The international sign of Peace is a Dove holding an olive branch in its beak
The world could use a little peace.
As part of our student end of term send-off, our littlest students (year 5) had prepared origami(ish) doves with messages of peace, to be sent to places where the wishes will be appreciated. Continue reading
I want an origami rooster (in red) to live somewhere in our new kitchen, so set about exploring rooster form with a pair of masters and their individual approaches to rooster form:
I “warmed up” with an Eric Joisel “Le Coq” – a fold I had tried years ago and not really mastered so I patiently and carefully folded from a 60cm square a lovely rendition (well, in my eyes at least). the Joisel model is economical with paper and seems to focus on the feet and tail, with an almost caricature head comb and waffle.
I then, after a cup of tea, girded my loins and set about folding Satoshi Kamiya’s Rooster. Using the same size piece of paper, there are hundreds of steps, many of which were astonishingly complicated 3d collapses that had originally scared me away from trying it – indeed 2 years ago I would not have been able to fold it at all.
There is much to admire with Kamiya’s vision of the bird – body and head with comb/wattle are amazing, full wings and a suggestion of a tail are wonderful, legs and feet seem (to me at least) almost an after thought, although the legs do have spurs and the right number of toes, I found them less generous than they needed to be for the proportions of the model – the poor chook would not be able to walk or perch. Even posing it I had great difficulty propping it up on the little spindly toes. It appears to have “barbie” syndrome – you know, Barbie the doll has impossible proportions, right? Continue reading
Exploring my new VOG2 book, there are many lovely things to try but this model uses a method I have not been brave enough to try until now – wet folding.
The idea is to take heavy paper, too thick to fold conventionally (it would crack, split and otherwise be finger-bruisingly impossible to sculpt) and apply WATER to it before coaxing it into shape.
I used watercolour cartridge (27cm square) – a thick board-like paper that snaps when bent dry. Using a damp rag, I applied water to front and back and immediately the sheet transformed into this malleable leather-like slab. Continue reading
You find wisdom and counsel is the most unexpected of places, people can be wise beyond their years and offer you more support and encourage than they realise.
I was asked to fold an owl, simultaneously, for two completely different purposes. (1) A good mate wanted to give an Owl to someone who had helped him out with some well chosen words of wisdom. (2) During the World Origami Days event organised by MiniNeo, I was challenged to fold an Owl by Sebastien Limet. Continue reading
There are a number of models in the origami world I see as “legendary” – the Phoenix (version 3.5) is one of those:
When I bought Satoshi Kamiya’s works book volume 2 I knew I would one day put myself up against this challenge, I also knew it would take me a while to master it.
You may have guessed I am a bit of a fanboi when it comes to the works of Satoshi Kamiya:
As previously stated, my wife and I spent some time in a rainforest cabin and that inspired me to have a go at his Lyrbird – a deliciously complicated crumple that needs to result in a characteristic fan tail, 2 side tail things, wings, legs, body and head.
I first saw a pair of these lovely things, folded in white, clearly dancing to impress each other and put it on my list of must try models by Robert Lang:
A lazy afternoon over the Christmas break, I took a 60cm sq or brown Kraft paper and, over cups of tea, mince pies and chats with my mum, I bent this bird.
This model is everything to do with implied movement and pose, sadly the paper made a limp, lifeless bird and so it crystallised my resolve to try Methyl Cellulose to stiffen the model, allowing me to pose outstretched wings and wobbly backwards knees.
The result is lovely – not sure how I feel about models that require either foil-cored paper or wire armatures or chemical sizes/stiffeners to achieve a presentable figure but I like this one a lot. I made a simple florist wire stand, briefly toyed with (then promptly dismissed) the idea of making it’s pair.
There is much technique to like in this model – as usual, Lang has beautifully convoluted and torturous geometric ways of getting rid of huge amounts of paper to reveal a fairly accurate morphology.
Gifted to Helena, as a symbol of hope, courage and speedy recovery – kindest regards.
A tool in many origamist’s toolbox is a goopy substance called “Methyl Cellulose” (MC) – it is a chemical that is used as a size (keeps paper crisp/stiff), gelling agent (it is the stuff that makes KY Jelly so slimy – no kids, that is NOT a new aeroplane flavour) and there is even a food grade MC used in cooking (although I think only the Japanese truly like the slimy textures it produces).
I have had enormous difficulty finding this stuff – Oxylades (a local art shop) ordered some stuff, turned out to be Ethyl Cellulose which is not PH neutral and will, eventually discolour and degrade, taking whatever is coated with it.
Digging through my cupboards, as you do, I chanced upon a tub of powdered adhesive goop that we used to use to make finger paint for the kids when they were little tackers. A tiny amount dissolved in warm water makes the most delightful goopy gel-like liquid (that we used to add powdered pigment to to make the best finger paint in the world).
Educational Colours “Mix-A-Paste”, it seems, is Methyl Cellulose – we had some in the house for over 20 years and I did not realise – *Face Palm*
Origamists use it to re-stiffen paper, laminate it with other paper (double tissue is something I must now try), pose models and so on and it was not really until the last 2 models I folded that I realised the appearance of the model would be improved if it did NOT splay open – a common problem with very dense folds and domestic (non tissue-foil) papers.
Up until now, I have been creasing, then while the creases were sharp spraying the models with a clear, matt, lacquer – this at least prevents the folds from unfurling due to humidity but does little to tidy many layers and dense seams.
The last time I tried a bird similar – the Great Egret – when I say similar, the legs and neck/head were similar – very dense, lots of wrangling resulting in limp, broken joints and an un-poseable mess in the end. The model was relegated to the bin as it almost entirely failed to stand up or stay together. I suspect I could have “saved” the model with MC.
I will let it dry, see how it turns out – I dislike models that do not look after themselves – ie need assistance to stay together, I steer clear of models that are generally not possible with all but specialist papers – the foil cored tissue foil is something I have yet to use – lots of models work only if the folds you place stay folded.
I will say it, I am an out and proud Harry Potter fan. Amongst the fantastical beasts that exist in the potterverse is a Hippogriff:
Manuel Sirgo is a talented designer and this is a masterful use of (an albeit fraking huge bit) paper.
I am so glad I started large (45cmsquare brown kraft) as some of the wrangling to make the head and feet was pretty intense.
This odd critter is part “griffin” part horse – claws at the front, hooves at the rear, wings and a bird-like head – weirdly wonderful.
I like that the paper is so dense it ends up being free-standing, the wings spread majestically and I am pretty happy with my first fold of it. More importantly, I learned a new trick to spread/stretch and twist stickey-outey bits to get more paper for a hood/hand which will be handy for making other models more details I suspect.
Took a leisurely walk through some rainforest and noticed these perfect blue wrens, flitting from trunk to vine:
Exploring a new book called Origami Essence by Roman Diaz, this little beauty was amongst the models I have decided to try.
I like the “wrenny”ness of this model. Some lovely techniques here for this keeper of a freestanding bird model
You know that feeling when you plan (and see quite clearly in your head) something and then it turns out exactly like you envisaged it? This is one of those moments:
I had a model fail on a large sheet of lithography paper and considered binning the resultant crumpled mess, but remembered an origami technique pioneered by Paul Jackson in 1972 called “crumpling”. You take a piece of paper (I carefully unfolded the model fail) and systematically crumple it, unfold it, re-crumple in a different place and direction, unfold and repeat. The result is a deliciously textured and malleable sheet that can then be formed, when dampened slightly, into lovely organic shapes.
I had this idea of a gnarled tree (modelled on a bonsai I have had since before my 23yo son was born) and so set about fashioning one, twisted and poorly pruned though it is. I then wet it, and bound it with a little twine while it dried.
Atop this lovely tree is the most lovely owl by Hideo Komatsu – I have held off folding this because he is designed to be perched (as in he does not stand on flat surface but rather sits astride some horizontal thing. 1+1=a million. I love this, it is still making me smile and I know the perfect thing for him – sorry, NO auction for this one.
It is so rare that an idea so perfectly matches the expression of that idea but this is one such occasion. I have learnt so much about myself and paper over the course of this year that this model seems fitting as the project winds up.
Well, when I say great .. it is … ok :
For the size of paper I am amazed how small this bird ended up, so much paper is folded into the body and legs to reveal the essential egret shape.
A lovely sold body, slender (although I would have liked to have made them thinner, alas the media would not let me), nifty serpentine neck and simple head – all you would want in an egret I would say.
I am not sure whose model this is – anyone like to help me identify it? This is 356 meaning there are a total of 10 more models left – getting exciting it is.
Like this? Want it? BID for it now.
Away in a manger, no crib for a bed …
This is Ligia Montoya’s set of models collectively known as “The Creche”. Folded today for possible inclusion in the end of year massy thing for staff this Friday.
This amazing collection of models, all designed around the same figurative human base is to scale, uncluttered and has a lovely feel to it. Continue reading
Comes time in the life of all magpie chicks, when pin feathers have moulted and the adult feathers, shiny and new are through, untested. The fledgling inches to the edge of the nest, mindful of the effects of gravity. With encouragement, and a gentle nudge, the fledgling spreads its wings, tenses the flight muscles it has been exercising more recently. In an act of self belief, it launches into the great blue yonder:
This is Jun Maekawa’s Crow (or similar, cannot read the Japanese, sorry) – I like that this bird looks like it needs to grow into it’s feet and wings – much as I imagine a fledgling does.
Why a fledgling? A new batch of year 12s launch itself into the real world today. Their future is entirely in their hands, the potential is all there, they will make of it what they see fit. I hope they look after each other, and themselves, that they make the world a better place to be and never forget that they can make wonderful things happen if they can be bothered.
Happy with this as a first fold, lovely feet, nicely proportioned body, economy of use of paper, great design.
It is a year since Eric Joisel passed away in Paris. The origami community still mourns his passing:
This proud and “cocky” rooster is a Joisel masterpiece, I feel privileged to fold it. I had a sheet of A2 architectural drawing paper so made a square from it (nearly 1m x 1m) and folded the rooster from that – it was a tough fold to be honest as so much paper is gathered into the body. So tough a fold in fact that the paper failed on both legs and neck – I will fold this again with more resilient paper I think.
I see so much potential in this model – given thinner, larger paper I can see you could model wing feathers, eyes and more – as it is it has a lovely tail, beautiful chicken feet (including spurs), a glorious comb and an up-turned beak mid “cock-a-doodle-doo!).
You too can have a go at this model here, and learn a little more about the life and times of Eric Joisel here. Few would argue that Joisel was the greatest character folder the world has yet seen. I hope his family and friends take solace in the fact that he added so much beauty to the world over so many years. RIP Eric Joisel.
