If it walks like a duck, quacks like a duck and looks like a duck, it probably is a duck: This is an intense little model that eats paper like few others. The body is heavy and shaping I found difficult because of the many layers.
I bought some hand-made paper with inclusions from Daiso and wondered how it would fold, so looked for a punishing model to test it out: This is Jason Ku’s Lizard – a lovely little critter with toes, an elegant tail and a funky face with gaping mouth and bulby eyes.
As a member of Origami USA (OUSA), we get access to some member designs and this one stuck out as something fun to try: Jason Ku’s Convertible uses some standard (and not so standard) box pleating tricks to sculpt a fully formed car from a flat sheet.
Often I find highly technical folding is mentally cleansing – that complete absorption in meticulous detail lets you lose yourself: Jason Ku is an engineer and origami artist unlike any other – having marveled at his bicycle, I was determined to find something else of his to try. I had dismissed this fold, featured in […]
As a member of JOAS (Japanese Origami Society) a present arrives in the mail every now and then – the Tanteidan magazine. Although it is written in Japanese (and I can not read Japanese) there are lots of fun things to try, occasionally amazing models to try: Now I know I should be marking, but […]
Perusing a Tanteidan, I noticed a crease pattern challenge, set by Jason Ku, and filed it as a “that’s impossible” fold: Needing to unwind from a hectic and punishing term at work, I cut a 55cm square of light weight Kraft paper and set about working out, geometrically, where the myriad of creases were. Although […]
“Round the corner came a black horse, no hobbit-pony but a full-sized horse; and on it sat a large man, who seemed to crouch in the saddle, wrapped in a great black cloak and hood, so that only his boots in the high stirrups showed below; his face was shadowed and invisible. “When it reached […]