As part of my JOAS membership, I get sent magazines with models to try – a really excellent collection of complex models from the worlds best designers. When I saw Satoshi Kamiya’s Dragonfly, I was really scared of it.The level of pleat management and re-arrangement of flaps and layers is truly terrifying when viewed as a whole.
As a “treat”, to reward my marking progress (I am a teacher, I set assessment but hate marking it) I allowed myself to complete a couple of steps each sitting. This fold has taken place over the period of 3 weeks, a little at a time. the advantage of this method is that I did not get freaked out by what was to come, just concentrating on the couple of steps I was allowed to complete. Continue reading →
On March 21, 2014, I began a quest to learn how to fold Satoshi Kamiya’s “Ryujin 3.5”, and was lucky enough to be accepted as a pupil of Mr Daniel Brown (MrOrigami).
Daniel sent me a lesson, I had to perform the illustrated tasks and photo my evidence back to him before he sent me the next lesson. The process has been fascinating, frustrating, amazing, annoying, hard, humbling, wild and wonderful.
A year on, I have managed to integrate all the component lessons into the one sheet (well, 2 halves joined at a seam inside) to arrive at this amazing model. It has yet to be fine-shaped – a task that will have to wait until marking and an extended holiday are over, but at least I know that all the creases are now in place, the bits are all where they should be and the beast is something I am unbearably proud of. Continue reading →
For much of the past year (2014) I have been learning how to fold Satoshi Kamiya’s Ryujin 3.5, as taught to me via a series of lessons cunningly devised by Daniel Brown (Mr Origami). I started this project on March 21.
This is Part 3 of a series that also includes Part 1, Part 2
Lesson 18 was folding the head in isolation – I must admit that even when searching for photos on how the head of this beast should end up, none really make it clear. What is clear however is that there is a terrifying amount of detail.
Following photodiagrams (in 3 phases 18a, 18b, 18c), I ended up with a beautiful thing that is my take on how a eastern dragon head should look. Continue reading →