Any self-respecting Nirvana fan is familiar with the song “Heart Shaped Box”:
I was listening to some vintage Nirvana on Spotify and that simple song inspired this simple box. Continue reading
603: (53/365) Tsushima Cat
I have had this lovely little feline on my “must fold” list for ages. Found in a cursory scan of a Tanteidan convention book, the folding sequence was fascinating:
I waited until I had the right paper – in this case another sheet of hand-made Daiso paper with fibre inclusions in a rusty red. Continue reading
602: (52/365) Jason Ku’s Lizard
I bought some hand-made paper with inclusions from Daiso and wondered how it would fold, so looked for a punishing model to test it out:
This is Jason Ku’s Lizard – a lovely little critter with toes, an elegant tail and a funky face with gaping mouth and bulby eyes. Continue reading
601: (51/365) Hideo Komatsu’s “Rhino”
I want to pretend that I have the skill level to master a fold first go, but in truth, sometimes it is not as simple as that:
This Rhino appeared in the current edition of the JOAS magazine Tanteidan and I was determined to try it – an hour or so and it would be done – right? Continue reading
600: (50/365) A Shedload of Models
For those of you keeping up, you will notice SOME of the posts on this blog have numbers. The first number (in this case 600) represents a catalogue of sorts – it documents the number of new models that I have never folded, before documenting it here:
Jo Nakashima’s “6” is new for me, the “0” is a refold but, yeah, 600!!!! Continue reading
599: (49/360) Jun Maekawa’s Square Donut
Starting with 2 squares of paper, some simple creasing, an odd thing happens – a solid shape emerges:
This squarish donut is odd, it slides together with nearly no folding and creates an interesting geometry. Continue reading
598: (48/360) Neal Elias’ “Rocking Horse”
This model is testament to the design genius of Neal Elias:
Taking the bird base, and a colour change, we fashion a jockey (with the cutest little cap) atop a rocking horse. I love the detail here and will probably fold this again, only with a slightly bigger bit of paper. Continue reading
597: (47/360) Jun Maekawa’s “Gemini”
Puddling around in an old Tanteidan magazine, I noticed that the first few pages are usually devoted to smaller folding projects – often modular in nature:
This 2-part modular is fascinating and initially I found it baffling as the diagrams were not really clear (the illustrator was trying to represent stages that were 3d in 2d line drawings) and the instructions are all in Japanese. Continue reading
596: (46/360) Keigo Matsuda’s “Peter Rabbit”
Now it seems Beatrix Potter has gone out of favour in the age of political correctness, but there is no denying the charm of her stable of animal characters as they anthropomorphise through their day:
This is “Peter Rabbit” – well, more correctly it is supposed to be the rabbit from “Through the Looking Glass” but the colouring I used is more Peter that White Rabbit in my opinion. I have never really understood the Victorian tradition of partially clothed animals (he is wearing no pants, right?) but that is carried over to cartoon characters also which is a little odd. Continue reading
595: (45/360) Valentines Day
Now I know there are those who say that Valentines Day is a Hallmark business opportunity, but I happen to think that celebrating someone you love is a good thing:
My valentine loves to read, so I thought a pair of Washi Deluxe bookmarks would not go astray. Continue reading
594: (44/360) Shore Crab
A folder I follow on Facebook asked for volunteers to test his diagrams for a new crab design so naturally I put my hand up:
This is Tuan Hoang Pham’s “Shore Crab” design, a delightfully dense creation that is morphologically fairly close to a ghost crab in my opinion. Continue reading
593: (43/360) Neal Elias’ “Andres Segovia”
When a member of the British Origami Society, I purchased “Selected works of Neal Elias” and continue to find gems within it – this is one such treasure:
Modeled after a classical guitarist in 1970, this model starts with a 3×1 rectangle (8×23 to be exact) and, via miracles of box pleating (a pioneering technique back then) we tease an artist and his instrument. Continue reading
592: (42/360) Sooo…Mr Whitehouse, Can you Fold a Paper Plane?
I have lost count of the times I have been asked this by students, presumably based on the assumption that because I fold paper I must make a mean paper plane:
Truth be told when I make simple paper darts they fly terribly, not sure why. Many of the worlds great origamists started with paper planes – I did not. Continue reading
591: (41/360) Miura Ori Fold
Paper-influenced materials engineering has gained incredible momentum in the last few years as ancient and modern folding techniques get applied to modern materials:
The Miura Ori fold is a fascinating corrugation that takes large flat surfaces, divides them up into “shallow” parallelograms, re-arranges the creases into alternate rows of mountain and valley across the folded field to make a self-organising surface. Continue reading
590: (40/360) Daisy
“Daisy, Daisy, give me your answer do. I’m half crazy….”:
There were fewer chilling cinematic moments than the last conscious moments of HAL, the conflicted computer in Kubrick’s 2001 A Space Odyssey. The slow disappearance of cognisance is so beautifully portrayed. Continue reading