Our school has large display cases. I have kilograms of origami at home, in showboxes, tidy tubs, cupboards, garbage bags and display cases … one thing led to another:
My aim with this display to to show the variety of forms modern Origami takes, from traditional, figurative, geometry and abstract. Additionally I have included 14 different dragons, a current fascination – can you find them all?
I feature some of my favourite pieces, designed by legends such as Satoshi Kamiya, Robert Lang, Eric Domaine, Francis Ow, Ronald Koh, Kade Chan, Eric Joisel, Brian Chan, Jason Ku and more.
The international origami community recently learned of the death of Frances Ow:
Francis was an active and beloved member of the Singapore Origami group, and sadly I never had the privilege of meeting him in the real world. But, via the magic that is the Internet I have been personally encouraged and supported by him over both of my recent 365 challenges. You can try this Tsuru Wreath for yourself – one of many designs he shared freely. Continue reading →
Interestingly, paper folding developed independently in most countries that made paper. In China, traditional folding included objects like this:
This is a modern interpretation of a Zhen Xian Bao – a traditional thread case. Even cursory research on teh interwebs reveals astonishing combinations of these little compartments, nested in other compartments.
This fold was designed by Paula Versnick, and has 7 separate compartments of varying size, that all lock together into a charming little book. Continue reading →
Paper is an amazing thing. In Japanese culture, for centuries, walls and furnishings were made from timber and Washi (hand-made Kozo fibre paper). Candle-driven laps made of paper (counter-intuitively) are still common, this is an Andon Lamp:
There are 2 versions of this – one that uses 4 squares (this one) and another minor variation makes the frame with 4 bits of paper and then you put in other paper inserts into frames formed on each side of a contrasting colour/texture. Continue reading →
When I went to Japan in the early Noughties, I loved so much of the culture I encountered in the everyday. On my return I decided our house deserved a “Spirit House”. The principle is simple, it guards our front door, traps the bad spirits from entering and amplifies the good:
Since it’s install, it has worked a charm and today I brought it into this century by adding a solar-charged light inside the stone lantern section, that glows softly at night. To commemorate the renovation I was looking for a fold of a spirit house and happened across one designed by Ichiro Kinoshita. Continue reading →
Michael and Jane invited us to celebrate their wedding today:
We were happy to attend a lovely service at the Chapel at my work (a workplace for both in times gone past). The bride was beautiful, the groom as well. Lovely service with a reception to follow later this afternoon. Continue reading →
As part of the school’s social justice program, I was asked to come up with a fold for a bow tie that I could teach year 7-10 boys and girls from 3 schools on a Friday afternoon:
Based in part on a technique used by many, but first seen in a video, I devices a way of using a square, hiding raw edges and basing most of the folds on halves (figuring boys could actually fold things in half fairly easily). Continue reading →
I try to mark the passing of Hiroshima Day August 6 with respect and effort.
Having folded the traditional 1000 cranes twice in my life (oddly, the second time my cranes were “borrowed” by a then campaigning year 11 for a community project where he received the credit and was subsequently elected School Captain … but I digress) so thought it time to try something new. Continue reading →
Continuing my exploration of Hiden Senbazuru Orikata (The Secret of One Thousand Cranes Origami), published in 1797 I managed to wrangle a triple Tsuru:
The original schematic suggests that you use 2 small squares attached to the wings of the larger square, and I cannot fathom whether the dotted lines mean “remove” the unused paper or “hide” it. I chose to hide it.
We end up with parent and 2 kids, joined at the wings. The actual folding is fairly fiddly and the paper hiding makes the head/tail of the parent very thick (or was it the paper I chose?) Continue reading →
Browsing the internet, as you do, I came upon a chance find of an amazing archive of pages from what is thought to be the oldest Origami book published – “Hiden Senbazuru Orikata (The Secret of One Thousand Cranes Origami)”, first published in 1797:
Looks like i have a new project, making Tsuru (traditional Cranes) in multiples on a single (cut) sheet – looks like it is going to be a fascinating ride.