1130: Villeneuve Ornithopter v1.2

When I first read Frank Herbert’s “Dune” series of books, it was the mid 70’s and I was a teenager. The expansive universe captured my imagination like little else.

Dune Part 2 has just been released in cinemas, and the Denis Villeneuve adaptation is visually stunning. On planet Arrakis (Dune), a chosen method of air travel is the “Ornithopter”, described as an insect-like flapping machine.

’Thopters in the current movie series are astonishing, if illogical from an engineering perspective. Variously, ‘Thopters have 2 to 12 wings, each move independently in a coordinated buzz to provide controlled lift and thrust.

The origami world has a few simple ‘thopter designs, most modelled on the 80’s David Lynch film adaptation, so I thought I would have a go at designing one from scratch. Initially I thought to harness an existing base, but decided I wanted 12 wings, in groups of 3, and wanted landing gear, some paper for a fuselage and various flaps for some simple detailing.

There are many design methodologies I could have employed. Circle packing (each circle centre representing the vertex of a stickey outer bit), 22.5 folding to facilitate the point-splitting needed for so many separate flaps, but settled on box pleating.

First I sketched out a rough crease pattern (CP). 12 points along opposite edges of a square. The downside of this arrangement was the points ended up tiny – way too small for the wings. Rearranging them symmetrically allowed me to include extra flaps for landing gear, cockpit and more. Designing the collapse along a 2 unit strip of the central axis also gave me the bulk for the fuselage. I calculated I could achieve this with a 48 grid.

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1129: Blastoff!

Grommit, you forgot the crackers!!!

Scrolling through this year’s JOISEL AWARD entrants, I noticed a lovely little Rocketship designed and folded by Zhu Yandan, from China – it was released with a crease pattern (CP) so I thought it worth a try.

I used a technique called “Ghost Creasing”, where ONLY the needed creases are transferred via careful embossing using a stylus. This eliminates the excess grid creases, making the fold cleaner.

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1117: Mod on a Moped

When you talk of “box pleating”, the young kids in the origami design sphere seem to think they invented it. I was fishing around on the web, for origami-related things as you do, and stumbled across an astonishing scanned page from Neal Elias’ notebook from 1968 that features box pleating:

This is Neal’s “Boy on a motor scooter” – an amazing proto-design from 1968!!!!! (this is all there is, you have to fill in the gaps – it was his personal notebook, the diagrams were all HE needed to fold the model) but what an historical gem of a design. It is doubly interesting because it was designed 3 years before I began my journey in origami as a wide-eyed, clueless 11 year old.

Further research suggests this page was “ripped” from a BOS Publication Booklet 35 (still in print?) called “Neal Elias Miscellaneous Folds – II “, edited by Dave Venables. I have purchased the previous Neal Elias volume but was unaware this treasure exists – it has prototypes of some very famous and completely revolutionary designs indeed (like “The Last Waltz”).

Back in the “early” days of western origami, Elias was a pioneer, realising that by gridding a sheet of paper, then using gridlines and 45 degree connectors you could pleat astonishingly complex structures that could then be shaped into complex figurative models. As a kid, the few models I had access to from him were like crack to me. I mastered the “Elias stretch” (these days I think they call it a ‘pythagorean stretch’) and “Elias base”, making skiers and knights in armor, all from squares.

Many of his designs use odd shaped paper – this model uses an 8×22 grid, and the colour change base is particularly wonderful, leaving all the bits of a person in one colour and a lovely long pleat bundle of alternate colour emerging from him. I can see so much potential of all sorts of things here.

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1110: Origami World Marathon 4

I have recently completed the mammoth 50hr+ live fold-along festival called The Origami World Marathon. I folded as many as I could physically attend, and it is a super rare privilege to be actually taught by such world class designers.

I managed about 14 models live, slept some and can complete those missed because, as part of the purchased ticket I gain access to video tutorials from the designers for the next year – win, win.

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The Last Dogfight

A group of mates has, periodically over the last few decades, gotten together in a smoke-filled room to play a board game. Not any old game, but “Dogfight” – a dice-based, card controlled WW1 battle of the airspace over Europe.

Although most of the players were well passed their fifties, we squabbled like little kids, goaded each other fearlessly, preened and peacocked at our prowess and got nit-picky about the many nuances of rule variations hard won.

dogfight battle - endgame

It was honestly some of the best fun to be had, and the chaps were good sports, one and all. In January, one of our quartet passed away. “Dr Winston O’Boogie” (Michael) flew off into the sunset for the last time to great fanfare.

A quintuple ace in training

We have met since, dragging a young buck into the fold, and played until Michael’s house (the home of our epic aerial battles) was finally sold.

Tonight is our last hurrah!

Marc Kirshembaum's Biplane and Eduardo Clement's Avioneta

I have struggled to find a suitable way to celebrate such a wonderful partnership, but turned to Origami, as is my want. I wanted to fold BIPLANES for the original pilots, and a smaller plane for the new recruit, and have really struggled with these models. The Biplanes are designed by Marc Kirschenbaum. I wanted to fold them smaller but failed many times, only being able to manage them from 60cm squares (and not very tidily sadly) – red, naturally in honour of Von Richtoffen (or Snoopy, take your pick).

The smaller plane is “Avioneta” designed by Eduardo Clemente – a charming little fokker.

I hope the guys like them. I remain forever grateful for the opportunity to act like little kids when surrounded by the wonder and majesty of imagination, fun and friendship. Chocks away Chuck, fly true one and all.