The couple are dragon fans, so it seemed obvious to include something from that world. I looked around for something that would present in a shadow box, and dismissing immediately the suggestion that “a ryujun would be nice”, I settled on a pair of Darkness Dragon IIs, designed by Tadashi Mori. [more of this post…]
I found some bargain animal-print tissue whilst looking on a whim in a “Crazy Clarks” wrapping section ($1.50 for 10 sheets 50x70cm), then went to the newsagent and purchased a packet of “Hallmark” brand tissue ($2 for 3 sheets 50x70cm) – both ends of the tissue paper spectrum I guessed. [more of this post…]
I was asked to fold an owl, simultaneously, for two completely different purposes. (1) A good mate wanted to give an Owl to someone who had helped him out with some well chosen words of wisdom. (2) During the World Origami Days event organised by MiniNeo, I was challenged to fold an Owl by Sebastien Limet. [more of this post…]
I prepared the paper by Methyl Cellulosing it to a clean window:
I had already folded the Darkness Dragon 1, but this model was a refinement I had not tried. There is a killer collapse after some exacting pre-folding – a sort of all these folds happen at the same time whilst inside a bunch of others, but the sense of it makes for a lovely body.
When the moon is in the Seventh House
And Jupiter aligns with Mars
Then peace will guide the planets
And love will steer the stars
This is the dawning of the Age of Aquarius
Age of Aquarius
I saw a crease pattern whilst trolling through the Origami Forum that looked like it was relatively straight forward to lay out on a piece of paper, based on fairly well controlled 64th grid with some fairly straightforward easy to locate landmarks and so thought I would give it a go.
It took nearly 2 days to lay all the creases in to the crease pattern – wiggly lines in one corner were punishing and at the time I had no idea what were to be mountain and valley folds so just made sure they were good creases reasoning they would reverse effortlessly.
I lke this model a lot – it is full of the essential giraffe features, economically uses the sheet and contains some wonderfully complicated folds. [more of this post…]
She who must be obeyed (SWMBO), an avid gamer and tamer of Dragons, had asked for a dragon so I put 2 and 2 together and got 17, well 5 to be precise. I have been exploring dragon-form, with the current Weyr (or wing) containing 5 dragons so far (Darkness Dragon by Tadashi Mori, Fiery Dragon by Kade Chan, Green Dragon by Piotr Pluta, Riu Zin 1.0 by Satoshi Kamiya and nearly a Western Dragon by Shuki Kato)
After examining the paper, and its fold receptivity, SWMBO decided on a Fiery Dragon so I start bending, patiently (the paper is more like fabric so although you can crease it, it tends to want to unfold again.
I have these lovely bits of Lotka and was looking for something to be my first fold with this new paper:
I chose Brian Chan’s Wolf spider partly because I had not folded it before and partly because the “milk chocolate” fibrous nature of the paper reminded me of the natural colour and texture of the spider itself.
The first cut is more painful than the first fold on a sheet that is roughly rectangular – the issues with most hand-made papers include rough edges, uneven thicknesses, odd fibre bundles in unfortunate places and a lovely mottled colour distribution.
As a member of JOAS (Japanese Origami Society) a present arrives in the mail every now and then – the Tanteidan magazine. Although it is written in Japanese (and I can not read Japanese) there are lots of fun things to try, occasionally amazing models to try:
This lovely crab, designed by Jason Ku, is a mathematical masterpiece – teasing the legs and claws from edges of the paper, shaping the carapace and the final, tidying does not just happen by chance. [more of this post…]
I took a sheet of 35x35cm Olive Tant and decided to try and re-make a model I have only ever achieved once, much much bigger. Logic would suggest, in retrospect, that it should not have been possible – the paper is too small and too thick, but I sort of decided I would stop when I could not fold anymore.
The net result is quite my favourite bit of bent paper at the moment – a lovely little baby Loggerhead Turtle (designed by Satoshi Kamiya), posed with a little MC but she is beautiful. Sure there were things that would have worked out a little better if the paper were thinner, but I am stoked it worked – it is a jewel indeed.
This is not my first fold of this model – I last folded it in 70cm Kraft and that too is a lovely thing, this little treasure however is nicer IWHO.