top middle and a torturous neck reduction brings the chin down to allow the face to look out. The layers are reminiscent of musculatore and indeed, Joisel teased and primped, each model different, few photographed clearly enough to really see what was what.
My blog suggests that there are mostl successes with my folds, this is far from the case. I had decided some 5 years back, that I was going to master “Mermaid” by Eric Joisel, and indeed I have tried on a few occasions and failed.
It turned out that “Mermaid#1”, the less attractive of his collection was the subject of Week 2’s intermediate challenge (intermediate they say!!!?!?! Bahahahahahah.). In my confusion, back when I thought it was “choose ONE of thes models and fold it in 4 weeks” I had actually chosen mermaid, because. I recently learned it was fold 1 new model each week, AND copy the work of the master as close as possible. While I am not entirely sure this is respectful, and while I totally fucked this up with week 1 (I did an INTERPRETATION, not a copy, and scored few points for my best gnome ever which was quite disheartening), I am perservering because I like the challenge – it is good for my head.
This is the 4th model in this batch of folding. It is not perfect, and I will probably not be keeping it, but it is as close to a copy of the original as I can manage. Realistic human figures are hard, curves, breasts and soft tummys with delicate bellybuttons are even harder.
So this started as a cautionary tale – I saw the a competition, in Spanish, where they were celebrating the art legacy of one of my favourite designers of all time: Eric Joisel. My initial “skimming” of the competition was “pick a level, choose a model from that level’s choices, fold that model” – easy, right?
I chose “Intermediate”, no real idea why, but I did, and was accepted. Just before the comp started, I get an email welcoming me to the competition and detailing Week 1’s challenge … wait!?!? What!?!?!
Turns out I signed up to fold ALL of the intermediate models, one a week for the next 4 weeks. I have no idea if I can actually fold some of the models in this category, but am (after the “reorientation”) prepared to give it a crack.
After what feels like ages, I am returning to recreational folding (it is great therapy):
This started as a mystery CP by Sergio Guarachi, that I sort of solved, then researched and realised I collapsed it more or less correctly. I am still a NOOB when it comes to solving CPs, so was a little chuffed that my collapse liberated a workable number of points, and with some creative smooshing (an actual origami technique) got a fair approximation of a human skeletal hand.
Lately I have been folding a lot of faces – some free-form, some crease pattern (CP) based:
This is Mask #16, designed by Flynn Jackson, folded from cardstock, painted bronze.
I am beginning to get a “feel” for facial features – repetition and practice of free-folding helps me realise nuances between face structured, position of key anchors (brow ridge, nose, mouth) and how to set the eyes.
Human Corona Virus is in the news, the news is alarming:
It is difficult to know the extent of the emergency, the effectiveness of treatment, the vector of infection, the spread and infection rate, the facts.
Social media and websites masquerading as “news” agencies love a good headline, and this mixed with Survivor in the jungle, celebrity red carpets, sham impeachment, Corona Virus “influencers” on instagram and fad diets makes navigating the facts difficult.
Public warnings and travel bans aside, what constitutes a pandemic? What is the appropriate response?
I took a 3×1 rectangle of white/natural Ikea Kraft and … well … doodled and came up with an all too familiar image – a face-masked regular person. In an odd bout of synchronicity, Sebastian Limet (@sebl) had the same idea. His fold, as usual has lots of character.
I love meta – that examination of self-reference is great brain food, and this fold designed by Neelish Kumar fits nicely into that philosophical space:
Nominally named “Origamist’s Worst Nightmare”, it is a place I have been – being so into a model at the expense of the materials, having it disintegrate in my hands as I work it.
The more observant of you will notice a despairing folder, paper ripped along a much-worked crease. Look closer, the crease pattern is Eric Joisel’s “Dwarf“, a particular favourite that I have ruined many a sheet mastering.
A certain orange cretin recently said that one of the most important issues in his dangerous foreign land was water usage due to low flow, causing it’s people to need to flush 10 or 15 times instead of just once:
I for one am worried for him – one has to be concerned about a diet that creates such a terminally un-flushable turd like him.
This is Fernando Gilgado’s “Pensador” (or pensive man, I think) – the loo is the best place to contemplate life, the universe and everything … and TWEET about it (which is where I think he generates his content) – hence requiring 10-15 flushes to get rid of it.
The last few months a lot of my free time has been consumed by supporting a team of students as they prepare for a robotics competition:
Yesterday was the Queensland finals of the First Technology Challenge (FTC), and our team did really well. They designed, built and programmed a robot, affectionately known as “BROBOT”, coming second in the state.
I could not be prouder of the team, so decided they needed a souvenir. This is the cutest little robot I could find, designed by Shunsuke Inoue, and I am astonished I have not blogged this fold before, it is such a fun fold.
You take a square, divide it into 1/16th grid, then boxpleat the bjebus out of it to tease antennae, eyes, arms, legs and a lovely little stubby body.
…so I decided it was time to play a game of WTF (What’s That Fold?) on fakebook, and discovered from my archives this was the 29th such game:
Through a series of gradual fold sequence reveals, punters guess, and eventually they got it. This is “Sirene” (or Mermaid) from the soon to be published book by Chen Xiao.
This is my first “anime” style character work (stylised faces, detailed hair, cartoony pose) and it was a bit torturous at this scale, with this paper. Folding the shoulders and central body is tough work on small paper (I used 35cm duo white/natural Ikea Kraft paper).
In the end it is a charming model with lots of details, a diva in a “D” cup with bangs, lovely long hair and a beautiful tail. The fold sequence relies on really accurate pre-folding as errors tend to amplify the further through the fold you get. As a result of a 0.5mm inaccuracy in the first 10 steps, her bra is asymmetrical, and the more I tried to fix it, the odder the breast appeared.
There is a story of a deeply depressed man who, when seeking help from a psychiatrist, was given the advice that he should cheer himself up by seeing the visiting clown, the great “Joseph Grimaldi”. With the suggestion, the man wept more intensely. “I am Grimaldi”, he said.
I am terrified of clowns, just putting that out there. That said, I saw this little CP of a “Pierrot” with a silly hat and decided to procrastinate even further and attempt to fold it.
So GOT has started again, the final season and it is a promised shitstorm between people and the undead (sorry, if that is a spoiler).
It seems ALL of the trouble of the resident ice-zombies was caused by an experiment between a man and a race called “the children of the forest”, and some dragon glass, but that plot point will be explored further I guess as the series winds up. This mask reminds me of what I imagined the children of the forest looked like when I read the books.
I have waited an age to fold this model – I was waiting on finding some large format duo paper. When visiting IKEA, I came upon delicious 70cm wide rolls of duo Kraft paper (black on natural and white on natural), and bought a bunch of rolls.
Folding a 24×24 grid on a virgin square of white/natural Kraft, the collapse lines laid in, the collapse proceeds to the first stage then you re-work each stickey-outey bit. Continue reading →
I am sure you remember the good old days, when things were better. In the Star Wars Universe this meant Luke, Leia and Han battling the dark side of the force wearing cheesy costumes, in squeeky clean spaceships, among a rain of pew pew pew:
The truth is there were no “good old days”, they were just days, and at the time they seemed amazing but you know, they were just days. This is Lee Armstrong’s “Emperor Palpatine” – you know that evil prune who bar-b-qued people with lightning by channelling the dark side of the force. Continue reading →