When one looks at the symphony of bones and tendons that constitute human shoulders, one can only wonder why we then put it through contact sports like Rugby which so effortlessly re-arrange and break this complex calcium tangle:
This is Boney McBoneface’s shoulder assembly, an amazing mix of a vertebrae, lovely pair of integrated shoulder blades and a nicely perched collarbone.
It has fixing points for arms, integrates with the neck component, will provide a fixing point for the sternum (breast bone) and provides the starting point for the remainder of the spine. Continue reading →
Reporting is a beast of a thing, particularly semester reporting where we seem to joust with nit-picking grammar on parts of a report that parents do not read. Slaying the beast is particularly satisfying:
This is Riccardo Foschi’s Baby Lizard Dragon … thing. I found the CP and a photo of the finished model and thought ‘how hard could this be?’. Continue reading →
I had a small but lovely piece of elephant-dung paper – now this is not as gross as it first sounds, the paper is cleaned fiber retrieved from elephant dung – yeah, ok, it does not sound any less grotty – lovely textured irregular and lumpy paper though it was:
I needed a model, Sebastien Limet’s Tarsier seemed most logical (given I had not folded it before and I thought folding it near life-size might be an interesting challenge).
There is much to love about this model – apart from the delicious expressiveness of the face, delicate grip of its primate hands or the prehensile grip of its tail, this is a real charmer.
I like that the face is implied, but I can see lovely big innocent eyes, sensitive ears and all the hallmarks of a delicate but mischievous “bush baby” which makes these little chaps endangered in the wild because rich folk sentence them to long agonizing deaths as pets outside of their native habitats. Continue reading →
You know that feeling when you plan (and see quite clearly in your head) something and then it turns out exactly like you envisaged it? This is one of those moments:
I had a model fail on a large sheet of lithography paper and considered binning the resultant crumpled mess, but remembered an origami technique pioneered by Paul Jackson in 1972 called “crumpling”. You take a piece of paper (I carefully unfolded the model fail) and systematically crumple it, unfold it, re-crumple in a different place and direction, unfold and repeat. The result is a deliciously textured and malleable sheet that can then be formed, when dampened slightly, into lovely organic shapes.
I had this idea of a gnarled tree (modelled on a bonsai I have had since before my 23yo son was born) and so set about fashioning one, twisted and poorly pruned though it is. I then wet it, and bound it with a little twine while it dried.
Atop this lovely tree is the most lovely owl by Hideo Komatsu – I have held off folding this because he is designed to be perched (as in he does not stand on flat surface but rather sits astride some horizontal thing. 1+1=a million. I love this, it is still making me smile and I know the perfect thing for him – sorry, NO auction for this one.
It is so rare that an idea so perfectly matches the expression of that idea but this is one such occasion. I have learnt so much about myself and paper over the course of this year that this model seems fitting as the project winds up.
Roman Diaz is one of many talented Spanish origamists and with this model he captures something of the proud noble stallion:
there is much to like about this model – apart from it being a nifty use of the fish/camel base, the posture, proportions and attitude evident in the horse are present in this little model. He is also free-standing, on 3 legs, neato.
A slight mis-calculation in scale made this model really difficult to fold – the thickness of paper and tiny details made shaping a real challenge – I will fold this bigger because there is much model-ability here, truly clever design.
I got caught up in a much more complicated fold and completely forgot I had no fold for today, so searched the list of “must dos” and came up with this one. Happy with this as a first fold.
Now I have gradually come to realise that captive cetaceans must lead a miserable life – dolphins particularly given tehy “see” with sonar, but the Orca is also something that does not belong in captivity:
This is Satoshi Kamiya’s Orca, well my go at it – for the most part it worked but there are some untidy parts that , in retrospect, I cannot work out if they were my fault or the fault of the diagrams.
With duo paper, this model is the standard black with white parts (or is that white with black parts) – was tempted to make the dorsal droop (in honour of “Willy” the orca who never actually managed to get free.
Inching towards the end of this project, need to be strategic with the models I choose, you get that sometimes.
I have folded a few dinosaurs, some have been simple but this little beauty has a good body shape and a fab head:
This is Jun Maekawa’s Triceratops – folded from his book “Genuine Origami”. There is something calming about folding a Maekawa model – I needed calming down as I had a model fail today – some super complex one with Russian instructions that made only partial sense.
I discovered Maekawa’s work relatively late in this project – there are many more in her collection that I would like to try – his models seem to have a “character” to them, difficult to isolate but her style is evident.
Near the end of a massive project – holiday time will see a mix of complex, ball-breakingly super complex and simple, I suspect – depends on where my head is at. I _want_ to pretend I have had a plan but, honestly, for the most part each day I decide there and then what I feel like folding – as evidenced by the mostly blank spreadsheet ahead of the day I have just folded. I like that tension (except when I arbitrarily try something too hard for me – you get that).
Very disappointed with the auction idea – after so much encouragement, to receive only 3 bids so far is disheartening and very depressing, thinking of abandoning the whole idea (and 4 of the 12 voices in my head are urging me to return to the bonfire idea) – you get that I guess, Internet “interest” is different from real interest in many ways.
Always on the lookout for a good COW, I stumbled across this little beauty:
This is Jun Maekawa’s Cow, an interesting fold containing many new techniques for me, particularly treatments for flaps you need to multiply (ie. one stickey-outey bit that becomes 3 via some neato crimping and a swivel or two).
I like this, it reminds me of those old world illustrations of cows that appear almost rectangular – great painters are not necessarily accurate anatomists.
Not sure if I have room for more cows in this project – we shall see what turns up. A little brain-fragged at the moment, a good rest after a particularly brutal week will be welcome.
You know when you get a song stuck in your head, and it will not go away? Usually the song is totally daggy but so solidly lodged in your psyche that it effects your judgement:
“Baby Elephant Walk” is stuck in my head at the moment – I will excorcise it with some Rammstein later but for now my mind turns to folding elephants. This is my first fold of John Montroll’s Elephant (taken from his book “Origami Sculptures”).
Not really happy with it – an early inaccuracy compounded through the model making the legs asymmetrical and the shoulders gape – you get that sometimes. I quite like the head/ears/trunk and the rear has modelling potential. I will fold this again, when I have more time, if I remember (unlike an elephant, I forget things all the time).
I have been a fan of Terry Pratchett’s writing for as long as it was possible – his amagination and ability to tell engaging stories is breathtaking:
I thought it apt to celebrate “Hogswatch” – a Discworld event (and the name of one of the dozens of novels set in this amazing imaginary world). I am constantly amazed and amused with the stable of characters, situations and his turn of phrase – if you have never read a Discworld novel then you must, you really must.
This delightful model is my favourite pig so far. designed by Adolfo Cerceda, folded from “Secrets of origami” by Robert Harbin, my oldest (and a bit fall-aparty) hard-cover book.
Complete with a lovely fat face, saggy jowls, nice ears, trotters and a curly tail, this compound model (uses 2 bird bases) is fantastic – very happy with it – he makes me hungry for bacon – is that wrong?
We shall soon be considering Ham, turkey and all the trimmings, with the festive season fast approaching, hope your Hogswatch is a good one.
All too often we feel like we are dealt the “rough end” of the pineapple:
It is a curious expression that, I think at least, has something to do with inserting said pineapple in a pineapple-unfriendly place (makes my eyes water just thinking about it).
This is a pleated structure designed by David Petty and it contains techniques I will use elsewhere.
You can see the pineapple-like structure (squint, close one eye, through a mirror) … yeah, there it is and this design is meant to be folded with duo coloured paper, as the top would then be a different colour to the bottom – neat.
I have seen much larger paper sculptures using this “stretched pleated rib” technique and now I know how they were made, which is a good thing.
Paper and folding is taking up waaaay too much of my life right now – have other things I HAVE to do but will somehow muddle through,
Comes time in the life of all magpie chicks, when pin feathers have moulted and the adult feathers, shiny and new are through, untested. The fledgling inches to the edge of the nest, mindful of the effects of gravity. With encouragement, and a gentle nudge, the fledgling spreads its wings, tenses the flight muscles it has been exercising more recently. In an act of self belief, it launches into the great blue yonder:
This is Jun Maekawa’s Crow (or similar, cannot read the Japanese, sorry) – I like that this bird looks like it needs to grow into it’s feet and wings – much as I imagine a fledgling does.
Why a fledgling? A new batch of year 12s launch itself into the real world today. Their future is entirely in their hands, the potential is all there, they will make of it what they see fit. I hope they look after each other, and themselves, that they make the world a better place to be and never forget that they can make wonderful things happen if they can be bothered.
Happy with this as a first fold, lovely feet, nicely proportioned body, economy of use of paper, great design.
I love it how you can have a serious and in-depth discussion with students about Zombies:
They are experts – both the “undead” and “infection” zombies could, like, totally happen – yeah, and it is well understood how to dispatch them.
Having not long finished an adaptation of Jane Austin’s classic tale “Pride and Prejudice (and Zombies)” I am in touch with my undead self.
Well, in truth, I am a little undead zombie myself – marking does that to my brain, with perilously close deadlines and waaaaay too much to actually do before it, I neeeeeed braaaaaaiiinnnsss!!!
This is Jun Maekawa’s Zombie – well, I assume that is what it is as the book I got it out of is entirely in Japanese and I cannot read it, so, yeah. I love this posture of this model, the hands reach out sinisterly and there is just enough of a facial expression to know he is gunning for your fresh brain.
Glad I used a scrap of lithography paper for this model – copy paper would not have let me puff out and flatten the face before disintegrating.