I noticed Sara Adams (a living legend in the Origami World) was asking for test folders to test diagrams she was drawing and I immediately put my hand up. Continue reading
This is Eduardo Clemente’s “Mariposa” or Butterfly. An interesting fold indeed. Continue reading
Modeled after a classical guitarist in 1970, this model starts with a 3×1 rectangle (8×23 to be exact) and, via miracles of box pleating (a pioneering technique back then) we tease an artist and his instrument. Continue reading
A friend (waves at Roland!) excitedly showed me a new app called Fyuse that allows you to scan objects and create interactive 3D photos of them.
For ages I have been increasingly unhappy with flat photos of really complex origami models and this tool seems to solve that problem, so long as the lighting is ok.
Unlike panorama software where you pan scenery and it stitches a long photo into a surround-scape, with Fyuse you focus on the object, moving the camera around it.
You can change the camera angle and do other things to enhance the photo but it is pretty neat – I will definitely experiment with it more.
If viewing this page on a mobile device, tilt and the images move with you in a sort of augmented reality sort of a way – otherwise drag with your mouse pointer to view these models for all sorts of angles.
I like that you can use a flash, move the model as you pan and that it allows you to see the nooks and crannies that would otherwise not be represented in a conventional flat photo
Based, in part, on a field of diagonal graduated pleats that are “popped” into scaley plates, shaped simply to suggest tail, head and feet, his folds have a unique life breathed into them. Continue reading
He generously shared some instructions with me (how amazing is the Internet – it can put you in actual touch with people you consider design legends) and I set about wrestling with the fold. Continue reading
This lovely model is a dense fold (the hind quarters are necessary layer-dense to form the necessary flaps for the head), so thin paper is best – I failed on a 14.5cm square of coarse hand-made paper – it was too thick and my fat clumsy fingers could not tease the details but 20cm+ squares of most papers should be fine. Continue reading
Waiting in my kept mail was the last Tanteidan of the previous subscription, this little beauty on the cover and I thought – how hard can this be? Continue reading
Satoshi Kamiya’s Ryujin series is legendary in the Origami Community. Starting at the relatively simple 1.0 (folded here), the next iteration is 1.2, then a new morphology 2.1 culminating in the insane 3.5:
After finding much discussion about it on the HK Origami Forum, and only being able to find a blurry (published by Satoshi himself deliberately blurry) I reasoned “how hard could this be?” Continue reading