538: Sock and Buskin

After some fiddling, and diagramming (hopefully for the Sydney Folders Convention book) I am happy with the component parts of this original model:SockAndBuskin

The sock and buskin are two ancient symbols of comedy and tragedy. In Greek theatre, actors in tragic roles wore a boot called a buskin (Latin cothurnus) that elevated them above the other actors. The actors with comedic roles only wore a thin soled shoe called a sock (Latin soccus).

Melpomene, the muse of tragedy, is often depicted holding the tragic mask and wearing buskins. Thalia, the muse of comedy, is similarly associated with the mask of comedy and comic’s socks. Some people refer to the masks themselves as “Sock and Buskin”.

Inspired by face work on Eric Joisel’s Dwarf series, a single piece of paper becomes BOTH comedy and Tragedy – happy with the result.

Have a try with my diagrams: http://www.wonko.info/365origami/wp-content/uploads/SockAndBuskin-PeterWhitehouse_2.pdf

537: Quad Tsuru two ways

Taking a square and (nearly) cleaving it into 4 separate sheets leads to an interesting design dilemma:537QuadTsuru2

When the join is in the centre of the sheet, you can join wings, tails or I suppose beaks together.S10-2

When the joins are at the edges of the sheet, you could join wings, beaks or tails but I went for the symmetry of wings in this fold. Continue reading →

The Teacher

Luds is taking some leave, we all wish him well. I was approached to see if I could come up with some bent paper as an ooroo gift – this is what I ended up with:teacher

In this shadowbox, we see our favourite “bad santa” clutching a Chemistry book, in front of his beloved Electronic White Board, pen in hand.

This little chap, a Joisel-inspired Dwarf took a while to emerge from the page, but I am happy with this little diorama and I hope it beings a smile to Lud’s face – take care mate.

536: Double Tsuru (2)

Joined at the wing, this pair of Tsuru (traditional Cranes) was folded from a single sheet split nearly in half:536DoubleTsuru

Taken from “Hiden Senbazuru Orikata (The Secret of One Thousand Cranes Origami)” published in 1797. It is part of a series I hope to tackle…535DoubleTsuruInspiration

The trick is to not tear it as you fold it – the paper tension at the split is tenuous, so requires a gently, deft touch. Continue reading →

535: Double Tsuru (1)

Browsing the internet, as you do, I came upon a chance find of an amazing archive of pages from what is thought to be the oldest Origami book published – “Hiden Senbazuru Orikata (The Secret of One Thousand Cranes Origami)”, first published in 1797:535DoubleTsuru

Looks like i have a new project, making Tsuru (traditional Cranes) in multiples on a single (cut) sheet – looks like it is going to be a fascinating ride.535DoubleTsuruInspiration

Continue reading →

Comedy – Tragedy

Doodling with a single uncut A3 sheet, I managed to fold something approaching both masks of the Drama “Comedy and Tragedy” thingimage

Using a Joisel-like face thing twice, I think this model has potential as it uses one piece of paper to realise the whole enchilada. Continue reading →

Sunflowers Revisited

People who know me understand my obsession with folding. It is so easy to turn up my procrastination engine to 11 by asking me about the “possibility” of a commission or fold for a purpose:presented

MJ approached me AGES ago (I have been sitting on this post for 2+ months) and asked if I could fold something to brighten up a wall in Nikki’s workroom. Having just folded some sunflowers I figured they would look nice in a shadowbox frame. Continue reading →

534: Friday

Continuing my exploration of some of Eric Gjerde’s introductory tessellations, I liked the look of a square-twist based weave:534Weave

Sitting on a square grid, off-set squares are added to near diagonals and twist to collapse and lay flat again. The front side then is a jumble of rolling squares but when you flip it over to the waste side a lovely weave pattern has been made as a side effect of the surface twisting. Continue reading →

533: Gjerde’s Pinwheel Tessellation

After leafing through Eric Gjerde’s “Origami Tessellations” I knew I had found the motherload of paper punishment:Tessellation6

This is the “Pinwheel” tessellation and it has a hidden beauty. I am learning that a tessellation is a regular repeating pattern, magically interlocking “molecules” that go together like tiles on a mosaic floor.

Usually based on a grid (at least initially), this one is based on a triangle grid, and features closed hexagon twists and open triangle twists that compliment each others vertices very neatly. Backlit they reveal an intense and curious but often completely different geometry. Continue reading →

Tessellations

Folding is something I do, often to stave off boredom. When my students are working on assignments, I get large slabs of time where I need to be there but am not needed, so I bend paper relentlessly:t3

Folding grids is painstaking, but excellent discipline – accuracy is the key Continue reading →

532: A Krafty Little Fokker

Manfred von Richthofen, AKA “The Red Baron” flew a TRIPLANE – I know, right! Now a Triplane makes no sense to me, but using it, von Richthofen shot down his last 19 enemy planes, and subsequently crashed himself (you win some, you lose some):532KraftyFokker

I have lost count of the times students have asked if I can fold a paper plane. It turns out I can fold one with quite a level of detail, but not one that flies. Continue reading →

531: Joisel’s Horse Head

Many beauties reside in Eric Joisel’s folding legacy, most have no hints as to how he achieved them. The “Horse Head” design exists as an obscured crease pattern from his original notes:531JoiselHorseHead

A friend of this blog (Hi Jean-Baptiste!) offered his interpretation of the crease pattern and invited me to try folding it as he was having trouble with the collapse, so I thought why not. I need all the practice I can get on interpreting CPs. Continue reading →

530: Crown of Thorns

I am always on the lookout for something to keep my hands busy in the boring bits of the day. At the moment, many of my classes are doing assignment work, when they do not need assistance, rather than sit idle I fold:530cot

This “Star Twirl Torus”, designed by Yuri Shumakov, was a bit of a mistake – I must learn to read the fine print (you know, the bit that says “now repeat this 196 times”) – facepalm.

A simple module, 6 of which interlock to form an overlapping hexagonal star that is part of a twirl that keeps going. I sourced 6 different colours, sort of spectrum-themed and began to fold. Continue reading →

529: Trogdor The Burninator

When trolling through the Spanish Origami Society website (as you do), I came upon a set of hand-drawn diagrams for a dragon. Designed by Francisco Ramon Navarro Sanchez, I thought it was worth a go for the designer’s beautiful name, if nothing else:529Trogdore

Made from many bits of paper, taken from A4 sheets, it ends up being a bit of paper lego with a shape I recognised from a meme first inflicted on me by some students years ago – “Trodgor The Burninator”

Homestar Running’s “Trogdor” Continue reading →

528: Joisel’s Pangolin

Few Origami models reach Iconic status, few have the charm and grace of Eric Joisel’s Pangolin. I thought I would have a go at this fold:528Pangolin

Based, in part, on a field of diagonal graduated pleats that are “popped” into scaley plates, shaped simply to suggest tail, head and feet, his folds have a unique life breathed into them. Continue reading →