When one looks at the symphony of bones and tendons that constitute human shoulders, one can only wonder why we then put it through contact sports like Rugby which so effortlessly re-arrange and break this complex calcium tangle:
This is Boney McBoneface’s shoulder assembly, an amazing mix of a vertebrae, lovely pair of integrated shoulder blades and a nicely perched collarbone.
It has fixing points for arms, integrates with the neck component, will provide a fixing point for the sternum (breast bone) and provides the starting point for the remainder of the spine. Continue reading →
Reporting is a beast of a thing, particularly semester reporting where we seem to joust with nit-picking grammar on parts of a report that parents do not read. Slaying the beast is particularly satisfying:
This is Riccardo Foschi’s Baby Lizard Dragon … thing. I found the CP and a photo of the finished model and thought ‘how hard could this be?’. Continue reading →
I had a small but lovely piece of elephant-dung paper – now this is not as gross as it first sounds, the paper is cleaned fiber retrieved from elephant dung – yeah, ok, it does not sound any less grotty – lovely textured irregular and lumpy paper though it was:
I needed a model, Sebastien Limet’s Tarsier seemed most logical (given I had not folded it before and I thought folding it near life-size might be an interesting challenge).
There is much to love about this model – apart from the delicious expressiveness of the face, delicate grip of its primate hands or the prehensile grip of its tail, this is a real charmer.
I like that the face is implied, but I can see lovely big innocent eyes, sensitive ears and all the hallmarks of a delicate but mischievous “bush baby” which makes these little chaps endangered in the wild because rich folk sentence them to long agonizing deaths as pets outside of their native habitats. Continue reading →
You know that feeling when you plan (and see quite clearly in your head) something and then it turns out exactly like you envisaged it? This is one of those moments:
I had a model fail on a large sheet of lithography paper and considered binning the resultant crumpled mess, but remembered an origami technique pioneered by Paul Jackson in 1972 called “crumpling”. You take a piece of paper (I carefully unfolded the model fail) and systematically crumple it, unfold it, re-crumple in a different place and direction, unfold and repeat. The result is a deliciously textured and malleable sheet that can then be formed, when dampened slightly, into lovely organic shapes.
I had this idea of a gnarled tree (modelled on a bonsai I have had since before my 23yo son was born) and so set about fashioning one, twisted and poorly pruned though it is. I then wet it, and bound it with a little twine while it dried.
Atop this lovely tree is the most lovely owl by Hideo Komatsu – I have held off folding this because he is designed to be perched (as in he does not stand on flat surface but rather sits astride some horizontal thing. 1+1=a million. I love this, it is still making me smile and I know the perfect thing for him – sorry, NO auction for this one.
It is so rare that an idea so perfectly matches the expression of that idea but this is one such occasion. I have learnt so much about myself and paper over the course of this year that this model seems fitting as the project winds up.