I am clearly in the wrong business, if making money is the aim. Being slightly (well, I think it is healthy) obsessed with paper, when a new dealer arrives on the scene I take notice. A colleague asked if I knew of “The Paper Empire” – a new QLD outlet in Newfarm:
I had not heard about them, but visited and found some papers of interest. They are the second outlet in a franchise that has been in Melbourne for a while, and their online shop has some interesting paper products imported from Norway. Continue reading
Cruising through my copy of “Origamania” by Lionel Albertino, I came across a little creepy crawley I had not folded:
This scorpion is pretty clever – remarkably (by other scorpion standards) simple really for the effect, it efficiently creates the legs and leaves a nice body that can be made into a tail. Continue reading
Modular stars are a thing, there are many beautiful ones including multi-sheet omega stars (8 pointers), but this little beauty is crafted from a single uncut square:
From a sunken waterbomb base we tease xyz planes then fashion points from their intersections – genius. Continue reading
Over the holiday break I have taken up swimming laps again. The aim was to be a little bit fitter and a little less fatter – it is sort of working. Naturally I wanted to choose a model for my last day swimming that itself swam, and a turtle/tortoise (who knows what the difference is) seemed to fit the bill:
This lovely little model is deceptively simple. Using a surprisingly small number of folds, a lovely sea turtle emerges from a waterbomb base. This photo reminds us that the fate of all wildlife is in our hands. We dwarf the natural world based on our effect on it. Continue reading
Having ordered the book “Origami Masters Bugs – how the bug wars changed the art of origami” I was itching to fold a bug:
Robert Lang is a master paper engineer, I have a few of his books – this is from Origami Insects Volume II and I decided to give it a try – it was way outside my skill ability so I sort of resolved to keep folding until … I couldn’t work out what to do next, if that makes sense. In the end I managed all of the detailing (although some not very elegantly).
The resultant bug is astonishing – the legs are jointed and end in claspers, the head, cephalothorax jointed, it has antennae, horns and is really bug like. Continue reading
The crowd gasped and applauded enthusiastically at the task do deftly performed by the seal on display. The seal sighed, feeling that the humans watching it were easily amused and so concentrated on the mathematics of parabolic hyperflexion and existential philosophy to pass the time until the next fish was tossed her way:
This is Fred Rohm’s “Performing Seal” an old-school model that is clever none the less. Perched atop the nose of a reasonably nicely formed seal is a beachball – all ONE piece of paper, some nice bending in this.
This and the “Magic White Rabbit” both make use of a blended waterbomb, should I fold this one again I would ensure it is less square.
Quite ingenious, we use a 3×1 rectangle and tuck most of it away to leave the seal.
I have never understood the justification from animal trainers – the whole “reinforcing natural behaviours” falls flat on it’s face with these sorts of tricks – still, so long as the crowd loves them it cannot be all bad – right?
The croud erupts spontaneously with “Olé!” as Llopio narrowly dodges the bull calf’s first charge. His grandfather’s matador cap, too loose for him, slips and obscures his vision, there is an amateur swish of a cape as the bull’s developing horns pass too close for comfort, quick step out of the way and Llopio is finally a bullfighter.
This is “Llopio’s Moment of truth” – the reason I bought the British Origami Society’s compendium of Neal Elias figures. There is much to like in this complex box pleat. from one piece of paper emerges a Matador, Bull and the Cape that separates them.
I like how there is movement, you can sense the drama, a fitting end to my exploration of Neal Elias’ work. This fold is challenging, so much of the design is “mystery meat” where you just have to sort of “improvise” – you would not want to fold it much smaller, the manipulation of layers in the bodies is intense and fiddly and it is not immediately obvious what is going to be what until near the end.
Interestingly, only the matador is box pleated – unusually you torture 2 water bomb bases to get the bull and cape so this is a nice fusion between pure box pleating and free-form sculpture. Happy I have folded this, apparently if you fold it with duo paper the cape ends up being the alternate colour – wow.
I heard on teh radio this morning that it was National “Ride to Work” Day and narrowly avoided running over a flock of cyclists near the freeway entrance – it got me thinking what riding to work might be like:
I had a model I was looking for an excuse to try, and initially tried it on paper smaller than recommended (a 2×1 rectangle cut from an A3 sheet) only to find it sort of worked in miniature scale, but decided it needed to be bigger. Our school art department has this paper designed for lithography, thin, light, lovely.
I cut a rectangle 1m x 50cm and this is the resulting fold, quite magnificent if tiny given the huge bit of paper it started as. Quite wonderful if I must say so myself. Designed by David Brill, this masterpiece has much to love – the horse (or more correctly pony) is very horsey, and the integrated rider looks like he is riding – very clever indeed.
I was trapped at work, waiting for a meeting so had a little time to kill – so glad I killed it with this. this scale model lets me build character into the elements, the rider’s knees and elbows, alert horse ears and a mouth. The designer apologized for the thin front legs but I am prepared to overlook that minor detail – bravo Mr Brill!
Now those who know me realise 2 things – I love music but I cannot read those little black dots on the lines for nuts:
It was doubly problematic when I was in a choir as all those around me were able to sight-read and I … sort of … faked it (I have good pitch and developed a skill of singing along).
It was/is a frustration that is heightened when I am confused, tired, stressed and … well … pretty well all the time really.
This model, designed by Jeremy Shaffer is a neat little cluster of notes and is very tidy, considering it came from a square there is lots of tough hiding of paper inside to make a polished model.
WHY fold this? Well, today JJJ released a new radio station – “Unearthed” that promises to give a whole bunch of unsigned bands a place for their music to be broadcast – this is a wonderful thing IWHO.
I mowed yesterday, and noticed my citrus trees were once again infested with stinkbugs:
I would dearly love a solution to this annual pest – not only do they smell, they damage the new growth of the tree and mark the fruit. Worse, I am allergic to the stuff they spray in defense when disturbed – I come up in horrible blistery sores that take ages to heal.
The trees are quite large, individually picking off the bugs is impractical, I am open to suggestions.
This little bug was very badly diagrammed (sorry whever did it), I had to improvise at many junctures and would fold it differently if I were to fold this again – you live and learn however.
Morphologically, this is a fairly good stink bug actually, just a pain to fold at this scale.
Exploring the wealth of designs Akira Yoshizawa left us with, I sumbled across this delightful snail:
Simple yet the very essence of the critter – much modelling potential also, as the shell could be coiled, the foot textured etc.
Sometimes simple is necessary – busy day, lots of other folding going on, you get that.
A Pinch and a punch (well, more correctly a sink, pleat and reverse fold – lol, origamist joke there) for the first of the month:
This nice little rabbit is a clever use of a 2×1 rectangle and has a pleasing shape – heaps of modelling potential beyond the base fold.
Designed in 2008 by Hoang Tine Quyet, it is in my top 5 rabbit models already – such a cute tail and some flopsy ears also.
It was also Helpdesk Chris’s 21st Birthday today – yay – I made him a user-friendly computer guy, because, well, Chris is a user-friendly computer guy:
Happy 21st Birthday Chris, hope you had a fun day!
A simple model for today:
A nice little goat – poseable, with some lovely horns, this goaty model is free standing and an interesting use of a waterbomb at one end of a 2×1 rectangle.
Staff meeting, late home, felt a little like livestock being led to slaughter, you get that. Top that off with falling asleep in front of the telly.
When I first saw this model, in “Origami Design Secrets” I knew I wanted to try it:
Such a torturous but interesting fold, initial pleating followed by some amazing swivel and sink folds to get the body differentiated from the legs, this is my pose for this model – I like that it looks like ti is crawling and I thought much more interesting that being symmetrical.
there is much to be in awe of with this model – I am and I managed to fold it; the toes, the eyes and the overall accuracy of the morphology are simply amazing – more proof that Robert lang is a maestro mathematician and true artist in his designs.
This model took ages as I was fastidious with my folding, accuracy mattered but wow, no I mean WOW! What a difference good paper makes – I did not attempt this with copy paper – there is a spread/sink/swivel move that would shred the paper early on so I used a sheet of tissue foil and am glad I did.
I have been a little crabby lately – not sure why:
Times are busy, change is inevitable and I am not sure I cope well with it at times (prolly less well when I am tired)
This is a lovely fold, based on a waterbomb base and teasing 8 legs from one set of flaps and claws from the others – very clever and not too difficult really (compared to others I am contemplating) – some neato pre-creasing makes most of the folds before you need them.
Sleep, chocolate and tea – perfect remedies for those times when you get a little crabby also.
Now I have been a great fan of “Being Human” – particularly the character that plays the werewolf George:
I found this astonishing model by Kade Chan purely by accident – I was googling the telly show to see if there were more episodes planned and found reference to this neato origami model of a werewolf, complete with staring eyes, pricked up ears, ferocious claws and a lovely tail and I knew I had to try it.
This is such a well designed model – entirely doable with copy paper (I used a square cut from an A3 sheet) – with some precision and patience the body comes together without fatiguing the paper too much and astonishing detail is possible because each part is only a few thicknesses of paper, except the arms with are a little bulky towards the end when shaping the shoulders.
I particularly like the claws – scary things they are, with each finger posable and a snarly opposed thumb.
I could only find a vague photo sequence so had to guess in some stages by looking backwards and forwards towards the finished fold to work out what to do at times. This IS amazing, yes, you are right to be impressed – I am.
I will accept a round of applause, and cash to accompany any orders you have for me to fold you one of these.
There is great skill in using few folds to suggest the form of a complex creature – few mastered it like Akira Yoshizawa:
I like this fold – deceptively simple, most folds are made without landmarks (ie. you use judgment and “eye” to work out where to fold) and the resultant form is simple yet charming.
I will fold this again – the body has so much potential but I like the minimalistic form also – it’s not easy being green.
I have a lot of pig models, all have their charms – it is interesting that it is a much-folded animal:
This figurative model is quite a simple fold, a nice change of pace on a busy day
An interesting twist on the waterbomb base, it’s body proportions are ok, it has a good snout that could be further modeled as there is lots of paper there, and a fab curly tail.
Now I am the first to admit I am an out and proud Harry Potter fan. I have consumed all the content JK Rowling has produced on the world of magical and muggle, and particularly like the use of Owl Post:
Looming is the release of Deathly Hollows part 2 and more recently mention of “Pottermore” which I hoped would be an MMO or immersive world because I thought it would be cool to play a character in that realm. sadly Pottermore will not be anywhere near as cool, but maybe more potterverse, but will watch with eager anticipation.
I found the Spanish origami Society’s magazine archive “Esquinas” – in it was this rather splendid owl. the instructions take a lot for granted, annotations in Spanish do not really help but I muggled through.
There is much to love about this model – it stands by itself, rather cheekily and I can imagine it perched on a branch or taking pride of place in an owlery, it has a lovely round tummy, some fascinating eyes (the next time I fold this, now I know what goes where I am sure I could fashion pupils etc) and the overall proportions are neat. this is a clever design because everything tucks inside and there were only a couple of errors in the diagrams that were easy to fix visually.
In the late 70’s (1979 to be exact), my musical world changed forever. I bought a record (remember them kids – black plastic circular things you put on a turntable) by a then teenage Gary Numan – it was “The Pleasure Principle”:
The music was electronic and I knew I had found my passion, the cover was baffling – a dapper teen in a suit, glancing casually at a glowing pyramid:
A simple re-working of the Waterbomb, some nice symmetry, it is delightfully complete on all sides
Made to celebrate the 30th Anniversary of that album, and the fact that I am going to see him and his band in concert tonight (WOOO!) supported by Severed Heads. Very excited by both, just quietly, as I had long given up home of ever seeing either live and resigned myself to collecting all their recorded works.