Gieseking Bends and Shifts

Exploring the geometric folds of Rebecca Gieseking, I was taken with cyclindric transformations:

Gieseking cylinder transformations

Using calculated crease patterns, a cylinder can be “shifted” using a peculiar tapered spiral, or “bent” using a curved “gusset” – interesting stuff,

Gieseking cylinder transformations views

Folded using printer paper, I think it would look nicer with slightly heavier paper, the trick is accuracy and crisp creases. I must explore these techniques more.

Tribute to Eric Joisel – Week 4: “Harlequin”

I cannot for one moment pretend that all my folds work out – indeed I have sent LOTS of paper to landfill as twisted wrecks of models i have later mastered.

Ric Monty's CP of Joisel's Harlequin

A single week (with work, life etc) for me was not a challenge I could complete – the Harlequin model is a glorious extension of a “gnome-like” structure, the pre-creasing took me 2 days alone.

My unshaped first-fold of Joisel's Harlequin.

I managed the collapse, fairly cleanly, managed to isolate all the key features (face, hat, bow, cape, arms with ruffles, skirt and puffy-pants legs with diamond stockings. I ran out of time shaping, sadly.

Wet folding requires application of water and/or MC, molding, clamping and waiting for it to dry before moving on – the process is tedious, long winded if you have to go to work, sleep etc as well as shape. A piece like this would typically take at least a week to shape alone, so I am not sure it was a good model choice for a week challenge – that said, a couple of folders managed it – I have no idea how.

I will re-fold this, when I am less time-restricted. I am sad I did not complete the challenge actually – it upset me to think I did not have a week 4 entry. the process of acceptance has kicked in however and I am stoic enough to look back at what I did achieve over the past 4 weeks. I am inordinately proud of my efforts, regardless of what the judges thought.

I reflect on Joisel’s legacy a lot – he passed 10 years ago today, I remember the shock that consumed the origami community at his passing, but celebrate his artistic contribution – he re-defined shaping, “breathing life into paper” like no one else.

If you are interested in the challenge, other entrants and the whole shebang, go here: for the tribute competition home, galleries etc.

1011: Foschi’s “Gecko”

I had a 12cm square of thin crisp Kraft and decided to try the Riccardo Foschi CP for his gecko. This required a 32 square grid, making resultant pleats 4mm or less each:

Riccardo Foschi's Gecko

I figured this was a good test of my accuracy, and found it quite relaxing but fiddly with my nerve-damaged hands. I am working on my CP deciphering skills, and this seemed quite straight forward.

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1008: Lend A Hand

After what feels like ages, I am returning to recreational folding (it is great therapy):

Sergio Gurachi's Skeleton hand

This started as a mystery CP by Sergio Guarachi, that I sort of solved, then researched and realised I collapsed it more or less correctly. I am still a NOOB when it comes to solving CPs, so was a little chuffed that my collapse liberated a workable number of points, and with some creative smooshing (an actual origami technique) got a fair approximation of a human skeletal hand.

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1005: Mask#16

Lately I have been folding a lot of faces – some free-form, some crease pattern (CP) based:

Mask #16 - Flynn Jackson

This is Mask #16, designed by Flynn Jackson, folded from cardstock, painted bronze.

I am beginning to get a “feel” for facial features – repetition and practice of free-folding helps me realise nuances between face structured, position of key anchors (brow ridge, nose, mouth) and how to set the eyes.

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