In a bid to calm down and relax after a brutal week at work, I took a 60cm square of red/natural Ikea Kraft paper and started folding… and folded, and folded and folded.
I have been lured back into the fold (as it were) of Ryu Jin folders (nerds who attempt to fold Satoshi Kamiya’s devilishly difficult dragon series). Having already folded a 1.0, 1.2 and 3.5, I noticed that I had never attempted a 2.1.
For the uninitiated, the numbers indicate refinements, with the 1.0 being vaguely dragon like and the 3.5 (the culmination of this design process) being the most astonishingly detailed design imaginable.
So GOT has started again, the final season and it is a promised shitstorm between people and the undead (sorry, if that is a spoiler).
It seems ALL of the trouble of the resident ice-zombies was caused by an experiment between a man and a race called “the children of the forest”, and some dragon glass, but that plot point will be explored further I guess as the series winds up. This mask reminds me of what I imagined the children of the forest looked like when I read the books.
My second test fold from a book by Tetsuya Gotani, this time a “Nollentonk”:
I say “Nollentonk”, only because my sister, when young, used to call elephants nollentonks – not sure why.
This lovely folding sequence carefully hides white right until the emergence of the tusks via a clever colour change. The morphology of the model emerges as distinctly elephantine fairly early on and some of the moves that isolate features are delicious.
The remnants of a pack of Daiso washi was sitting in my cupboard and i am not sure, so I start folding Fumiaki Kawahata’s Triceratops (from Origami Tanteidan Magazine 57) and realised why it was unused:
You assume that paper is square, and start folding, only to discover in some dimensions it is really not square, but you persist none the less, kludging landmarks as you go.
Playing with geometry, it got me thinking about lampshade forms. Correct me if I am wrong but there are the sort of “hang-down” and the “stand-up” types common?
Using 15cm Kami, I began doodling, the blue square form came first – a simple corrugation on the middle half of a sheet, folded in eighths only in the middle section it curves perfectly and creates a rather regal “ruff” – imagine nice/interesting/handmade paper and diffuse light in the middle of that.
How often have you been totally lost in something – you know, time passes and you are so involved that you do not notice the passing of it? This model ate time and paper in quantity:
A fascinating exercise in vertex isolation, from a square to tease so many points while keeping enough paper for a body, legs and head – wow, just wow.
I found the diagrams as an un-attributed set of images on Pinterest (one of the many bastions of copyright infringement) but could not find details of either the designer or the publication – hints peeps? News just in: This is Fumiaki Kawahata’s Tuojiangosaurus published in the book “Origami Fantasy”