So I reasoned that if I mess with the “Superdude” base, I should be able to re-purpose the “cape” into a set of wings … so set about doing that:
In relatively short time I had made my first faery, to be told that it was a boy – and that faeries are typically girls which left a dilemma – how does one endow a gender to these little ffolke?
I, sadly, solved the problem by resorting to archetype, and put a “tutu” on my next one – in no way determining it’s gender, but conforming to the “her” stereotype.
I reason that fictional critters that fornicate to make more of themselves must have, biologically, distinct sexes, but I in no way wish to say they must conform to human dress standards, albeit antiquated ones.
Determined to work on one of my known folding weaknesses (solving crease patterns), I decided to have a go at Riccardo Foschi’s “Black Widow”:
Folded from 4×1 rectangle, box pleating teases out lovely long legs, cephalothorax and abdomen. With a little magic I managed to extend some pincer-like jaws also to use up some of the paper that was otherwise lurking in the transition between the body and the legs, which was quite pleasing.
Half the job is the collapse – working out what should be mountain, what should be valley, and the order of the collapse. The rest of the work (some say the hardest bit) is in the shaping as, often, the base you collapse to only roughly corresponds to the morphology of the final form, you then need to primp, tease, thin and pose to gain model finesse.
I will admit to being a sci-fi nerd, few movies did it for me like the original “Alien” movie, directed by Ridley Scott, designed by Hans Reudi Geiger.
The truly original mixture of a genuinely terrifying xenomorph, claustrophobic and grimy working space ship and stellar cast makes the movie, at least in my mind, perfect.
Prior to that, space was clean (painfully white and tidy, according to the Star Wars, Blakes7, Flash Gordon and Dr Who visions), in Alien gear looked used, people were pissed off and tired, and we were introduced to a much loved and never duplicated alien.
H.R. Geiger imagined a life-cycle – from egg, to facehugger (this beastie) that implants an embryo deep in a host, chest burster through to adult killing machine. Scarily insectoid, acid for blood, no eyes, perfect.
I love meta – that examination of self-reference is great brain food, and this fold designed by Neelish Kumar fits nicely into that philosophical space:
Nominally named “Origamist’s Worst Nightmare”, it is a place I have been – being so into a model at the expense of the materials, having it disintegrate in my hands as I work it.
The more observant of you will notice a despairing folder, paper ripped along a much-worked crease. Look closer, the crease pattern is Eric Joisel’s “Dwarf“, a particular favourite that I have ruined many a sheet mastering.
The last few months a lot of my free time has been consumed by supporting a team of students as they prepare for a robotics competition:
Yesterday was the Queensland finals of the First Technology Challenge (FTC), and our team did really well. They designed, built and programmed a robot, affectionately known as “BROBOT”, coming second in the state.
I could not be prouder of the team, so decided they needed a souvenir. This is the cutest little robot I could find, designed by Shunsuke Inoue, and I am astonished I have not blogged this fold before, it is such a fun fold.
You take a square, divide it into 1/16th grid, then boxpleat the bjebus out of it to tease antennae, eyes, arms, legs and a lovely little stubby body.
Riccardo Foschi has a magic sense of design in his models, and this cartoon rabbit is a real charmer:
As an exercise in box pleating, this model takes a 12 x 24 square grid and, via a. Are fully designed collapse teases arms, legs, tummy and detailed head while providing enough paper to model those features in a fun way. Continue reading →
Yoshizawa Sensei once said “The Horse and the rider are not one, nor should a model of them be”, or words to that effect and I think this model is an interesting reflection of that sentiment:
This is Eduardo Clemente’s “Burro con Carro” which I think means “Donkey and Cart”. Fashioned from a 3×1 rectangle, the technique involves completely wasting the middle square to provide a join that more or less makes sense between the cart and the tail of the donkey.
The trouble is, the join is so thick that modelling the hindquarters of the donkey is compromised, the cart does not sit quite right and the front of the model is so light that modelling front legs and head/ears is flimsy and a bit of a fail. Continue reading →
Prehistory must have been an amazing time, evidence of such fantastical beasts continue to boggle the mind. The air was full of ferocious snappy things, land was populated by ferocious snappy things and the oceans were the same:
This is Lu Hao’s “Plesiosaurus”, a rich, dense and interesting fold that results in a serpentine necked swimming snappy thing after a complex process of hiding most of the sheet. Continue reading →
Potter Nerds and Minecraft Nerds unite, for I present to you a “Minecraft” style cubey golden snitch:
This buzzy little bugger would be difficult to catch in a full on game of Quidditch indeed. This is Riccardo Foschi’s “CuBird”, an interesting little CP that collapses with a little wrangling to make a lovely little cube and enough paper to fan out a quite solid set of wings. Continue reading →
When a member of the British Origami Society, I purchased “Selected works of Neal Elias” and continue to find gems within it – this is one such treasure:
Modeled after a classical guitarist in 1970, this model starts with a 3×1 rectangle (8×23 to be exact) and, via miracles of box pleating (a pioneering technique back then) we tease an artist and his instrument. Continue reading →
In the United States of America on this day they are inaugurating their 45th president – one Donald Trump:
I _want_ to congratulate him and his party on a campaign well fought, policies well considered and popular vote being a landslide but sadly none of these seems true from where I sit.
Looking for a model to express how I feel about the incoming, from my ivory tower over here on the opposite side of a planet suddenly not big enough to place me a safe distance from him, I came across “flipping the bird” by Paulius Mielinis. Whilst only a crease pattern (CP), I could sort of see the parts of the model in among the creases. It took a little wrangling to work out how to collapse and hide unwanted paper, make the digits clean enough to be recognisable. Continue reading →
Flipping through the book “Origami Masters – Bugs – How the Bug Wars Changed the Art Of Origami”, you cannot help but be frightened by this model:
Robert Lang, mathematician, engineer and origami design genius in this model pushes the envelope of what is possible with paper on a number of levels. The book gives general hints about a truly terrifying paper manipulation which I think, largely ignores the fact that paper will be used in the fabrication. Continue reading →
Ever since first watching the telly series “Vikings” (currently 3 seasons, worth looking for) I was a fan of the gritty realism and glimpse into the lifestyle (albeit cinematicised) of what I imagine was a hard working and noble race:
The character “Floki” was an odd inventor genius and ship builder, I think he would have approved of this design – a teensy weensy longboat complete with oars, sail and dragon bow sprit.
The design is challenging, for as much as it requires a really odd 10×1 sheet of paper as for the instructions in cryptic Spanish – quite a challenge in themselves as the diagrams were heavily stylised and gave hints as to where to fold rather than solid landmarks. Continue reading →