927: It’s All About the Base

One approach to paper folding starts with a “base” – a form with flaps and general morphology that suits an end goal.

A well-designed base is a thing of beauty, and a flexible tool.

This base, a mutated fish base has really useful properties as demonstrated by these two wildly different folds, both designed by Jose Ma Chaquet from Spain. Continue reading

924: Crawler Excavator (aka. A Diggosaur )

Often Origami books are organised such that the simpler models are at the front, more challenging folds towards the back. “Origami Pro 3 – Machine Origami” by members of the Korean Origami Association is organised such and this model was the last one, designed by Jang Yong Ik:

Starting with a 60cm square of thin crisp Kraft paper, you begin tiny grids, then collapse the edges only, then form a preliminary base, then bird base, then begins a layer management exercise from hell as we thin down and divide the points to make the bits that would later be details. Continue reading

923: Concrete Mixer (aka. A Mixosaur)

At the risk of a family intervention, I present to you my first fold of Yoo Tae Yong’s “truck mixer” from the origami book “Origami Pro 3 – Machinery Origami” from a group of members of the Korean Origami Association:

From a square, via a very useful base, we arrive at what eventually looks mechanical but up until you begin squaring things up could also be an animal. This furthers my theory that heavy machinery is the living embodiment of once-thought extinct dinosaurs. More work to be done here. Continue reading

912: (362/365) Abandon Ship!

As the year 2017 swiftly comes to an end, after seemingly being in a hurry to do so all year, it is almost time to abandon ship:

Time for one last waltz, one more visit to the buffet, perhaps a cigar on the poop deck then it is lifejackets on and over the side into the icy uncertainty of the new year. Continue reading

852: (302/365) Magic Carpet Ride

Go on, admit it. Ever since you saw the “Aladdin” movie you have secretly thought how cool it would be to ride on a magic carpet:

This clever model, inexpertly folded, is an exercise in colour management- had I used bi-colour paper, the rider and carpet would be different colours – pretty neat. Continue reading

848: (298/365) Dogfight

I am blessed to have friends who occasionally gather around an original board game from the 60’s and pit plane against plane in a WW2ish game of “Dogfight”:

Tonight it was the valiant PDub against the Von Richtoffen Brothers, with much valiance on both sides, some gutsy moves and a bunch of squabbling like 4 year-olds.

Cards, dice, strategy, attack but in the end, the Von Richtoffen brothers were victorious, only after sustaining tragic losses of a triple-ace in training and a double-ace in training by a plucky little airman who went down in a blaze of glory. Continue reading

807: (257/365) Won’t you come and fly ….

…in my beautiful balloon:

This is an 18 section balloon made from 6 modules that overlap and interleave, edge locks that secure the geometry, no glue, no cuts etc. I can see it decorating a small kid’s bedroom, surrounded by planes and rocket ships. Who wants it? Continue reading

674: (124/365) Red Leader Standing By

May The Fourth be with you.

Now I must admit to being one of the original Star Wars nerds, seeing the films when first aired a number of times – they heralded a new style of Sci-Fi, a place where space was common place, space ships were clean and villains announced their evil plans with enough time to allow the rebel alliance to thwart them:

The spacecraft in the Star Wars universe were unique and wildly illogical. I can remember seeing Tie Fighters and thinking wtf? Continue reading

628: (78/365) Little Plane

Another paper plane – this one a lot like a single propeller Cesna:

An interesting fold, thankfully executed with thin paper (a sheet of purple hand-made washi from Daiso) Continue reading

623: (73/365) Burro con Carro

Yoshizawa Sensei once said “The Horse and the rider are not one, nor should a model of them be”, or words to that effect and I think this model is an interesting reflection of that sentiment:

This is Eduardo Clemente’s “Burro con Carro” which I think means “Donkey and Cart”. Fashioned from a 3×1 rectangle, the technique involves completely wasting the middle square to provide a join that more or less makes sense between the cart and the tail of the donkey.

The trouble is, the join is so thick that modelling the hindquarters of the donkey is compromised, the cart does not sit quite right and the front of the model is so light that modelling front legs and head/ears is flimsy and a bit of a fail. Continue reading