animal

307: White Rabbits (belated)

| wonko

Now I know it is not the start of the month, and I missed out on the pinch and the punch because of a horsey thing, but thought I should get in on the act of start of month eventually:

A nice, compact and fairly poseable rabbit. Quite happy with this, although I seem to have misplaced my first fold (completed at school whilst I should have been paying attention to an all important rap battle).

I am looking for new rabbits to try, suggestions welcome.

This one looks more like a hare, but I like the ears and tail, well designed models can be simple and small too.

306: Wolf Alarm

| wonko

At 5:30am every morning, the dog next door explodes in a flurry of barking and howling – I call this our “wolf alarm”:

I think it is in response to an early morning walker on the street beyond, regardless it wakes me from my light sleep and I struggle to return after the wolf alarm has gone off.

This nice model from Roman Diaz is a “Coyote” howling at the moon, but I think it looks like the mutt next door (well, at least in my head it does). happy with this as a first fold, would do it differently if I were to fold it again as the forming of the muzzle is very congested and could be done before hand I think.

305: Melbourne Cup

| wonko

I have had the privilege to fold many beautifully designed models over the course of this project – David Brill’s “Horse” is right up there with the best:

Wonderful proportions, amazing use of material, lovely face and ears, fantastic body, legs and tail – everything that is needed to look horsey infact.

Today apparently a horse race stops a nation – not sure why. I guess the nation is used to being stopped given the recent airline strike but no one celebrated that so -go figure.

Unusually, this model starts with an equilateral triangle – yeah, weird, right? Somehow from that shaped paper the designer manages to tease the right number of stickey outy bits and I, frankly, feel honoured to fold this one. I cut the largest equilateral triangle I could our of an A2 sheet, but bigger would have been better.

There are lots of places where variations in pose are possible, had I the time (and a HUGE selection of paper) I think a group of these would look beautiful. So glad, as a first fold, this model turned out so nice, given the heavy head cold I am currently drowning in.

304: Wicked Witch of the West

| wonko

Apparently some cultures celebrate halloween, although it is not really an Australian tradition (despite the efforts of the shops) I thought I would get in on the act myself:

This has taken an age – I want to pretend that this is my first fold but in truth this if my 5th, the FIRST to be successful however. Three times I got to step 85 and could not work out what to do before the paper disintegrated – grrrr.

This is, as you can see, quite a detailed model – crooked nose, crooked hat, plaits flying in the breeze, one hand gripping the broom another waving it’s fingers, lovely flowing robes, knobbly knees, shoes, the works.

A very dense model, the body has nearly 30 layers. This was the one I had planned before the radio station asked me to fold something on air – lol – not quite sure what I could have achieved in the 10 minutes elapsed in the interview but you get that.

303: Llopio’s Moment of Truth

| wonko

The croud erupts spontaneously with “Olé!” as Llopio narrowly dodges the bull calf’s first charge. His grandfather’s matador cap, too loose for him, slips and obscures his vision, there is an amateur swish of a cape as the bull’s developing horns pass too close for comfort, quick step out of the way and Llopio is finally a bullfighter.

This is “Llopio’s Moment of truth” – the reason I bought the British Origami Society’s compendium of Neal Elias figures. There is much to like in this complex box pleat. from one piece of paper emerges a Matador, Bull and the Cape that separates them.

I like how there is movement, you can sense the drama, a fitting end to my exploration of Neal Elias’ work. This fold is challenging, so much of the design is “mystery meat” where you just have to sort of “improvise” – you would not want to fold it much smaller, the manipulation of layers in the bodies is intense and fiddly and it is not immediately obvious what is going to be what until near the end.

Interestingly, only the matador is box pleated – unusually you torture 2 water bomb bases to get the bull and cape so this is a nice fusion between pure box pleating and free-form sculpture. Happy I have folded this, apparently if you fold it with duo paper the cape ends up being the alternate colour – wow.

302: Pereira’s Jack In The Box

| wonko

If you were ever after proof that “magic happens”, here’s your proof:

This masterpiece of design by Hugo Pereira is a Jack-in-a-box, complete. those who have been keeping up with this blog will remember a previous Jack in the Box by Max Hulme and I must admit I like this one better.

The design engineering alone in this model is breathtaking, from the box to the spring and then to the jack, the details here are lovely and structurally amazing.

So many technical elements here, from intense closed-sinks, folds that cause automatic puckers in the spring and just when you think you are near the end a tight pair of accordion folds to make the arms in almost Elias style.

I am so stoked with this, as a first fold. After an hour of pre-folding, the actual collapse took relatively little time considering the complexity of the model. I had relegated this model the “yeah, prolly not” pile because it just looked too hard – indeed, some of the manoeuvres only make sense if you look before, after and what that part will eventually be used for.

Sense of achievement – tick 🙂

301: Miyajima’s Bat

| wonko

When looking for a suitable model for Halloween, I sumbled across this delightful model from Noburu Miyajima:

The bat is a much maligned critter, particularly in the light of the Hendra Virus here is Queensland, but this model is lovely (in a batty sort of way)

An amazingly well designed model that makes good use of paper, the resultant model being not that much smaller than the original sheet yet containing surprising detail.

Lovely wings, cute little pot belly and legs, fantastic face and ears and those majestic wings – wow.

This is not my first fold – I almost screwed this up once at work but I wanted to get the head right (the original attempt was mutilated and torn),  so sue me 😛

300: Adam’s Llama

| wonko

Post 300 – looking back I am AMAZED I have only done one Llama:

This is Jim adams’ Llama, a tough fold really, not because there are any difficult techniques or numerous steps but because of the thicknesses of paper you end up working with – much more suited to thin paper (and not copy). Not really happy with the hind quarters – the tail is 12 layers thick, phew!

You too can have a go – it is not tricky: Jim Adams Llama

It was late, after a huge and busy day – 65 to go!!!

299: Platypus

| wonko

It is a little known fact that Australians MADE UP the Platypus to see who would be silly enought to believe in it:

Let’s face it – an aquatic, furry mammal that feeds it’s young milk in a pouch, after they hatch from eggs; duck-bill, webbed feet, beaver tail, “see” via electrical sonar through their nose; male with poisonous spines – LOL. No one would be sill enough to believe in that illogical Frankenstein-like collection of bits of other critters, surely.

I have only ever had second, or third-hand experience of a Platypus – NEVER seen one live so I have to rely on others’ account of them.

A relatively simple figurative fold – they cannot all be huge, quite happy with this – I can see large modelability in this figure. Could not work out who designed it, sorry – anyone advise?

298: Violinist

| wonko

When I saw this design I knew I had to try it:

Made, oddly, from a “T”-shaped box pleat, designed by Neal Elias in 1971 to celebrate the then popular violinist Yehudi Menuhin, this is a masterpiece of miniature modelling.

We have a violin perched on a shoulder, being held by that hand, a bow hand complete with bow, a serious head tilt, trousers, coat and even shoes! He also free-stands, which is all the more remarkable.

Seriously happy with this fold, I was convinced it was going to hell in a hand basket at 3 junctures when the instructions did not patch what the model had (flaps and creases in different orientations), but in the end it just sort of worked.

Interestingly, it was not all that hard, well, it seemed that way to me – given I had never attempted box pleating before the 365 challenge, I guess my skills have improved, which is a good thing.

297: Taxi!

| wonko

In old Chinatown, when someone wanted to travel in style, they hailed a “coolie” pulling a rickshaw:

This picture was common in days gone by, these days the hustle and bustle of bicycles, motorbikes and tuk-tuks has replaced the hard work.

This is Neal Elias’ “Coolie and Rickshaw”, designed in1967. An ingenious box pleat using a square and tidily fashioning a running man and a 2 wheeled buggy behind, replete with lovely conical hat, wheels and canopy.

I have been wanting to try this for a while, just because really. Taken from “Selected works 1964-1973” by British Origami Society. I am happy with this as a first fold. I modified the body and legs a little to add a sense of movement, and re-worked the wheels so they were round (the original design had them nearly square).

296: Pas de Deux

| wonko

In ballet, a pas de deux (French, steps of two) is a duet in which ballet dancers perform the dance together. It usually consists of an entrée, adagio, two variations (one for each dancer), and a coda:

In origami, few designers have mastered multiple figure folding like Neal Elias – this is his “Nureyev and Fonteyn” model designed in 1973 as a tribute to the then “toast of the town” couple as they became an on-stage sensation.

This is a relatively simple box-pleat with some elias stretches to form arms. I found the flrming of her legs the most challenging, tucking it tidily into his trousers so the join between them is less obvious. At this scale, shaping is a challenge, hence her “thunder thighs” and their angular faces. I am happy however with this figurative fold, taken from my copy of the British Origami Society’s publication of Elias’ selected works.

Folded from a 3×1 rectangle (scrap litho paper from yesterday’s squaring), the only pity is that it is not free-standing (but boy would lit look pretty on a card) so I cheated and blu-tacked a paper clip on the back for display purposes.

I was looking for an easier model (because yesterday took so long) -this one fitted the bill admirably.

294: Montroll’s Centaur

| wonko

Ever since my first disastrous encounter with a centaur, I have been looking for a worthy replacement:

This model comes close, the proportions work a little better (although, truth be told it looks more like a man standing with a donkey wedged up his bottom, but you get that).

A mch easier fold with plenty of modelling potential, I think the quadrupedal hindquarters are a little out of scale. I did fold it to the directions, but might, next time I fold this re-position some of the features a little. I like the arms and the upper body, although figurative, are well proportioned.

Happy with this as a first fold. taken from “Mythological Creatures and Chinese Zodiac”, worth exploring further.

293: Kawahata’s TRex

| wonko

It was late, I was tired, and this model did not come easily from a baffling set of instructions:

I will fold this again, but for now this is my first fold – rough but the vestiges of a row of teeth, sort of arms, nearly toes and a good tail/body – plenty of scope to improve.

Folded from “Origami Fantasy” by Fumiaki Kawahata, this model is tough at this scale.

292: Montroll’s Rhino

| wonko

I have been exploring the work of John Montroll, and came across this little beauty:

A lovely Rhino, dual horns, lovely ears and a splendid tail, I am impressed with the rhinocerosness of this design, you get a sense of the armor-plating, power and posture of the beast.

Some clever pre-folding and some interesting sink folds to tease stickey-outey bits from flat edges, and the collapse for the head is interesting indeed.

Happy with this as a first fold, my pick of the rhinos folded so far.