Determined to work on one of my known folding weaknesses (solving crease patterns), I decided to have a go at Riccardo Foschi’s “Black Widow”:
Folded from 4×1 rectangle, box pleating teases out lovely long legs, cephalothorax and abdomen. With a little magic I managed to extend some pincer-like jaws also to use up some of the paper that was otherwise lurking in the transition between the body and the legs, which was quite pleasing.
Half the job is the collapse – working out what should be mountain, what should be valley, and the order of the collapse. The rest of the work (some say the hardest bit) is in the shaping as, often, the base you collapse to only roughly corresponds to the morphology of the final form, you then need to primp, tease, thin and pose to gain model finesse.
I have been a fan of the Hannibal Lecter thing since that was possible. Books, movies, series, love it all, but few things are more chilling than the original “Silence of the Lambs” movie. One of the central images of that movie, and a delicious cover art of the original book features the Deaths-head Hawkwing Moth (Acherontia atropos):
This model, designed and shared by Sebastian Limet, requires thin bi-colour paper. I had some duo paper that was strangely thick, but managed to work the design and surface the details that make this mode so striking.
Folded from a 40cm square of black/white duo unryu, I have enjoyed following a fold sequence that started at the Waterbomb base and goes sideways from there.
Concentrating on the important details here – wings, skull, abdomen and antennae, this relatively simple model is all style, genius design typical of the brilliance of Sebl designs.
I will admit to being a sci-fi nerd, few movies did it for me like the original “Alien” movie, directed by Ridley Scott, designed by Hans Reudi Geiger.
The truly original mixture of a genuinely terrifying xenomorph, claustrophobic and grimy working space ship and stellar cast makes the movie, at least in my mind, perfect.
Prior to that, space was clean (painfully white and tidy, according to the Star Wars, Blakes7, Flash Gordon and Dr Who visions), in Alien gear looked used, people were pissed off and tired, and we were introduced to a much loved and never duplicated alien.
H.R. Geiger imagined a life-cycle – from egg, to facehugger (this beastie) that implants an embryo deep in a host, chest burster through to adult killing machine. Scarily insectoid, acid for blood, no eyes, perfect.
I was approached by a mate mid 2018 with the idea of an original origami commission, but was given no real timeline (which for an OCD procrastinator like me is a recipe for a little crazy time.
The end result, finished near the end of February 2019, is vastly different from how I had initially envisaged it. It was actually really hard to part with this one – so much creative energy went into it’s genesis.
The online Origami community is rich and supportive. Last night Kade Chan shared his publicly diagrammed “Iris Butterfly” diagrams via Fakebook and knew I had to try it:
I used a fake US dollar bill, but it is actually designed for a Hong Kong dollar (which I think is a little less long and a little wider) – the proportions of the note would change the wing shape subtly. Continue reading →
Insects seem to be a fascination among origami designers – at the height of “bug wars” when designers were competing for the most intricate designs that were complex, had lots of legs, were thin and realistic renderings and really pushed the boundaries of existing techniques:
This astonishing model starts as a frog base. Through a torturous set of point isolation and narrowing, we get the impossibly thin legs and a lovely set of antennae. Halve this, now fold that in half, then do a double rabbit ear, now halve that … thank goodness for thiiiiin paper and accurate folding. Continue reading →
I am finally back up to date with my 365 project after an unavoidable hiatus. This fold is taken from “Drawing Origami – Tome 2”, a charming figurative representation of a dragonfly:
I like that the designer has distilled the essence of the critter down into it’s most recognisable features – body, head and wings. I decided to fold this using a square of Japanese Foil, I think that highlights the body nicely (although it makes it hellishly difficult to photograph). Continue reading →
Anyone who knows me realises I am a HUGE Alien fan (well, except for Alien 4 – The Apology) so I find it irresistible when I find an Alien-related fold:
This is Makoto Anzai’s “Face Hugger”, a snarly hand-inspired ovipositor that is the precursor to a chestburster. Similar to Fernando Gilgado’s model, this one has a different fold morphology. Continue reading →
Sometimes work can be busy. When spares are sparse, classes all doing new/complex things and physical exertion hit their peak, sometimes you can feel like you are pushing shiz up hill:
This is a lovely little dung beetle, coveting it’s little ball of dung. It is a charming fold that I was unsure if I could complete with the size paper I started with.
Designed by Shinji Sasade, appearing in a Tanteidan I was leafing through, described entirely in Japanese so I hope I have fold it correctly. The dung-ball is a waterbomb, but the beetle actually locks into it – very cool. Continue reading →
Australian politicians are a weird lot. Not “American” (shoot first then barbeque something) weird, just an odd lurch from crisis to crisis and stab your mate in the back for a shot at leadership kind of weird:
A recently deposed Prime Minister (Mr Tony Abott) is being a bit of an arse clown in the media, white-anting his own party and providing gifts for our hapless opposition in terms of instability and leaks. Continue reading →