Who could have foreseen that the concurrence of a series of parallel mountain folds interspersed between a series of concentric parabolic valley folds would result in something with such sculptural simplicity?:
This is Jun Mitani’s “Spheroid”, well, at least as close as I could get to it by guessing the intervals between parallel lines and the curve on the parabolic ones. Continue reading
Potter Nerds and Minecraft Nerds unite, for I present to you a “Minecraft” style cubey golden snitch:
This buzzy little bugger would be difficult to catch in a full on game of Quidditch indeed. This is Riccardo Foschi’s “CuBird”, an interesting little CP that collapses with a little wrangling to make a lovely little cube and enough paper to fan out a quite solid set of wings. Continue reading
Now I am not really new to the whole “fold from a CP” approach to origami, but I am not consistently good at it either, many models have just baffled me. Initially this CP was beyond my understanding also but you know, when you keep at something eventually something gives and it can make sense:
This is Mike case’s “Campfire” – a devilishly clever use of a colour change, box pleat and concertina folding that results quite magically in a set of pointy flames and 6 modellable stickey-outey things that become the logs. Continue reading
I will admit it, I have been a Star Wars fan since it was possible to be one. I saw the original movies many times in the cinema DECADES before my kids thought it would be cool to do the same with the new ones:
The original 3 movies were special (well, they WERE before Lucas began messing with them again), the “Force” was this unexplained thing that made sense (subsequently RUINED by the introduction of “midiclorians” or some such shit), space ships where sterile white, blasters went “pew pew pew” but left no blood spatter and it was kind of ok to crush on your sister until you realised she was your sister. Continue reading
I have been exploring the wonderful work of Victor Coeurjoly, in particular his human figure (hombres) work which is very distinctive.
I came upon a crease pattern in his Flickr stream and knew I had to try it. I have been exploring these guides more and more as I find super complex models exist only in this form sometimes – doing the whole instruction/diagram sequence is hard work if you are busy and creative:
I am pretty sure he uses tissue foil (really thin, metallic-backed paper) and methyl cellulose (an “acceptable” paper stiffener and setting agent) to keep the limbs thin and posed but the style is amazing.
I set about using normal paper, failed miserable because there are 4 places where the creases become so intense that the paper just disintegrated. I tried a chunk of litho paper and it was better (if a bit thick to do the final limb and torso modelling, but demonstrative of form none the less. Continue reading