Chiyogami/Washi Hex-Boxes

When life gives you Chiyogami or hand-made Washi, with a relatively simple twist you can turn it into a hex-box: 

Lovely hand-printed Washi (swirls of fibres, block printed 20+ years ago) and modern Chiyogami (machine made but lovely) are actually fairly difficult to work with because you cannot see the creases and Fujimoto’s hex box establishes a bunch of landmarks to form the base-creases.

This is not a first fold, but the form and ingenious locking mechanism, slight variation to form lid and base make this one of my favourite folds – a jewel box when made from lovely paper.

Want one? Buy some nice paper (A3 or A4 work just fine, this is folded from a “golden rectangle”) and I will make it for you (or teach you how to make it yourself if you are near) – have your people call my people and we will make something beautiful together.

407: Chan’s One-Sheet Rose

Browsing Origami Tanteidan 12th Convention, I noticed a seemingly impossible fold:

Brian Chan is an amazing designer (Attack of the Kraken is one of his) and this flower is an ingenious, if intense, use fo a coloured square of paper.

If the paper was coloured green one side, red the other, then the way this design turns out the green bits of the flower and the red petals sort themselves out appropriately – amazing.

I only had some glossy red (a cheapo pack of coloured origami paper that loses colour all over your fingers) but persevered with it, despite the mess and the tiny size.

I still have to master the flower shaping, it sort of looks correct (and I have no doubt if i wet-folded or used methyl cellulose I could mould it more naturally , but I am happy I have got the hang of the fold. 

I used a 25cm red/white square and that is hard work – some of the accordion pleats are tiny, but it worked out ok. My second fold was a 45cm brown kraft fold that was easier to complete.

Interestingly, the box-pleating technique to raise the leaf is similar to the “dollar flower” I have been folding from the cut-offs from A3 squares, so found that part of the model really easy. The technique of raising the colour-changed petals for the rosebud is ingenius.

369: A Wren

Took a leisurely walk through some rainforest and noticed these perfect blue wrens, flitting from trunk to vine:

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Exploring a new book called Origami Essence by Roman Diaz, this little beauty was amongst the models I have decided to try.

I like the “wrenny”ness of this model. Some lovely techniques here for this keeper of a freestanding bird model

364: SNOWY!

When I was a kid, my parents gave me Tintin Annuals to read – the adventures of a young ginger and his dog Snowy:

I must admit I have fond memories for the adventures of Tintin, and had clear ideas in my mind of what Captain Haddock, Thompson and Thompson and Professor Cuthbert Calculus were like. I have just seen the film and I was delighted to say the least. What a cracking tale, told so wonderfully. You realise why they chose of do it as computer animation – most Tintin adventures would be un-filmable in live action given the pace, locations and lunatic athleticism.

At breakneck speed I was transported back to the Secret of the Unicorn, Red Rackham’s Treasure and other adventures I had – I remember 6, but wikipedia says there were 24 in total, so i only saw a small collection of Hergé stories really.

Although I have never really liked dogs, I was always taken with Snowy, Tintin’s faithful dog – I loved that he could talk to the dog and the dog actually understood – as an adult that makes no sense but as a kid there was no problem. Mind you, I accepted Lassie, Me Ed and all so my brain was already soft 😛

This is a “billfold” – that is it was originally designed to be folded out of an american dollar bill. I do not have any so I used the interweb to find the dimensions, doubled them and cut a rectangle to size. The instructions were very poor, actually, and at many junctures I merely “improvised” as I knew where we were going but could not follow how I was being told to get there.  In the end we have a plucky rendition of Snowy, and the second last model in the 365 challenge. Hope you like him.

363: Tree of Wisdom

You know that feeling when you plan (and see quite clearly in your head) something and then it turns out exactly like you envisaged it? This is one of those moments:

I had a model fail on a large sheet of lithography paper and considered binning the resultant crumpled mess, but remembered an origami technique pioneered by Paul Jackson in 1972 called “crumpling”. You take a piece of paper (I carefully unfolded the model fail) and systematically crumple it, unfold it, re-crumple in a different place and direction, unfold and repeat. The result is a deliciously textured and malleable sheet that can then be formed, when dampened slightly, into lovely organic shapes.

I had this idea of a gnarled tree (modelled on a bonsai I have had since before my 23yo son was born) and so set about fashioning one, twisted and poorly pruned though it is. I then wet it, and bound it with a little twine while it dried.

Atop this lovely tree is the most lovely owl by Hideo Komatsu – I have held off folding this because he is designed to be perched (as in he does not stand on flat surface but rather sits astride some horizontal thing.  1+1=a million. I love this, it is still making me smile and I know the perfect thing for him – sorry, NO auction for this one.

It is so rare that an idea so perfectly matches the expression of that idea but this is one such occasion. I have learnt so much about myself and paper over the course of this year that this model seems fitting as the project winds up.