Made from a pentagon, a lovely little fold that has some charming qualities. Continue reading
Working my way through Naomiki Sato’s book “Rose”, I had never tried his “Simple Rose” until this point. Continue reading
I bought his book (and DVD) entitled “Rose” and am determined to work though the various forms presented therein.
This is called his “first pentagonal rose” and I can see ancestor forms in the one that are also in the one I fold freehand currently. This is essentially a bud, but has a unique spiral centre and a nicely controlled twirl terminating in some lovely little petals. the base is also fully closed. Continue reading
Having pre-ordered the new album by David Bowie, I was delighted when it arrived in my postbox yesterday morning (Monday 11 January 2016). Much hyped, I put it on loud, in high rotation for the day, each listen affirming a new favorite Bowie Album.
Few aspects of the music industry were not influenced by this artist.
His music woke me up as a teenager, a welcome relief from the bang and twang that monopolised the music charts. Continue reading
I have found many guides for Naomiki Sato’s rose that do precise pre-folding, invariably I get lost or end up with a bloom that is so geometrically perfect that it is not very realistic, so went searching for a technique that allowed for natural bloom variation.
Two years ago (or thereabouts) I had mastered the knack of turning a free-form Sato rose, but then lost it – not sure why. I mangled dozens of sheets of paper trying to get it back to no success. “Free form” is a term I use to describe a process that has nearly NO landmarks – you fold it to about here, then back a little and so on. With such a complicated fold, mistakes early ruin the later fold as they compound out of control. Continue reading
Much of Origami is algorithmic (algorithm = procedural solution to a problem). A rabbit ear is an algorithm, one knows how to fold it on a corner – double rabbit ear is the same solution, folded two simultaneously. Petal fold is also a standard maneuver which got me thinking of the Sato Rose algorithm.
I like this algorithm particularly because of the free-form nature of much of the folding, and the way it seems to “fit” a pentagon. I decided to use the same folding algorithm but try it with other regular polygons – I tried triangle(3), square(4), pentagon(5), hexagon(6), heptagon(7), octagon(8), nonagon(9) but gave up on the decagon(10).
The algorithm involves “nearly” bisecting each vertex to form an echo shape at the centre of the sheet – you then halve that internal echo to create a slightly offset echo and use that as the basis of a “kawasaki twist” Continue reading
In our previous house I had a rose garden – I planted and maintained 42 rose bushes, lovingly collected cow poo, mulched, pruned and relentlessly sprayed them to combat the Queensland climate’s unsuitability for growing them. I also was a member of the Queensland Rose Society so occasionally displayed blooms at shows and in competitions, gaining an appreciation of the ‘technical appreciation’ of a bloom’s structure, symmetry and form. Needless to say I love roses.
I have long been fascinated and frustrated by the modified Kawasaki Rose II in equal parts, it’s mathematics is mind-buggering and all the techniques I had been exploring contained so much pre-creasing that the resultant bloom is mashed and dented beyond recognition. This variation, designed by Naomiki Sato is quite the loveliest thing of this ilk on the planet at the moment in my opinion. Continue reading
Busy day, vicious earache, simple but lovely model – enjoy. You too can have a go at this here