452: Smile!

| wonko

In the olden days children, photographs were taken with a specialised piece of equipment, usually by a professional, using FILM:

In those days, you posed the shot, measured light levels, pulled focus and ensured the picture was worth taking before you wasted the plate – photography was expensive and much more of a science (some would also argue much moe of an art).

In the modern idiom, nearly every thing has a squillion megapixel camera, you point, shoot 60 frames, pick the least worst, apply a filter and upload it on Instagram and have your “friends” praise your artistry. Continue reading →

451: Tarsier

| wonko

I had a small but lovely piece of elephant-dung paper – now this is not as gross as it first sounds, the paper is cleaned fiber retrieved from elephant dung – yeah, ok, it does not sound any less grotty – lovely textured irregular and lumpy paper though it was:

I needed a model, Sebastien Limet’s Tarsier seemed most logical (given I had not folded it before and I thought folding it near life-size might be an interesting challenge).

There is much to love about this model – apart from the delicious expressiveness of the face, delicate grip of its primate hands or the prehensile grip of its tail, this is a real charmer.

I like that the face is implied, but I can see lovely big innocent eyes, sensitive ears and all the hallmarks of a delicate but mischievous “bush baby” which makes these little chaps endangered in the wild because rich folk sentence them to long agonizing deaths as pets outside of their native habitats. Continue reading →

450: Montroll’s Hippopotatomus

| wonko

It is a little recognised fact that the animal that has killed the most people in Africa is in fact the Hippopotamus:

I stumbled across this delightful model while leafing through “African Animals in Origami” – a much worn volume when looking for something to try from my invalid chair.

I had a gold (more correctly bronze) foil square and was wanting to fold something “yoshizawa style” – free form hand-held rather than on table or other flat surface – the challenges with this style are accuracy and precision, the payoffs are often more fluid, softer curves and lively asymmetrical poses.

I like this model, although he reflective paper makes discerning details difficult – she has a wry grin, 2 lovely tusks on her bottom jaw, lovely ears and a fine rump after some 3d modelling.

449: Chaka Ryu

| wonko

I stumbled across low res hand-drawn diagrams of a Ryu (Chinese dragon) and with a cursory glance said “why not give that a go”:

Two weeks later and a whole bunch of improvising helped me realise that may not have been a wise choice but I have something that is at least based on Hoang Trung Thanh’s model but not faithful to it.

On folding the range of pleats I added a ziggy zaggy spine, decided on 3 rows of scales and invented a method of locking the leg units (each leg is a separate sheet of paper) into the body pleats. I also stuffed the body (with neutral facial tissues) for a little shape and added a nice row of belly scales which I think make it look pretty nice.

The head instructions were un-followable (to me at least) so I sort of wrangled a new head with some lovely horns and a nice open mouth. Continue reading →

448: Cutting a Rug

| wonko

I am old enough to remember the “good old days” when partners dance WITH each other as opposed to the modern trend of dancing AT each other:

Flicking through a yellowed and falling apart copy of “Origami 4” by Robert Harbin, I came across a Neal Elias figure I had not remembered nor tried.

Using duo coloured paper, from a simple bird base, we tease a dancing belle and her suave suited partner as they “cut a rug” together. Continue reading →

447: Black Forest Cuckoo Clock

| wonko

In need of some therapy, and with my procrastinator set on FULL, I embarked on a punishing box-pleating exercise:

I remember as a kid in New Zealand we had a cheezy Cuckoo Clock (Mum loved it) that used to have metal pinecones as counterweights and a faux timber case that used to “cuckoo” and scare the life out of me every hour. It had the loudest tick of any clock I remember.. I am fairly sure it did not survive the emmigration back to Oz because I do not remember it afterwards.

Robert Lang is known for beautiful mathematical models and when I first saw photos of his “Black Forest Cuckoo Clock” it seemed impossible to tease all that details out of an uncut sheet. Continue reading →

446: Sunny’s Giraffe

| wonko

Sunny’s birthday is coming up and she loves Giraffes:

In browsing for a suitable model, I discovered a Tanteidan containing a Satoshi Kamiya giraffe that I had not folded, so it seems it was meant to be.

I lke this model a lot – it is full of the essential giraffe features, economically uses the sheet and contains some wonderfully complicated folds. Continue reading →

WTF (What’s That Fold?) # 12

| wonko

I have a stack of Lotka that is just waiting to be folded into beautiful things, so I looked for something that would be suitable as a WTF (because it has been a while and my procrastinator is running on full right now):

Taking the largest square I could from a barely rectangular sheet, I pre-creased then began collapsing

Continue reading →

445: Mother of Dragons

| wonko

I was paper shopping, as you do (my daughter calls me a paper nerd) and stumbled across a hand-made sheet of blue embossed Lotka that reminded me of dragonscale:

She who must be obeyed (SWMBO), an avid gamer and tamer of Dragons, had asked for a dragon so I put 2 and 2 together and got 17, well 5 to be precise. I have been exploring dragon-form, with the current Weyr (or wing) containing 5 dragons so far (Darkness Dragon by Tadashi Mori, Fiery Dragon by Kade Chan,  Green Dragon by Piotr Pluta, Riu Zin 1.0 by Satoshi Kamiya and nearly a Western Dragon by Shuki Kato)

After examining the paper, and its fold receptivity, SWMBO decided on a Fiery Dragon so I start bending, patiently (the paper is more like fabric so although you can crease it, it tends to want to unfold again.

Continue reading →

444: Wolf Spider

| wonko

I have these lovely bits of Lotka and was looking for something to be my first fold with this new paper:

I chose Brian Chan’s Wolf spider partly because I had not folded it before and partly because the “milk chocolate” fibrous nature of the paper reminded me of the natural colour and texture of the spider itself.

The first cut is more painful than the first fold on a sheet that is roughly rectangular – the issues with most hand-made papers include rough edges, uneven thicknesses, odd fibre bundles in unfortunate places and a lovely mottled colour distribution.

Continue reading →

Published

| wonko

It is not every day that I get a model published, less frequently (like never for me) in the British Origami Society Journal but …

Ballerina Kit, an original designed for my little friend dancing Kit made it into the June 2013 edition

What a lovely (if slightly late) birthday present indeed.

443: Gettin’ Crabby

| wonko

As a member of JOAS (Japanese Origami Society) a present arrives in the mail every now and then – the Tanteidan magazine. Although it is written in Japanese (and I can not read Japanese) there are lots of fun things to try, occasionally amazing models to try:

Now I know I should be marking, but I have all this amazing paper and when presented with a folding challenge I get a little OCD about it.

This lovely crab, designed by Jason Ku, is a mathematical masterpiece – teasing the legs and claws from edges of the paper, shaping the carapace and the final, tidying does not just happen by chance. Continue reading →

442: Ryujin 1.0

| wonko

Satoshi Kamiya’s Ryujin series is legendary in the Origami Community. Starting at the relatively simple 1.0 (folded here),  the next iteration is 1.2, then a new morphology 2.1 culminating in the insane 3.5:

Whilst I am not sure I have the time nor skill to even attempt 2.1 (let alone 3.5), my attempt at 1 is chronicled here.

After finding much discussion about it on the HK Origami Forum, and only being able to find a blurry (published by Satoshi himself deliberately blurry) I reasoned “how hard could this be?” Continue reading →

At Loggerheads

| wonko

I have been a little down, sick and my hands are not working as well as they should be so needed something to boost my spirits:

I took a sheet of 35x35cm Olive Tant and decided to try and re-make a model I have only ever achieved once, much much bigger. Logic would suggest, in retrospect, that it should not have been possible – the paper is too small and too thick, but I sort of decided I would stop when I could not fold anymore.

The net result is quite my favourite bit of bent paper at the moment – a lovely little baby Loggerhead Turtle (designed by Satoshi Kamiya), posed with a little MC but she is beautiful. Sure there were things that would have worked out a little better if the paper were thinner, but I am stoked it worked – it is a jewel indeed.

This is not my first fold of this model – I last folded it in 70cm Kraft and that too is a lovely thing, this little treasure however is nicer IWHO.

 

441: Ballerina Kit

| wonko

Most parents know little girls go through the “I want to be a Ballerina” stage:

This is a wonderful thing; dance, culture, beauty and movement are all things that make our lives richer. Few go on to be professional ballet dancers (more’s the pity, few fit the fragile stick-insect archetype) but learning dance improves coordination, flexibility and overall fitness.

A lovely little lady called Kit has started ballet – she is gorgeous and will be fabulous, so thought it appropriate to celebrate by designing an original model inspired by the work of Stephen Weiss (girl in a dress) and Claudio Acuna (hoodie) that captures the special elegance of a child and her first tutu.

Continue reading →