N Elias

1117: Mod on a Moped

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When you talk of “box pleating”, the young kids in the origami design sphere seem to think they invented it. I was fishing around on the web, for origami-related things as you do, and stumbled across an astonishing scanned page from Neal Elias’ notebook from 1968 that features box pleating:

This is Neal’s “Boy on a motor scooter” – an amazing proto-design from 1968!!!!! (this is all there is, you have to fill in the gaps – it was his personal notebook, the diagrams were all HE needed to fold the model) but what an historical gem of a design. It is doubly interesting because it was designed 3 years before I began my journey in origami as a wide-eyed, clueless 11 year old.

Further research suggests this page was “ripped” from a BOS Publication Booklet 35 (still in print?) called “Neal Elias Miscellaneous Folds – II “, edited by Dave Venables. I have purchased the previous Neal Elias volume but was unaware this treasure exists – it has prototypes of some very famous and completely revolutionary designs indeed (like “The Last Waltz”).

Back in the “early” days of western origami, Elias was a pioneer, realising that by gridding a sheet of paper, then using gridlines and 45 degree connectors you could pleat astonishingly complex structures that could then be shaped into complex figurative models. As a kid, the few models I had access to from him were like crack to me. I mastered the “Elias stretch” (these days I think they call it a ‘pythagorean stretch’) and “Elias base”, making skiers and knights in armor, all from squares.

Many of his designs use odd shaped paper – this model uses an 8×22 grid, and the colour change base is particularly wonderful, leaving all the bits of a person in one colour and a lovely long pleat bundle of alternate colour emerging from him. I can see so much potential of all sorts of things here.

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598: (48/360) Neal Elias’ “Rocking Horse”

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This model is testament to the design genius of Neal Elias:

Taking the bird base, and a colour change, we fashion a jockey (with the cutest little cap) atop a rocking horse. I love the detail here and will probably fold this again, only with a slightly bigger bit of paper.  Continue reading →

593: (43/360) Neal Elias’ “Andres Segovia”

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When a member of the British Origami Society, I purchased “Selected works of Neal Elias” and continue to find gems within it – this is one such treasure:

Modeled after a classical guitarist in 1970, this model starts with a 3×1 rectangle (8×23 to be exact) and, via miracles of box pleating (a pioneering technique back then) we tease an artist and his instrument. Continue reading →

581: (31/365) Brian

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“He’s not a messiah, he is just a very naughty boy”. “Crucifixion? Good. Line on the left, one cross each”:

In my opinion, “Life of Brian” by the Monty Python team is close to perfect, such a beautiful play in an otherwise familiar ancient world, full to the brim with some of their cleverest work. If you take nothing else from that move, “always look on the bright side of life”. Continue reading →

448: Cutting a Rug

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I am old enough to remember the “good old days” when partners dance WITH each other as opposed to the modern trend of dancing AT each other:

Flicking through a yellowed and falling apart copy of “Origami 4” by Robert Harbin, I came across a Neal Elias figure I had not remembered nor tried.

Using duo coloured paper, from a simple bird base, we tease a dancing belle and her suave suited partner as they “cut a rug” together. Continue reading →

381: Rodin’s Reader

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It is little known (partially because it is blatantly not true) that Rodin, prior to sculpting his masterpiece “The Thinker” had an altogether different idea:

Our school library is celebrating the National Year of reading by exploring a different theme each month – March is “think” so I put 2 and 2 together and got 17.3.

Based on Neal Elias’s box pleat, this little model is cute with a Brill “Spelling Book” on his lap.

Will not be around for the next couple of themes so this will have to do for a little while

347: Tree Topper

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So I was putting up the tree again this year and remembered we had nothing to put atop it:

I remembered an “angel” designed originally by Neal Elias, reworked by gabriel Vong that I had put in the “must try this sometime” pile, so set about folding it.

A nice figurative angel, hands clasped in prayer, lovely wings and a nifty gusset at the back to allow you to insert some foliage at the pointy end of your tree.

You should try this, it is actually fairly straight forward. I had a sheet of gold metallic paper (but wrapping paper would make the fold even easier) and bent it laboriously (it was almost card, so the folds around the hands, shoulders etc were hard going – thank goodness for fingernails as my finger tips are bruised and sore from the continued 365 onslaught).

Atop the tree she is lovely – this is an A4-cut square, prolly a little big for our small tree but ideal for a larger one.

303: Llopio’s Moment of Truth

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The croud erupts spontaneously with “Olé!” as Llopio narrowly dodges the bull calf’s first charge. His grandfather’s matador cap, too loose for him, slips and obscures his vision, there is an amateur swish of a cape as the bull’s developing horns pass too close for comfort, quick step out of the way and Llopio is finally a bullfighter.

This is “Llopio’s Moment of truth” – the reason I bought the British Origami Society’s compendium of Neal Elias figures. There is much to like in this complex box pleat. from one piece of paper emerges a Matador, Bull and the Cape that separates them.

I like how there is movement, you can sense the drama, a fitting end to my exploration of Neal Elias’ work. This fold is challenging, so much of the design is “mystery meat” where you just have to sort of “improvise” – you would not want to fold it much smaller, the manipulation of layers in the bodies is intense and fiddly and it is not immediately obvious what is going to be what until near the end.

Interestingly, only the matador is box pleated – unusually you torture 2 water bomb bases to get the bull and cape so this is a nice fusion between pure box pleating and free-form sculpture. Happy I have folded this, apparently if you fold it with duo paper the cape ends up being the alternate colour – wow.

298: Violinist

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When I saw this design I knew I had to try it:

Made, oddly, from a “T”-shaped box pleat, designed by Neal Elias in 1971 to celebrate the then popular violinist Yehudi Menuhin, this is a masterpiece of miniature modelling.

We have a violin perched on a shoulder, being held by that hand, a bow hand complete with bow, a serious head tilt, trousers, coat and even shoes! He also free-stands, which is all the more remarkable.

Seriously happy with this fold, I was convinced it was going to hell in a hand basket at 3 junctures when the instructions did not patch what the model had (flaps and creases in different orientations), but in the end it just sort of worked.

Interestingly, it was not all that hard, well, it seemed that way to me – given I had never attempted box pleating before the 365 challenge, I guess my skills have improved, which is a good thing.

297: Taxi!

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In old Chinatown, when someone wanted to travel in style, they hailed a “coolie” pulling a rickshaw:

This picture was common in days gone by, these days the hustle and bustle of bicycles, motorbikes and tuk-tuks has replaced the hard work.

This is Neal Elias’ “Coolie and Rickshaw”, designed in1967. An ingenious box pleat using a square and tidily fashioning a running man and a 2 wheeled buggy behind, replete with lovely conical hat, wheels and canopy.

I have been wanting to try this for a while, just because really. Taken from “Selected works 1964-1973” by British Origami Society. I am happy with this as a first fold. I modified the body and legs a little to add a sense of movement, and re-worked the wheels so they were round (the original design had them nearly square).

296: Pas de Deux

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In ballet, a pas de deux (French, steps of two) is a duet in which ballet dancers perform the dance together. It usually consists of an entrée, adagio, two variations (one for each dancer), and a coda:

In origami, few designers have mastered multiple figure folding like Neal Elias – this is his “Nureyev and Fonteyn” model designed in 1973 as a tribute to the then “toast of the town” couple as they became an on-stage sensation.

This is a relatively simple box-pleat with some elias stretches to form arms. I found the flrming of her legs the most challenging, tucking it tidily into his trousers so the join between them is less obvious. At this scale, shaping is a challenge, hence her “thunder thighs” and their angular faces. I am happy however with this figurative fold, taken from my copy of the British Origami Society’s publication of Elias’ selected works.

Folded from a 3×1 rectangle (scrap litho paper from yesterday’s squaring), the only pity is that it is not free-standing (but boy would lit look pretty on a card) so I cheated and blu-tacked a paper clip on the back for display purposes.

I was looking for an easier model (because yesterday took so long) -this one fitted the bill admirably.

259: Stag

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Barbz asked me to make a deer, I decided to look for a stag (antlers etc) and found one by Neal Elias:

I like this model – out of a severe box pleat a fairly graceful body, legs and head with lovely ears and antlers emerges.

This was a tough fold – the thicknesses near the nead are really difficult to fold, but the result is quite satisfying as a forst fold – hope you ike it Barbz.

I have also found a bunch of deer-like animals, will experiment more with the form.

258: Rodin’s Thinker

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When I think of my mate Mike, I think of Rodin’s “The Thinker”:

There are many reasons, including his stunning good looks, poise but most of all because he is a thinker – he considers everything deeply, his responses are considered, balanced, always truthful and often factual 😛

This is a Neal Elias designed model, interesting use of an off-centre waterbomb base and trademark elias stretches to make the arms, I think it is particularly clever that the pose is fairly accurate, it is self-standing (well, ok, sitting), complete with all the body bits and perched on a pedistal to finish.

This is the second model I have folded from “Neal Elias – Selected Works 1964-1973” compiled by Dave Venables, purchased through the British Origami Society. As a founder in the box-pleating techniques that have been more popular in recent years, the shape is figurative yet evokes the object it was mimicking well I think.

I Think, therefore .. umm … what was the question?

240: The Stork Brings Babies

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That’s right children, when the mummy and the daddy love each other very much, the stork visits them and brings them a baby:

Such a strange lie so often promulgated in years gone by to obviate an awkward conversation about the details of how birds and bees … well, you know … actually, that is even more confusing than the facts when you think about it – and what have birds and bees got to do with the process anyway?

This  is a simple and cute origami model to celebrate the many recent births (Dianne, Amanda, Brendan) – now the adventure really begins for these parents.

This is an old-school origami model that would probably be labelled “Kirigami” (a model that involves a cut sheet of paper) from Neal Elias – essentially it is 2 bird-bases grafted together via s split, allowing the 2 parts of the model to be folded carefully with each other.

Taken from Robert Harbin’s “Secrets of Origami”, a book in much need of repair nowadays as it’s binding is failing. Today’s folders would look to see if they could achieve this model from one sheet, with some clever box pleating to boot i suspect – interestingly no one has tried as of yet (well, that I can find at least).

New parentage – I remember those years with great fondness – that exhilarating (and daunting) moment when you realise that pink, wrinkled alien is relying on you totally for love and attention. Cherish the time you have with your kids – they grow up all too fast.

209 Elias’ Bull

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When I bought “Selected Works” by Neil Elias, I was delighted with teh collection of box pleating models from the founder of this technique

After watching masterchef tonight I thought “What a lot of bull” – judges and contestants sprouting such a lot of false sentimentality the model I decided to fold was really obvious (at least to me)

there is much to like about this model – it looks stroppy, like it is readt to charge – head down, horns to the front, nice. The hind quarters are also good except the back legs seem an odd proportion to the rest of the model. Knowing how hard it is to plan and design a mode however I will forgive Mr Elias.

Very happy with this as a first fold – I must explore more of Elias’ work, many amazing figures from an origamist before his time. Not a good sign that the wife could not pick what the animal was (I think it is relatively obvious – maybe that is just me)