Day Tripping to Zaragoza

So a fairly well known fact in Origami circles is that there are Origami Museums, few compare in size to the Spanish one in Zaragoza.  When Jo and I had decided to spend time in Barcelona, we discovered Zaragoza was doable day trip from Barcelona Sants regional train station, so a plan was hatched.

Barcelona Sants is a regional rail hub, different to the metro. We will from depart here in a few days for Province, but this station also provides access to many other places in Catalunya and beyond. After locating our platform ( via a very helpful man at the Information counter), we had our bags (and everything else) xrayed before arriving on the platform to find the train already boarding.

We boarded AVE-S112 High Speed train, allocated seats a lot like an airplane, and took off. The train sped underground until it cleared the central city and burst out into the light as farmland flew by. For a lot of the journey the train was topping 295 km/h as it hurtled stop to stop.

After a little over an hour, we arrived at Zaragoza train station, and de-trained, got some refreshments then headed over to the Bus Station, to catch a C1 circle line bus, and rode it the remaining half way around to the terminus. After a brief bit of nav we were picking through the back streets to EMOZ, located on the 2nd Floor of Centro de Historias, Plaza San Agustín 2.

I had been in contact with the museum ever since there seemed a chance for me to visit, and it was lovely to finally meet an online friend named Jesús Artigas. We nerded out a bit, talked about the current exhibition and about Yoshizawa’s works, and particularly the work of Eric Joisel. 

The museum has, on display a number of Joisel’s original works, including one of his gnome orchestras, his large-scale Rhinoceros and his large scale Pegasus.

Jesús let us sneak peak in the store room at Joisel’s large Hippopotamus also, all master works from a genius artist much missed. 

We talked folding, design, and it turns out he is working on an interesting origami publication of endangered Spanish animals, and asked if I was interested in test folding closer to publication date. What an honor indeed, naturally I said yes. That should be fabulous and something else to be involved in when I finally return home.

We parted company with the promise of future collaboration, then Jo and I took our time appreciating the many rooms of exhibits. It was good to see so many original works from legends in the field, including Victor Coeurjoly, Robert Lang, Junior Fritz Jaquett, Kashiwamura, Jozsef Zsebe, a host of different Vietnamese designers, and even a tiny work from Yoshizawa himself. We are not worthy.

The museum also offers informative information about the paper/folding traditions of many countries. It is interesting that many different schools of folding crafts emerged independently with the introduction of paper and paper-like materials. We also saw some very early traditional folds pioneering skills from historical giants that modern day origami designers stand on the shoulders of.

The feature artist at the moment is Vivian Berty, with a number of rooms devoted to her colourful, figurative and representational varied art practice. Such a riot of colour and range of simple to elegant models, compositions and modular works.

It felt like home for me, to be surrounded by an art form I have spent a lot of my life exploring. Nerd-feasts come in every flavour, and this was one of mine. 

After leaving EMOZ, we reversed our journey to Zaragoza Delicias rail station, grabbed a late lunch and then our train back to Barcelona. I am sure I gushed, Jo was very tolerant of a very happy nerd. If I get the opportunity I would like to visit again, as well as explore the other origami museums of the world.

Bitter Sweet

As I approached the date of my retirement, I genuinely struggled with how I could sum up my work-life, and how was going to say thankyou, personally, to so many people I have loved working with.

Collapsed blooms get shaped

It occurred to me that Origami could be my savior, and something hand-made and precious was the order of the day, so set about making Naomiki Sato’s pentagonal “Hybrid Tea” roses – in my opinion the zenith of his glorious rose designs. From a pentagon, with some skill, you sculpt a spiraling bloom of some 25 petals – genius as it is folds only – no cuts, no glue. Originally I was going to present them stemmed, but re-worked the idea to have them sit on calyxes instead.

I gave myself 3 weeks, and it turned out that was not really enough time, as each bloom from go to woe takes just over an hour – even when batch folding. It was a labour of love, and I got it done, and resulted in an amazing coincidence. I listed the recipients, and it totaled 33 – this number corresponded to the number of years I have been working at this current school – it was clearly meant to be.

Exacting pre-creasing

Acquiring paper, cutting perfect pentagons, calculating the relative size different between flower and calyx was the first task. I found if I cut the largest pentagon I could from an A3 sheet for the bloom, then the corresponding largest pentagon from an A4 sheet was perfect for the calyx.

Production-line techniques then ensued – precise pre-creases, pre-collapse wrangling and locating landmarks for secondary petal separation all have to be done first, and at this scale it is fiddly folding, and you need about 7 fingers on all of 3 of your hands. Once the dissected spiral collapse is complete the really hard part starts – shaping the petals to be soft curls in staggered cascades – quite a knack.

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1063: Just Dandy

Anyone who owns a lawn realises it is a constant battle to keep it mowed, tidy, healthy and weed free. In a tropical climate like ours, doubly so:

dandelion

So we have a dandelion problem – hundreds of the little buggers pop their flowers up after I mow and I am loathed to resort to spraying them, chemical solutions are my last resort. I googled the problem and found a no-bend weeding prong that seems custom built to pluck the little suckers root and all.

weeding prong

We ordered 2 (a his and hers set) on the off chance we both would want to do this, the arrived in pieces and after a simple set of instructions they were assembled, ready to go. In our first session on the lawn we easily filled a large bucket with extracted dandelions and realised this was a solution, albeit manual and long term.

dandelion scale

In the latest Tanteidan magazine, by pure synchronicity, there were diagrams for a modular dandelion designed by Toshikazu Kawasaki. I set about folding the pieces and, after a fairly simple set of instructions, the dandelion was assembled and ready to go.

1041: Anniversary

38 years ago, the love of my life said “I do”, wearing antique white lace, in Wanganui Gardens, on the bank of the Brisbane River, among family and friends in glorious sunshine. She did this despite the fact that I was wearing a brown suit, ruffled beige bodyshirt and brown boots – must have been either love, or certifiable lunacy.

Maria Sinayskaya's Little Roses Kusudama (squares variant)

Happy Anniversary Jo, love and hugs always.

This is Maria Sinayskaya’s Little Roses Kusudama (squares variant), 30 units – lovely thing indeed.

973: Square Rosebud

Continuing the exploration of a square rose, this is Naomiki Sato’s square rosebud:

rosebud

Made with a trademark “Kawasaki twist” with different landmarks, this is a rose just opening – simple, pretty.

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