906: (356/365) Top of the Food Chain

As custodians of this planet, we do a pretty lousy job overall at looking after it. We see apex predators as threats and demonise them for acting naturally in their own domain:

In Australia, we employ shark nets which each year kill more OTHER things things than keep out sharks – time to think more about our place in this complex ecosystem. It is heartening to see activist groups like Sea Shepherds and Greenpeace actively working to change peoples perspectives but our News and media have much to learn about this – headlines are seductive but rarely paint a balanced or objective picture. Continue reading

866: (316/365) Iris Butterfly

The online Origami community is rich and supportive. Last night Kade Chan shared his publicly diagrammed “Iris Butterfly” diagrams via Fakebook and  knew I had to try it:

I used a fake US dollar bill, but it is actually designed for a Hong Kong dollar (which I think is a little less long and a little wider) – the proportions of the note would change the wing shape subtly. Continue reading

680: (130/365) Kade Chan’s Butterfly

Continuing my exploration of the butterfly form, I was browsing Kade Chan’s amazing website and came across his design for a butterfly:

A relatively simple fold that is really economic in its use of paper.  Continue reading

445: Mother of Dragons

I was paper shopping, as you do (my daughter calls me a paper nerd) and stumbled across a hand-made sheet of blue embossed Lotka that reminded me of dragonscale:

She who must be obeyed (SWMBO), an avid gamer and tamer of Dragons, had asked for a dragon so I put 2 and 2 together and got 17, well 5 to be precise. I have been exploring dragon-form, with the current Weyr (or wing) containing 5 dragons so far (Darkness Dragon by Tadashi MoriFiery Dragon by Kade Chan,  Green Dragon by Piotr Pluta, Riu Zin 1.0 by Satoshi Kamiya and nearly a Western Dragon by Shuki Kato)

After examining the paper, and its fold receptivity, SWMBO decided on a Fiery Dragon so I start bending, patiently (the paper is more like fabric so although you can crease it, it tends to want to unfold again.

Continue reading

427: Geiger’s Xenomorph

Anyone who knows me realises I am a huge fan of the Alien movies, the first one is, for me, close to perfect science fiction horror:

I had been aware of Kade Chan’s Alien design for ages, had the crease pattern and wrestled many times trying to make it with no luck. I had relegated this to the “give up on it” pile – there are a few that have just beaten me for the moment.

Kade posted a near complete video tutorial, suddenly this model was back on the radar. The video is pretty clear – you should have a go – it is NOT a beginners model but the techniques for forming the main features are pretty clear.

So I set about a test fold, in Litho paper – the paper gave up half way through, splitting on most major creases, but I learned the basic collapse and some of the featuring before it gave up so resolved to fold it with something more durable.

I cut a 55cm square of Kraft paper off the roll and, very carefully, began folding. This, like most models, relies on accuracy for things to work out – a part of a mm out here and it compounds when you do accordion pleating, and this model has so many layers because of the amount of the sheet that is hidden.

I like that most surfaces provide layers that you can then texture in the modelling, sculpting them in graded steps to create carapace, armour and small beautiful details like the rib cage and prehensile tail.

The alien as envisaged by the movie franchise took on shape and general morphology from the host it bursts through the chest of – this one is fairly certainly humanoid and so posing it I found myself anthropomorphising its stance a little. I used a little MC to ensure the pose was rigid, clamped details in place until the paper was dry, then mounted him on a textured circular base and am quite chuffed with the result.

This was WTF (What’s That Fold) #2 – stay tuned for more paper bending