On a high from a folding session taught by Sipho Mabona, I wandered virtually out into the virtual conference meeting rooms and sat in on a modular folding session, where I was taught the modules for a “Gear Cube” – 6 modules that make an intriguing structure:
This is designed by Miyuki Kawamura, and I came in half way through an informal folding session, but picked it up fairly quickly.
I will probably fold this again, with bi-colour paper (all the same however) as I suspect the “gear” mechanism might look more interesting if they are all the same colour.
Apparently spontaneous folding sessions are a feature of Origami conferences – I have never been to one so I was delighted that people shared skills at all hours of the day and night – the Zoom/chatroom combination facilitated by “Gathertown” was fabulous.
Madly, I agreed to participate in an international tournament, at the Intermediate level:
Intermediate meant you got a diagram and 72 hours to fold a rendition of it. I decided the “advanced” category was beyond my available time as you only got a CP and presumably relied on the power of prayer.
I gave it a whirl, went for crisp and accurate, but played a little with the flowing style of mane. It was loved by nearly noone who voted – fair enough. Other, less well folded versions (in my opinion) got more “likes” – social media is like that. Useful punch in the face, thanks.
Round 1 of the tournament done … and I am eliminated. Time to focus on more important things.
If one word sums up 2020, it has to be “cluster”. Sadly, in the Covi-19 era, we find at the centre of most clusters is a cluster-f*ck:
In desperate need of a fold, I turned to Xander Perrott’s e-book “Folded Forms” that I bought a while ago and settled on “Trillian” – a glorious 30 unit modular cluster that looks a little like a flower ball.
I have been a fan of the Hannibal Lecter thing since that was possible. Books, movies, series, love it all, but few things are more chilling than the original “Silence of the Lambs” movie. One of the central images of that movie, and a delicious cover art of the original book features the Deaths-head Hawkwing Moth (Acherontia atropos):
This model, designed and shared by Sebastian Limet, requires thin bi-colour paper. I had some duo paper that was strangely thick, but managed to work the design and surface the details that make this mode so striking.
Folded from a 40cm square of black/white duo unryu, I have enjoyed following a fold sequence that started at the Waterbomb base and goes sideways from there.
Concentrating on the important details here – wings, skull, abdomen and antennae, this relatively simple model is all style, genius design typical of the brilliance of Sebl designs.
For the last 10 or so years, I have used Origami as a pastoral care group “getting to know you” exercise, encouraging the students in my care to get involved, learn something new, and share the skills.
The WHOLE is greater than the SUM OF THE PARTS.
I laminated red and black paper, then sliced it up into 2:3 ratio rectangles. I taught some kids, they taught others – together we made the 30 modules necessary to make this spikey ball (a stellated icosahedron).
The modular construction is an interesting exercise in 3 and 5, and because the paper is quite rigid, the resultant kusudma is lovely – it joins a nice collection of similar of collaboratively constructed modulars – a testament to the power of the idea, the value of being open to new things and the willingness to have a go.
Folding feline shapes is hard work, making them look realistic is harder. This is the first of a series of Lion studies, designed by Lionel Albertino from his book “Safari Origami”:
Colour management here is lovely – folded from natural/black Ikea Kraft, hiding away the black except for the mane and tip of tail is hard work. When I close up the seams and pose it he will be tidier, but “folds only” it is a stable, self-standing model.
As I am about to embark on more world travel (see travelblog), I am on the lookout for a fold I can leave in each of the places we stay. Oddly, it is something I do, often hiding little Australiana figures in out of the way places, to hopefully provide delightful surprises for subsequent guests:
Oddly, the very best Koala designs do not come from Australian designers at all, but from places that do not have them. This lovely design is designed by Mindaugas Cesnavicius, a talented folder from Lithuania. Continue reading →
Now if we were looking for a mascot for procrastination, I think a panda is the perfect animal because, well, from all accounts, they just couldn’t give a flying f*ck:
It seems they are endangered. My guess is it is due to them losing interest in most things (except eating bamboo) including sex – a real deal breaker genetically speaking I would imagine. Continue reading →
I am sure you remember the good old days, when things were better. In the Star Wars Universe this meant Luke, Leia and Han battling the dark side of the force wearing cheesy costumes, in squeeky clean spaceships, among a rain of pew pew pew:
The truth is there were no “good old days”, they were just days, and at the time they seemed amazing but you know, they were just days. This is Lee Armstrong’s “Emperor Palpatine” – you know that evil prune who bar-b-qued people with lightning by channelling the dark side of the force. Continue reading →
It has been said that “you are never alone with a rubber duck” – equally true with a teddy bear I suspect:
I must experiment with the posture. designed for bi-colour paper, you cannot see the colour changes for eyes and the rest with this fold, but the arms and legs are charming, cutie ears and general body morphology is pleasing. Continue reading →
There has been a lot of talk in the media about people demonstrably doing the wrong thing, over a really long period of time. Interesting that one of the defences offered was that they were a “sitting duck” in the post-weinstein era. Regardless, a backyard should be a safe place to play: