I try not to let folds beat me, but honestly, until now this one has. I have attempted Eric Joisel’s ‘Le Coq” more that 6 times, this is really the only fold of it I am happy with:
Continuing to fold models that are part of a competition I was eliminated from is part of the motivation, but a “hidden” technique, published obscurely (not in my library) surfaced that allowed for a layered/ruffled breast and clarified the eye/comb and “bingo!”, I finally get it.
This model is folded from a 1m square of Officeworks Kraft paper, measures 20cm toe to comb, and is all attitude. One of our fondest memories of France was the bicycle tour to Giverny (Monet’s house) via Vernon. While in Vernon, looking for baguette and cider, we stumbled across a bric-a-brac store that had resin chooks – we fell in love with a rooster we subsequently bought, naming him “Vernon”.
The post title reminds me of the punchline of a favourite joke: “What does a 10 tonne parrot say?”:
This is a “Diatryma gigantea” (aka “Gastronis”) skeleton, designed by Mase Eiichiro based on fossil records. In real life this beastie would have been scary indeed.
Nicknamed “murder bird”, it seems paelontologists are divided as to whether it was a herbivore, carnivore or omnivore – it was HUUUGE – like 7ft tall, and the musculature marks around the beak suggest it had a titanic bite. Curiously it has no other “predator” characteristics – like a hook at the end of the beak or shredding talons on it’s feet, making it a confusing snarly. The first skeletal reconstruction of fossil remains happened in the early 1920s, and the result looked more like a 9ft emu (seems they had parts of a number of different animals in the one model).
Cruising around on Fakebook, as one does, I can across a photodiagram series from Naomiki Sato:
Lovely little hummingbirds, folded from 15cm square patterned paper, from bird bases.
I discovered he published a variation also, so thought I could give that a try. I think I like the wider tail one better, but they are both so cute. I have yet to see an actual hummingbird so have no real idea how morphologically accurate this is. Continue reading →
I have been a fan of David Brill’s designs ever since I read his book “Brilliant Origami”. Such a lovely touch, breathing life into paper:
This Robin is delightful – I saw hand-drawn diagrams on David’s website and then professionally drawn diagrams in the latest Tanteidan Magazine and knew I needed to try it. I particularly like the free-form nature of the hand-drawn version, making it a bit more of an adventure to fold this bird.
The shape, management of colour change and general model stability is wonderful in this model. There is nice sense of volume, beautiful 3D head, and an animated pose. The subtleties in fold here are such that I found all 5 of them (yes, I got a bit carried away) are all slightly different, making almost a family grouping. Continue reading →
There has been a lot of talk in the media about people demonstrably doing the wrong thing, over a really long period of time. Interesting that one of the defences offered was that they were a “sitting duck” in the post-weinstein era. Regardless, a backyard should be a safe place to play:
I gotta learn to be more careful, the previous post (which I removed the number from) turned out to be a refold from my first 365 (years ago) that I had forgotten about (I got the fold sequence from somewhere else and did not twig to the duplication … so sue me 😛 ) Fortunately a follower pointed this out:
This is Jun Maewawa’s “Peacock 1” – a lovely exercise in Miura Ori corrugation folding for the tail and some interesting layer management to form legs and head among it. Continue reading →
There are many approaches to folding owls, all concentrate on the eyes and head structure:
This fold takes you on quite a ride. Diagrams taken from “Drawing Origami Tome 1”, the folding sequence is clear and rich, but I am sure my next fold of this model will be better as I now know what becomes what. Continue reading →
My top 5 movies of all time includes the Sci-Fi classic “Blade Runner”. A couple of times during the movie, to confirm a character’s opinion of Deckard’s actions, his sidekick “Gaf” left an origami figure:
One was actually folded by the actor (Edward James Olmos) – a gum wrapper was fashioned into a Chicken. He said he did this as a way of staying in the scene without pulling focus, apparently the Director, Ridley Scott, noticed it and included it in the scene to counterpoint the main characters reluctance to get himself into danger, which later he does anyway. Continue reading →