I have been a fan of David Brill’s designs ever since I read his book “Brilliant Origami”. Such a lovely touch, breathing life into paper:
This Robin is delightful – I saw hand-drawn diagrams on David’s website and then professionally drawn diagrams in the latest Tanteidan Magazine and knew I needed to try it. I particularly like the free-form nature of the hand-drawn version, making it a bit more of an adventure to fold this bird.
The shape, management of colour change and general model stability is wonderful in this model. There is nice sense of volume, beautiful 3D head, and an animated pose. The subtleties in fold here are such that I found all 5 of them (yes, I got a bit carried away) are all slightly different, making almost a family grouping. Continue reading
I am always on the lookout for interesting folded geometry:
A modular exploration, designed by David Brill is usually interesting and these Brillex cubes seem fascinating. Continue reading
Time is short, this fold is cute:
A rather lovely triangle box designed for David Brill’s wedge flexicube. Continue reading
A Masu (or box) was traditionally square and used to measure rice in Japanese kitchens. These days, masu are typically used to sip Sake out of:
Having mastered David Brill’s Square Masu, I thought it time to try the pentagonal one. Apparently the pentagonal masu exists only in Origami circles – this makes sense as the woodworking skill necessary to make this in timber breaks my brain.
Page division into 6ths (to allow overlap/join) then gentle faceting and a magic corner hinge joint results in a lovely 3d shape that feels like it has volume.
I used thickish paper and found some of the internal collapses tough work to make them behave and sit tidily but overall it is a fin fold because you really have to think through how it works before trying the collapse.
Topologically convoluted geometric modulars confuse the brain – shapes that morph into different shapes in stable but seemingly unpredictable ways are fascinating:
This is a wedge-flex – a modular hinged construction of a series of triangular prisms (wedges) that fold, bend, twist and re-align in interesting configurations. Continue reading
So I have been really busy, with meetings and … stuff, so I fell a little behind. Looking to catch up, I noticed a lovely group of folds designed by David Brill:
This is Cat, Mouse, Cheese – a naturalistic composition with a pair of lovely fold-related critters and a lovely wedge of cheese. Continue reading
Busy times indeed – perfect for folding a 12 piece modular:
Fairly simple modules that sit over one, inside another adjacent module, locking fairly positively into swirls of 4 “petals”, you get a shape that describes a cube when you look just at the points. Continue reading
I am such a fan of David Brill’s work:
His command of seemingly impossible geometry is complimented by the works of Francis Ow, the designer of the other “Double Cube” I have folded – a torturous skeletal structure. Continue reading
I find it fascinating that there are so many models and folding techniques I have yet to try. The “Magic Rose Cube” is a case in point – I am amazed I have never folded it:
Such a beautiful little modular, 3 pieces the flower, 3 slightly different pieces the leaves, slots together into a cube easily, unfurls beautifully. Continue reading
Rowing is huge at my school – a veritable machine that hundreds of kids get very passionate about, a gear-fest like few others:
Seems the purpose of the sport is to put boys in lycra, sitting atop tiny fiberglass shells, armed with a paddle rowing furiously backwards across vast distances of water. The competitive nature sees rowers exerting huge amounts of energy, enthusiasm and biomass in singles, teams of 2,4,and 8 with or without cox against other equally keyed-up teams. Quite a spectacle.