959: Jackson’s Goblin Mask

Continuing my quest to master the face, I decided to explore the facial widgets of CP#15, one of many generous public designs by Flynn Jackson:

Goblin - black and white

From a single uncut square, emerges the angular features of a lovely goblin.

goblin - scale

I am particularly interested in the formation of the nose, and it’s linkage to the nose bridge – something I want to master for another long-term project.

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957: Tragic Clown

There is a story of a deeply depressed man who, when seeking help from a psychiatrist, was given the advice that he should cheer himself up by seeing the visiting clown, the great “Joseph Grimaldi”. With the suggestion, the man wept more intensely. “I am Grimaldi”, he said.

clown mask

I am terrified of clowns, just putting that out there. That said, I saw this little CP of a “Pierrot” with a silly hat and decided to procrastinate even further and attempt to fold it.

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956: Children of the Forest

So GOT has started again, the final season and it is a promised shitstorm between people and the undead (sorry, if that is a spoiler).

children of the forest - Flynn Jackson's CP

It seems ALL of the trouble of the resident ice-zombies was caused by an experiment between a man and a race called “the children of the forest”, and some dragon glass, but that plot point will be explored further I guess as the series winds up. This mask reminds me of what I imagined the children of the forest looked like when I read the books.

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723: (173/365) Feathered Tsuru

Few would argue that the Tsuru (crane) is the quintessential origami figure. Everybody starts there, the form is so familiar and the skills necessary to fold it form the backbone of so many models:

While I have tried many variations of this model, few compare to Riccardo Foschi’s “feathered Tsuru”, a glorious and complex variation with such beautiful wings. Continue reading

722: (172/365) Baby Dragon

Reporting is a beast of a thing, particularly semester reporting where we seem to joust with nit-picking grammar on parts of a report that parents do not read. Slaying the beast is particularly satisfying:

This is Riccardo Foschi’s Baby Lizard Dragon … thing. I found the CP and a photo of the finished model and thought ‘how hard could this be?’. Continue reading

615: (65/365) Spheroid

Who could have foreseen that the concurrence of a series of parallel mountain folds interspersed between a series of concentric parabolic valley folds would result in something with such sculptural simplicity?:

This is Jun Mitani’s “Spheroid”, well, at least as close as I could get to it by guessing the intervals between parallel lines and the curve on the parabolic ones. Continue reading

612: (62/365) Minecraft Golden Snitch

Potter Nerds and Minecraft Nerds unite, for I present to you a “Minecraft” style cubey golden snitch:

This buzzy little bugger would be difficult to catch in a full on game of Quidditch indeed. This is Riccardo Foschi’s “CuBird”, an interesting little CP that collapses with a little wrangling to make a lovely little cube and enough paper to fan out a quite solid set of wings. Continue reading

558: (8/365) Mike Case’s Campfire CP

Now I am not really new to the whole “fold from a CP” approach to origami, but I am not consistently good at it either, many models have just baffled me. Initially this CP was beyond my understanding also but you know, when you keep at something eventually something gives and it can make sense:

This is Mike case’s “Campfire” – a devilishly clever use of a colour change, box pleat and concertina folding that results quite magically in a set of pointy flames and 6 modellable stickey-outey things that become the logs. Continue reading

517: Darth Paper – The Fold Awakens

I will admit it, I have been a Star Wars fan since it was possible to be one. I saw the original movies many times in the cinema DECADES before my kids thought it would be cool to do the same with the new ones:517DarthPapers

The original 3 movies were special (well, they WERE before Lucas began messing with them again), the “Force” was this unexplained thing that made sense (subsequently RUINED by the introduction of “midiclorians” or some such shit), space ships where sterile white, blasters went “pew pew pew” but left no blood spatter and it was kind of ok to crush on your sister until you realised she was your sister. Continue reading

398: Los Hombre

I have been exploring the wonderful work of Victor Coeurjoly, in particular his human figure (hombres) work which is very distinctive.

I came upon a crease pattern in his Flickr stream and knew I had to try it. I have been exploring these guides more and more as I find super complex models exist only in this form sometimes – doing the whole instruction/diagram sequence is hard work if you are busy and creative:

I am pretty sure he uses tissue foil (really thin, metallic-backed paper) and methyl cellulose (an “acceptable” paper stiffener and setting agent) to keep the limbs thin and posed but the style is amazing.

I set about using normal paper, failed miserable because there are 4 places where the creases become so intense that the paper just disintegrated. I tried a chunk of litho paper and it was better (if a bit thick to do the final limb and torso modelling, but demonstrative of form none the less. Continue reading