1050: Kunsulu’s Music Stand

When I saw the folded form I thought there must be some trickery here:

Kunsulu's Music Stand

All I had access to is the crease pattern (CP) for this model, and, given I am trying to develop my CP solving skills I thought it fair game to give it a try.

Kunsulu's music stand development

Based on a 16×16 grid, some strategic box pleating and an ingenious colour change we have a classic music stand, 3 shapely legs and a piece of sheet music that is a different colour to the stand – magic.

Kunsulu's music stand views

I like this model a lot – it just sort of coalesced in to a successful model for me, although the first fold was on paper that was same both sides but I could see the potential for colour change and had to fold it in duo paper,

879: (329/365) No Crib for a Bed

So, I needed some furniture, and thought of a feed trough, but had to invent one:

Folded from a smallish square, this has trough and some rather nice legs, but does not look very comfortable. Continue reading

796: (246/365) Japanese Andon Lamp

Paper is an amazing thing. In Japanese culture, for centuries, walls and furnishings were made from timber and Washi (hand-made Kozo fibre paper). Candle-driven laps made of paper (counter-intuitively) are still common, this is an Andon Lamp:

There are 2 versions of this – one that uses 4 squares (this one) and another minor variation makes the frame with 4 bits of paper and then you put in other paper inserts into frames formed on each side of a contrasting colour/texture. Continue reading

614: (64/365) Brickwork Fireplace

Brickwork tessellations are a bit of work, but it is nice to see a model that uses the tessellation as the texture of another structure:

This is Ichiro Kinoshita’s “Fireplace by Brickwork”, a torturous fold that requires a ton of pre-creasing and as the scale I chose (square cut from an A3 sheet), the final crease lines end up about 4mm apart on fairly heavy paper – not, in retrospect, a good choice. Continue reading

471: Folding Chair

Needing to clean my brain, I looked for some box-pleating (as that is absorbing, fiddly and it is difficult to to do or think anything else while doing it):

I came across a design for a folding chair, folded in 24ths and decided to give it a go.

Continue reading

447: Black Forest Cuckoo Clock

In need of some therapy, and with my procrastinator set on FULL, I embarked on a punishing box-pleating exercise:

I remember as a kid in New Zealand we had a cheezy Cuckoo Clock (Mum loved it) that used to have metal pinecones as counterweights and a faux timber case that used to “cuckoo” and scare the life out of me every hour. It had the loudest tick of any clock I remember.. I am fairly sure it did not survive the emmigration back to Oz because I do not remember it afterwards.

Robert Lang is known for beautiful mathematical models and when I first saw photos of his “Black Forest Cuckoo Clock” it seemed impossible to tease all that details out of an uncut sheet. Continue reading

282: Skillman’s Chair

Now I freely admit as a kid I was an origami wimp – seeing complicated folds of this “comfy chair” and running a mile, or half-ass trying them, crumpling the paper and sulking. This fold, by Jack Skillman, seemed too hard way back then so I never tried it:

As it turns out, the only confusing part is that you pre-fold a chair shape, unfold it completely and collapse it inside out so all the stickey-outy bits are hidden.

Certainly 12months ago I would have thought this tricksey, but not now. One of the side-effects of the dailt fold is that previously tricksey steps now are automatic to me – oddly I now tackle models really differently and that is a good thing.

This simple exercise in box-pleating is a nice sturdy design with a modern feel to it, even though it was designed by an architect/mathematician in the 60s. Folded from “Secrets of Origami” by Robert Harbin, my oldest book.

Happy finally to try this model, pleased with the first fold of it also – choosing today’s model seemed to take ages for some reason – so much choice I guess.

180: Rocking Horse

Now I have been a customer of Rocking Horse records in Brizvegus for as long as I can remember – they stock an important mix of local releases, electronica, avant-garde, metal, obscure and dance music ephemera that appeals to me.

They are in trouble – difficult to compete with torrents and copyright theft (I know many young people who have never purchased music ever, but have iPods full of the stuff). I decided to visit today, purchase a bit but sadly everything is on sale – not a good sign. Today’s model is a rocking horse:

This little model actually rocks also, very tidy (if torture to get all the paper inside the body and leave the rockers largely fold free so they, well, rock…

I like the body proportions – very horsey – and the weight distribution is also good – very well designed model by Ronald Koh (the same guy who designed the King Cobra)

Precision was important here, and a little luck – many of the folds were judgment calls, no landmarks are trickey if you have not folded a model before and do not know what ends up where.

Happy with my first fold, fingers crossed that a good record store can survive – brissie would not be the same with out it.

175: Tick Tick Tock

I find it interesting that time seems to pass so much slower when you are doing something you really do not enjoy:

My “Theory of Temporal Perception” explains that time like that which crawls past during an exam supervision, say, is noticed minute by minute, tick by tock.

This is a cute action model – it moves – the pendulum swings and actually makes a “tick tock” sound due to an ingenious rabbit-ear fold at the back creating a flipping flap.

There is much to like about this model, including the fact that the time on the clock is 3PM, meaning it is time ot start mid-semester holidays – woo!

164: Queen Anne Table

Now I put my hand up as a staunch REPUBLICAN – I have never seen the sense of a colonial country holding on to a token monarchy. It would be different if the monarchy were actually USEFUL to us, like a table:

Strong, supportive, present, made of something sustainable and central to daily life, a table is central to any home. This is a “Queen Anne” style table, designed by Robert Harbin, folded for our celebration of the Queen’s Birthday (a public holiday for us – one good, tangible thing that benefits us I suppose).

Nice exercise in petal folding, there are a few variations possible to transform it into a square table – quite like the polyhedral form however. Folded from “Secrets of Origami” by Robert Harbin, a treasure trove of old-school origami designs.

118: Grammophone

In simpler times, music was encoded onto black plastic discs as bumpy valleys a needle would bounce along to extract the sound. In even simpler times that sound was amplified by a large cone, no electricity involved at all:

These days it is all iPods, mp3s, downloads and stealing music – sometimes the older, simpler times were best – certainly stereo turntables create a lovely chocolatey sound that modern digital sampling techniques have lost.

Why a grammophone? the kids at school perform in the formal concert tonight – the symbol of music for me is “His Master’s Voice” which was a grammophone with a dog looking quizzically at it.

This is an interesting box-pleating exercise that at almost every step looked like it was going to hell in a hand-basket. The final opening of the cone was a revelation.

Amusingly my daughter saw on my screen the words “Pagina precedente” and “Pagina successiva” and immediately assumed I was looking at something naughty – when in fact the instructions were in Italian. Folded in 1/12ths, with an interesting collapse to put the record on the turntable first, I like this a lot and hope you do to.

You can have a go yourself also: http://www.origamidauria.it/diagrammi/diagrammigrammofono/grammofono1.htm

86: Bookcase

The first box pleating exercise I ever did was this bookcase:

The whole thirds thing did my head in as a young folder, now it seems simple – I guess that with practice comes skill development – I wonder if that is a principle that would be useful in education?

I regret making this so small now, but I guess it is perfect dolls-house height, if only I had a … dolls house. A 2×1 rectangle cut from the width of an A4 page. I like how all the bits tuck away, reinforce the shape and the resultant model is so tidy. Folded from “Secrets of Origami” by Robert Harbin