A certain orange cretin recently said that one of the most important issues in his dangerous foreign land was water usage due to low flow, causing it’s people to need to flush 10 or 15 times instead of just once:
I for one am worried for him – one has to be concerned about a diet that creates such a terminally un-flushable turd like him.
This is Fernando Gilgado’s “Pensador” (or pensive man, I think) – the loo is the best place to contemplate life, the universe and everything … and TWEET about it (which is where I think he generates his content) – hence requiring 10-15 flushes to get rid of it.
I have had a partially completed test fold of Chen Xiao’s “Styracosaurus” on my desk for months – in truth I started it before we went on holidays (8ish weeks ago) and just sort of discarded it part way through the fold sequence.
Returning from holidays, having tied up the editing of the new origami book, I decided rather than discard the model I should finish it, and am glad I did. this model’s structure is amazing, the sensitive use of colour and complex collapses make this a challenging fold.
…so I decided it was time to play a game of WTF (What’s That Fold?) on fakebook, and discovered from my archives this was the 29th such game:
Through a series of gradual fold sequence reveals, punters guess, and eventually they got it. This is “Sirene” (or Mermaid) from the soon to be published book by Chen Xiao.
This is my first “anime” style character work (stylised faces, detailed hair, cartoony pose) and it was a bit torturous at this scale, with this paper. Folding the shoulders and central body is tough work on small paper (I used 35cm duo white/natural Ikea Kraft paper).
In the end it is a charming model with lots of details, a diva in a “D” cup with bangs, lovely long hair and a beautiful tail. The fold sequence relies on really accurate pre-folding as errors tend to amplify the further through the fold you get. As a result of a 0.5mm inaccuracy in the first 10 steps, her bra is asymmetrical, and the more I tried to fix it, the odder the breast appeared.
My second test fold from a book by Tetsuya Gotani, this time a “Nollentonk”:
I say “Nollentonk”, only because my sister, when young, used to call elephants nollentonks – not sure why.
This lovely folding sequence carefully hides white right until the emergence of the tusks via a clever colour change. The morphology of the model emerges as distinctly elephantine fairly early on and some of the moves that isolate features are delicious.
I have been a fan of David Brill’s designs ever since I read his book “Brilliant Origami”. Such a lovely touch, breathing life into paper:
This Robin is delightful – I saw hand-drawn diagrams on David’s website and then professionally drawn diagrams in the latest Tanteidan Magazine and knew I needed to try it. I particularly like the free-form nature of the hand-drawn version, making it a bit more of an adventure to fold this bird.
The shape, management of colour change and general model stability is wonderful in this model. There is nice sense of volume, beautiful 3D head, and an animated pose. The subtleties in fold here are such that I found all 5 of them (yes, I got a bit carried away) are all slightly different, making almost a family grouping. Continue reading →
Winter is for hearty food, stews and seasonal root veg:
With such open food importing and trade however we see every vegetable and fruit available all year round. Peru grows my Asparagus, Venezuela exports my Fennel and China supplies my Carrots at the moment. Continue reading →