I had a 12cm square of thin crisp Kraft and decided to try the Riccardo Foschi CP for his gecko. This required a 32 square grid, making resultant pleats 4mm or less each:
I figured this was a good test of my accuracy, and found it quite relaxing but fiddly with my nerve-damaged hands. I am working on my CP deciphering skills, and this seemed quite straight forward.
Determined to work on one of my known folding weaknesses (solving crease patterns), I decided to have a go at Riccardo Foschi’s “Black Widow”:
Folded from 4×1 rectangle, box pleating teases out lovely long legs, cephalothorax and abdomen. With a little magic I managed to extend some pincer-like jaws also to use up some of the paper that was otherwise lurking in the transition between the body and the legs, which was quite pleasing.
Half the job is the collapse – working out what should be mountain, what should be valley, and the order of the collapse. The rest of the work (some say the hardest bit) is in the shaping as, often, the base you collapse to only roughly corresponds to the morphology of the final form, you then need to primp, tease, thin and pose to gain model finesse.
Riccardo Foschi frequently shares crease patterns for his new designs on social media. When I saw “Mushu” I knew I had to try and fold it:
It is rare to find a “happy” dragon, but this one beams a positive energy that makes you smile. There is lots of detail to take in – the head has branched horns, smiling eyes, lovely colour-changed curly whiskers, nostrils, teeth, a lovely wiggly tongue, lower jaw and a beard. A lovely set of back spikes, each leg has 3 toes and the beautiful fan tail caps off the beastie.
Made over a period of a week, from 5x 2:1 rectangles of odd spotty black Ikea Kraft. Sections form variously tail, legs, body and head modules, all of which ingeniously interlock without the need for glue. Riccardo also states that it can be made with a single 10:1 rectangle, but I thought that would be too wasteful when cut from a paper roll, so decided on the modular approach.
My problem with crease patterns is that, although they show the major creases, they do not really hint on the shaping or fold order. The head, in particular, took me a while to sort out. I decided, contrary to the designers photo, to fold the legs differently – I think they look more natural this way (but I folded forward, backward, forward and back many times before deciding on this configuration).
Riccardo Foschi has a magic sense of design in his models, and this cartoon rabbit is a real charmer:
As an exercise in box pleating, this model takes a 12 x 24 square grid and, via a. Are fully designed collapse teases arms, legs, tummy and detailed head while providing enough paper to model those features in a fun way. Continue reading →
Few would argue that the Tsuru (crane) is the quintessential origami figure. Everybody starts there, the form is so familiar and the skills necessary to fold it form the backbone of so many models:
While I have tried many variations of this model, few compare to Riccardo Foschi’s “feathered Tsuru”, a glorious and complex variation with such beautiful wings. Continue reading →
Reporting is a beast of a thing, particularly semester reporting where we seem to joust with nit-picking grammar on parts of a report that parents do not read. Slaying the beast is particularly satisfying:
This is Riccardo Foschi’s Baby Lizard Dragon … thing. I found the CP and a photo of the finished model and thought ‘how hard could this be?’. Continue reading →
Potter Nerds and Minecraft Nerds unite, for I present to you a “Minecraft” style cubey golden snitch:
This buzzy little bugger would be difficult to catch in a full on game of Quidditch indeed. This is Riccardo Foschi’s “CuBird”, an interesting little CP that collapses with a little wrangling to make a lovely little cube and enough paper to fan out a quite solid set of wings. Continue reading →